British Crime Thrillers

1979. Leading businesswoman Rebecca is struggling to build healthy relationships. Her on off partner is a philandering police officer, part of the team chasing the Yorkshire Ripper who’s striking terror across the county. Then Rebecca meets Larry, the charming American, with a troubled past. And then of course there’s Mervyn, the creepy journalist who’s desperate for a girlfriend and willing to do anything to keep her in his life. With three very different men craving her attention, and a serial killer on the loose, Rebecca finds herself in a twisted game of cat and mouse.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

D.I. Graves is back on the case to face his toughest challenge yet: a case with no motive and no suspect, nothing at all that could explain why someone would kill innocent people and then take parts from the bodies. Then the next victims are discovered: another pair of bodies, new body parts taken, and again in their own home. Someone is breaking into houses across the city at night, leaving horror in their wake. It seems to Graves that this could be two serial killers, working together. But how are they choosing their victims? Is any house in London a target? Is anyone safe?

Nigella Parker has a deep-rooted fear of fire and a talent for solving arson cases. When a charred figure is found beside Sir Christopher Wren’s Monument to the Great Fire of London, Nigella is dragged into a case pitting her against a murderous artist creating sculptures using burnt flesh. Nigella partners with Colm O’Leary of Scotland Yard to track the arsonist. The pair are more than colleagues. But their past isn’t the only buried history as they race to connect the dots between an antique nail and a long-forgotten architect dwarfed by the life's work of Sir Christopher Wren.

When decades-old human bones are discovered beneath the old glasshouse behind Foxglove & Hemlock, the local florist, DS Harriet March and DI Ben Taylor find themselves digging into Raven's Edge's murky past. As a frosty wind whips down the cobblestoned lanes of the village, the two detectives feel an ominous chill that has nothing to do with the weather… The discovery coincides with the arrival of enigmatic novelist Iris Evergreen at Raven's Hollow, a gothic monstrosity of a mansion that's been sitting empty for years.

With his partner away on a honeymoon, Yorkshire detective Andrew Dalziel tries to beat the blues by taking a vacation of his own. But after getting caught in a torrential rain and running into a funeral procession, he winds up accompanying a crowd of upper-class mourners to a crumbling country house. Dalziel isn't known for his elegant manners, but he has bigger problems than not fitting in: The owner of the home has died under unusual circumstances, and soon more bodies are turning up.

It's Alys Pugh's birthday and her mates are organizing a little surprise for her. When she doesn't show up, they realize something's wrong. Later, her body is found in the cold waters of Llyn y Fan. On searching Alys' house, detectives discover an array of seaside objects and suspect they are some sort of message left by the killer. With everyone seemingly harboring a secret, tempers fray and suspicion grows. And when similar trinkets are found in another of their houses, those underlying tensions bubble to the surface. Then someone else in the group is killed.

When the luxurious overnight passenger train from Calais to the Riviera, known as the Blue Train, arrives in Nice, a guard goes into the compartment of American heiress, Ruth Kettering and attempts to wake her. Unfortunately, she will never wake up, as she is dead, having been killed by a heavy blow to her head, disfiguring her almost beyond recognition. What is more, her precious ruby, known as the 'Heart of Fire', is missing. The prime suspect is Ruth’s estranged husband, but detective Hercule Poirot, who also just happens to be a passenger on the train, is not convinced.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When young girls start to disappear, newly arrived prison psychologist Saskia Monet is called in to assist Detective Inspector Winter Labey. But Saskia has secrets of her own—ones that give her a unique insight into the mind of a criminal… As a fourth child disappears, a chilling ransom note arrives, along with wooden flutes left at each crime scene—echoing the haunting tale of the Pied Piper. Saskia is convinced the kidnapper's motives run deeper than they are letting on, but can she persuade Winter to trust her instincts before it's too late?

While visiting his old friend Flambeau, Father Brown attempts to explain to an inquisitive American the 'secret' of his detective method, by means of eight stories of crime, murder, and obsession, including: a poet accused of the murder of a magistrate; stolen jewels and stolen fish; a theatre manager dead in a locked room; a mourner shut away in a castle; and the case of the worst crime in the world.

In an untouched corner of Craynebrook, the lifeless body of a local farmer is found, his blood mingling with the mud of Blackbird Farm. For Detective Inspector Matthew Stannard, still nursing wounds from a brutal assault, this grisly scene marks the beginning of an investigation unlike any he’s worked on before.

As criminal gangs rampage unchecked across London, a secretive elite squad begins a campaign of action, delivering the guilty to the cops – along with all the evidence they need for a conviction. But when innocent people are shot after the vigilante crew blunders into a major police operation – Detective Rick Turner among the unintended victims – it’s clear they must be stopped. Rick’s brother Sam might be able to help, but he’s a fugitive from the law himself, on nobody’s side but his own.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

When a young boy falls from a balcony in a block of flats, DS Grace Allendale witnesses the shocking aftermath of the tragic event. But strangely, no one will admit to seeing anything - and the parents will only tell the police that it was an accident. Determined to sort the truth from the lies, Grace is thrown into a case that takes her to the darkest corners of the criminal world - and strikes closer to home than she could have ever imagined.

The table is set for family dinner; roast chicken, wine for them and juice for their darling boy, a vase of fresh daisies from the garden for decoration. But the food is cold, and the flowers are wilting. You might think they were sleeping in the next room, if it wasn’t for the blood dripping crimson onto the carpet.

Dorothy Martin isn’t overly enthusiastic when her husband, retired police detective Alan Nesbitt, invites her to accompany him to a conference in Cambridge, picturing cramped student accommodation. But St. Stephen’s turns out to be recently renovated, and, bolstered by ensuite facilities, Dorothy is looking forward to exploring the historic and beautiful city. It is not long, though, before disaster strikes. Lost in the maze of college buildings, Dorothy stumbles into a laboratory—and is shocked to find what looks like a pool of blood on the floor.

A young psychiatric patient disappears from her ward in the dead of night. Eva Jansen’s medical records have been wiped, her history buried. Somebody wanted all trace of her extinguished forever — and fast. When forensic psychologist Alex Madison is tipped off that Eva possesses an extraordinary ability, he knows he must find her before she falls into the wrong hands. Her dangerous gift has eerie echoes of his previous cases, and he’s convinced there’s a connection to the sinister criminal network he’s been hunting for years.

Three university scientists are found dead in a gruesome murder-suicide, and the only suspect in the case, Victor Lazar, is quickly captured. When the spate of violent suicides follows him to prison he is moved to solitary confinement, reserved for the highest-risk inmates. And then his assigned psychologist inexplicably takes his own life. Alex Madison, a former forensic psychologist turned private therapist, is brought in to interview Victor. He suspects that Victor is controlling his victims, somehow coaxing them into a suggestive trance.