Art Museum

Located in Ueno Park, which is also known as "Ueno no Mori," the National Museum of Western Art is t

Glimmer Globe Theatre is thrilled to present Charles Dickens’ A Christmas Carol: A Full-Cast Audiobook to mark our eighth annual production of this classic tale! This new audiobook production features the voices of 30 regional and local performers (including many Glimmer Globe veterans and newcomers) bringing to life every one of Dickens' characters as they appear in the original text. The production also features music by Rob Montecalvo and B.J. Baker, as well as sound effects, and perhaps some surprises along the way!

Although he is one of the world's most popular authors who continues to thrill and chill readers and listeners of all ages, Edgar Allan Poe's life is as enigmatic as his sudden, unexplained death. In a quest for solutions to the mysteries surrounding the poet's life and work, a group of Poe devotees founded the Poe Shrine in 1922. This body included the world's most prolific Poe collector, a psychiatrist who believed Poe was clairvoyant, and the grandson of Poe's worst enemy.

The day Japan bombs Pearl Harbor, four 13-year-olds converge at the Metropolitan Museum of Art, where an eccentric curator is seeking four uncommonly brave souls to track down the hidden pages of the Kelmsbury Manuscript, an ancient book of Arthurian legends that lies scattered within the museum's collection and that holds the key to preventing a second attack on American soil.

One Marine's Passion for Ancient Civilizations and the Journey to Recover the World's Greatest Stolen Treasures. A blend of treasure hunt, police procedural, war-time thriller, and exposé of the international black-market in stolen art, told in the voice of a truly remarkable man: a soldier, a...

A collection of reviews made from January to June 2019 of exhibitions in museums and galleries in London and Oxford. The volume proceeds from Small Histories, published in 1996 then updated in 2011. Contents include: Mantegna/Bellini at the National Gallery, John Ruskin at Temple Place, Elizabethan Miniatures at the National Portrait Gallery, Pierre Bonnard at Tate Modern, Mary Quant at the V&A, Jeff Koons at the Ashmolean Oxford, and Anish Kapoor at the Lisson Gallery London.

A rare painting is stolen from the wall of Fairfield's Mystic Museum of Art, and is then mysteriously returned to its owner. Is this the work of a remorseful thief or a dangerous gang involved in a series of sinister crimes? It's up to Katie Porter to solve this mystery that may bring ruin to her editor's family. Will she discover the truth and still keep her job as a reporter for the Fairfield Gazette?

The days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do.

>Luminous and revealing, a daughter's memoir of the art world and a larger-than-life father. Gabrielle Selz grew up in a home full of the most celebrated artists of the 1960s and 1970s: Rothko, de Kooning, Tinguely, Giacometti, and Christo. Her father, Peter Selz, was the chief curator of painting and sculpture at the Museum of Modern Art in the heyday of Abstract Expressionism. Selz's father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on their family life.

David Rose interviews Declan MacGonagle about his appointment as the primary director of the Irish Museum of Modern Art, Kilmainham. They discuss in detail the director's view of a contemporary museum of art and his ambitions for its program within its local and international context. The dialogue probes previous appointments in Derry and at the ICA London.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

A review of the Mary Quant exhibition at the Victoria and Albert Museum London. The audiobook looks at the beginnings of the designer's practice, launched with the Kings Road boutique Bazaar in the 1950s; progressing to Quant's mini skirts and trouser suits in the 1960s, and development of a cosmetic range in the 1970s. Includes quotations from associates and biographical data.

Over one night, alone in the Punta della Dogana Museum in Venice, Leïla Slimani grapples with the self as it is revealed in solitude. In a place of old and new, she confronts her past and her present, through her life as a Moroccan woman, as a writer, and as a daughter. Surrounded by art, she explores what it means to behold and clasp beauty; enveloped by night, she confronts the meaning of life and death.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true-life crime is retold. Mr Welles, we’re ready.