British Crime Fiction

CASE FILE #18–June 2008. Katherine Alford was found dead in her car at a local beauty spot. The devoted mother had received an urgent phone call late in the evening, and asked a neighbor to babysit for ten minutes. She never returned. Gus Freeman and his team uncover failings in the initial police investigation, but every eyewitness they re-interview can’t offer fresh clues, they only add to the mystery. Who did Katherine dash out of the house to meet?

Kendal Guthrie could start an argument in an empty room, but who killed him, and why? The Crime Review Team was formed in Wiltshire, England, to investigate old cold cases. Headed by Gus Freeman, the team has successfully solved several cases, using old witness statements plus fresh clues. Kendal Guthrie argued with five people in a remote country pub on the night he died. How could the killer have reached Guthrie’s farm ahead of him that night? It seemed impossible. Gus Freeman believes that distance, time, and locations are the key to solving the mystery.

In Wiltshire, England, the Crime Review Team headed by Gus Freeman was formed to investigate cold cases. Freeman and his team have successfully solved several cases, using old witness statements plus fresh clues. After delving into Marion Reeves’s past, Gus Freeman confronts a group of wealthy people who are desperate to hide the truth. Each witness interview provides another missing piece of the jigsaw. Can Freeman complete the picture and unmask the killer?

Before she left she carved a number in blood on his chest. But why the number 2, if this was her first murder? A woman stalks London. She kills at will. Her targets are men who have wronged her, or have they? What is behind her hatred and why is she keeping count? DCI Cook and his team know who she is, at least after she has killed the first four, but the woman disappears in plain sight. The pressure's on to stop her, but she's always one step ahead.

A riveting reimagining of the young woman who almost ended the American Revolution. Philadelphia in the 1770s. Peggy Shippen longs for the war she’s living through to end. Though not always appreciated at home, she finds her curiosity is welcomed by a lively and influential circle of friends...

The table is set for family dinner; roast chicken, wine for them and juice for their darling boy, a vase of fresh daisies from the garden for decoration. But the food is cold, and the flowers are wilting. You might think they were sleeping in the next room, if it wasn’t for the blood dripping crimson onto the carpet.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

On the bed, the naked bodies of a man and a woman. "Bullet in the head's not the way to go," Larry Hill, Isaac Cook's detective inspector, said. "Do you recognize him?" Detective Chief Inspector Isaac Cook said. "James Holden, from what I can see." "Rent by the hour?" "Not according to her handbag. There's a business card. She worked for the man." "You know this will be all over the media within the hour," Isaac said. "James Holden, a proponent of the sanctity of the marital bed, man and wife. It's bound to be."

A dismembered corpse floats in a canal in London. Isaac Cook is baffled as to why it's there. Is it gang-related, or is it something more? Whatever the reason, it's clearly a warning, and Isaac and his team are sure it's not the last body that they'll have to deal with.

"Walter, you old rascal," chuckled the barista as she placed the steaming cup of black coffee on the counter. Walter Shively raised an eyebrow, his eyes twinkling with amusement. "I've told you, young lady, it's not polite to call an old man a rascal," he said with a wink, taking the coffee in his weathered hands. The warmth was a comforting contrast to the chill outside, and he took a sip, savoring the bitter taste that brought him back to life every morning. The barista, barely in her twenties, giggled.

Forty modern masterpieces are found concealed on a neutral ship in international waters 16 months before the bombing of Pearl Harbor. Their provenance is sketchy and their final destination unknown. The Royal Navy suspects the works are “degenerate art” seized by the Nazis and shipped across the Atlantic to create cash for their covert operations. But how to prove it? There’s only one man for the job - Roy Hawkins. The British Secret Intelligence Service has put their half-American star agent in tough spots before, and he’s always come out on top.

When three wife beaters are themselves found beaten to death, DC Maggie Jamieson knows she is facing her toughest case yet. The police suspect that Probation Officer Lucy Sherwood - who is connected to all three victims - is hiding a dark secret. Then a fourth domestic abuser is brutally murdered. And he is Lucy’s husband. Now the police are running out of time, but can Maggie really believe her friend Lucy is a cold-blooded killer?

When the body of a badly mutilated woman is discovered, Detective Jon Pilgrim realizes they’re hunting a disturbed new killer, with a particular hatred for women. But the victims personal life is full of twists and turns, leading to several potential suspects, and few answers. Elsewhere, Nathan is working with new team member Ellie investigating the murder of a rich but reclusive man. All signs point to an escaped convict who has a history with Nathan and Kate. Delving into the two horrific cases, secrets are uncovered and danger lurks around every corner.

Everything is not as it seems during those balmy summer days at one of Oxford’s most prestigious colleges. Lorcan Greene, wealthy gallery owner and expert forgery-spotter, is hired by Detective Braine of the Art Fraud Squad to investigate a tip-off in Oxford. But Lorcan gets more than he bargains for, falling in love with talented art student Frederica Delacroix. But what’s she hiding and could she even be involved in forgery herself?

A missing child. A case unsolved. It’s happening again. Thirteen years ago, four children were killed, two survived, but the killer disappeared. Today, a boy goes missing from a sleepy suburban estate, and the system flags a name. The boy’s mother. She’s one of the survivors from thirteen years ago. Nathan, one of DCI Jon Pilgrim’s team, remembers the case. He was one of the officers who found the two survivors. Pilgrim’s team take the case, determined to find the child killer who escaped thirteen years ago.

After retiring to her dream cottage on the rugged English shoreline, Annie opens her newly refurbished art studio for her weekend retreat and is excited to meet her first guests. What her guests aren't expecting is to be thrown into the midst of a murder enquiry, especially when one of her visiting artists is the victim and another is keeping secrets. Will Annie use her skills of perception to her advantage and stop the killer in their tracks?

The villagers are quite a handful, from the rogue that is Claude Jeremiah Greengrass and his wily dog, Alfred, to the mysterious spinster Adelaide Bowes. Even some of the newcomers seem to be a little odd. But thankfully for Constable Nick, they are mostly law-abiding characters. But when old conflicts between villages flare up, it’s Constable Nick who has to sort things out.

Not when missing sheep need locating, stray dogs need homing, and thieves need identifying! As Britain’s most popular copper continues his work around the village, he has to cope with an array of eccentric characters: a postman who can’t read, a helpful lady who steals from the elderly people in her care, and a delightful small-time villain called Tin Lid Talbot. Winning an aged tin of sardines in a local raffle and upsetting the villagers by getting first prize at the local whist drive, PC Nick Rhea must contend with the variety and humorous exploits of a Yorkshire village.

“We have a secret the Devil and I.” These are the chilling words on the back of an old photograph that Sister Joan uncovers while cleaning out the attic storerooms. What she discovers among the dusty antiques leads to her most dangerous case yet. Joan has the strangest feeling that she's being followed. But the person she thinks she saw died over a year ago . . . Or did he? Then a young secretary turns up dead. She's been strangled. Another body is found and Sister Joan must get to the bottom of things before the murderer strikes again.

Farmer Paddy Fenton faces financial ruin as a result of foot and mouth disease among his flock. Then he gets an offer that he can’t refuse: ready cash to rent one of his outbuildings. He doesn’t enquire too closely as to what is happening there until a police raid uncovers a sinister operation. Eric Ward agrees to represent Fenton and soon finds himself in a bitter turf war. The criminal network stretches far beyond the local Northumberland countryside.