Chinese Fiction

For Dee Kwan, every day is the perfect day. No, really. She has a house she loves, a job she adores, and a ridiculously attractive “nemesis” who never seems to mind when she wins their favorite online game. How can life possibly get better? (It can’t, obviously. It can only get much, much worse.) Soon Dee is forced to share her adorably cozy home with her parents and estranged grandmother. Then she’s tossed into the deep end at work, tasked with cleaning up a scandal for the intimidatingly chic luxury fashion firm Celeste. If that weren’t enough, she discovers her hot nemesis works there, too.

The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.

For more than two thousand years, The Art of War has stood as a cornerstone of Chinese culture, a lucid epigrammatic text that reveals as much about human psychology, politics, and economics as it does about battlefield strategy. The influence of Sun-Tzu's text has grown tremendously in the West in recent years, with military leaders, politicians, and corporate executives alike finding valuable insight in these ancient words.

Long before Western writers had even conceived the idea of writing detective stories, the Chinese had developed a long tradition of literary works that chronicled the cases of important district magistrates. One of the most celebrated of these was Judge Dee, who lived in the seventh century.

In his own time (701-762), Li Bai's poems - shaped by Daoist thought and characterized by their passion, romance, and lust for life - were never given their proper due by the official literary gatekeepers. Nonetheless, his lines rang out on the lips of court entertainers, tavern singers, soldiers, and writers throughout the Tang dynasty. The Banished Immortal is an extraordinary portrait of a poet who both transcended his time and was shaped by it and whose ability to live, love, and mourn without reservation produced some of the most enduring verses.

If you are planning to learn all you can about Chinese Mythology, then check this audiobook out. It will give you insights into: The story of Pangu and the creation of the Earth, Nu Gua and the creation of mankind, how Nu Gua repaired the sky, myths of the Chinese festivals, the two Classic Chinese Myths: The Monkey King and The Lady White Snake, and more! If you are interested in culture and Eastern practices, then this audiobook is a great way to learn those myths and festival information.

Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together. But when a mysterious SUV pulls up beside her, revealing Chinese cinema's golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in.

The story you’re about to hear is the second Charlie Chan novel, and it features a parrot named Tony who is witness to a crime. The unusual bird spoke Chinese and had a less-than-perfect use of English grammar but was killed by the criminals as a precaution. Chan himself was a friend of a family selling jewels and agreed to deliver them on his first trip to mainland California. While there he masquerades as a pidgin-speaking cook during his undercover investigation. His profound and original intelligence offers genial humor and witty dialogue.

Four Chinese women, drawn together by the shadow of their past, meet in San Francisco to play mah jong, invest in stocks, eat dim sum, and to "say" stories to each other. Nearly 40 years later, one of the women has died, and her daughter arrives to take her place. However, the daughter never expected to learn of her mother's secret lifelong wish - and the tragic way in which it has come true. The revelation creates among the women an urgent need to remember the past.

Dream of the Red Chamber is one of the Chinese Noble Classics.

Baoyu has always believed that he will marry his childhood sweetheart, Daiyu. Daiyu is beautiful and talented, very sensitive, and physically fragile. It is a huge shock to him when he learns that his parents instead want him to marry Baochai, a healthy and considerate girl. Baoyu’s family is fast losing its fame and fortune.

In 1936, classical pianist Thomas Greene is recruited to Shanghai to lead a jazz orchestra of fellow African-American expats. From being flat broke in segregated Baltimore to living in a mansion with servants of his own, he becomes the toast of a city obsessed with music, money, pleasure, and power, even as it ignores the rising winds of war. Song Yuhua is refined and educated, and has been bonded since age eighteen to Shanghai's most powerful crime boss in payment for her father's gambling debts.

A puzzling publishing murder attracts the eye of Ellery Queen. Mandarin Press is a premier publishing house for foreign literature, but to those at the top of this enterprise, there is little more beautiful than a rare stamp. As Donald Kirk, publisher and philatelist, prepares his office for a banquet, an unfamiliar man comes to call. No one recognizes him, but Kirk’s staff is used to strange characters visiting their boss, so Kirk’s secretary asks him to wait in the anteroom.

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

These 11 stories, including five Chinese Galaxy Award winners, are a blazingly original ode to planet Earth, its pasts, and its futures. Liu's fiction takes the listener to the edge of the universe and the end of time, to meet stranger fates than we could have ever imagined. With a melancholic and keen understanding of human nature, Liu's stories show humanity's attempts to reason, navigate, and above all, survive in a desolate cosmos.

After winning her mother’s freedom from the Celestial Emperor, Xingyin thrives in the enchanting tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power. While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a perilous confrontation.

Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn't care. She’d rather play a monster than a maid. But in Luli's world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her.

China has been a wellspring of storytelling for over 2,000 years. Sadly, this fantastic literature is little known in the west outside the halls of academia, though a handful of recent 20th century authors have attained a respectable following. The stories in this volume date from the sixth century A.D. to the early part of the 20th century, and will give the listener a good feel for the subject. Astonishingly, the Chinese enjoyed from the earliest times many of the genres we take for granted today.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flower beds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee - whether to a mysterious gambling bordello or to ancestral homes that can be reached only underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by secrets and transcendent delusions.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.