Classic African American Fiction

Inside this harrowing collection, you’ll uncover three thought-provoking and classic novels about slavery, civil rights, and the plight of African Americans before the abolition of slavery. With timeless narratives and poignant, dramatic prose, these books have stood the test of time to provide unique and moving accounts of life as a slave.

Jean Toomer's Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style. First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned.

In God Ain’t Through Yet, Annette Goode Davis is thankful that her husband, Pee Wee, has decided to give her a second chance after discovering she’s having an affair. But post-betrayal Pee Wee seems a million miles away, and with true forgiveness the bitterest of pills, they may need a miracle to keep their marriage together.

With opportunities for black men limited in post-World War II London, Rick Braithwaite, a former Royal Air Force pilot and Cambridge-educated engineer, accepts a teaching position that puts him in charge of a class of angry, unmotivated, bigoted white teenagers whom the system has mostly abandoned. When his efforts to reach these troubled students are met with threats, suspicion, and derision, Braithwaite takes a radical new approach. He will treat his students as people poised to enter the adult world.

An unprecedented historical and literary event, this tale written in the 1850s is the only known novel by a female African American slave, and quite possibly the first novel written by a black woman anywhere. A work recently uncovered by renowned scholar and professor Henry Louis Gates, Jr., it is a stirring tale of "passing" and the adventures of a young slave as she makes her way to freedom.

In 1920s America, a plague is spreading fast. From New Orleans to Chicago to New York, the "Jes Grew" epidemic makes people desperate to dance, overturning social norms in the process. Anyone is vulnerable and when they catch it, they'll bump and grind into a frenzy. Working to combat the Jes Grew infection are the puritanical Atonists, a group bent on cultivating a "Talking Android", an African American who will infiltrate the unruly black communities and help crush the outbreak.

In New York City, Joanna Marshall is an aspiring singer obsessed with success, determined to overcome the racism and sexism that stand in her way. Her childhood friends Maggie Ellersley and Peter Bye confront similar barriers but with different goals in mind: Maggie is focused on finding love; Peter, on becoming a surgeon. But as their interests overlap and their ambitions collide, the course of Joanna and Maggie’s lives seems destined to change forever. Written in response to the dominant stereotypes of the time, There Is Confusion paints a revelatory portrait....

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

A ravishingly beautiful and emotionally incendiary reinvention of the love story by the legendary Nobel Prize winner “Arresting images, fierce intelligence, poetic language . . . One becomes entranced by Toni Morrison’s story.” —The Washington Post Jadine Childs is a Black fashion model...

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams, too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate'—a certain word from a saleswoman, that visit to the cinema, the cruelty of a department store Santa Claus—are always there.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.

From #1 New York Times bestselling author and two-time Pulitzer winner Colson Whitehead, an exuberantly entertaining novel that brings to life 1980s New York in the magnificent final volume of his Harlem Trilogy 1981. New York City is beginning to emerge from financial ruin and decline...

At the heart of Harriet E. Wilson’s autobiographical novel is Frado, the young daughter of a mixed-race couple, who is exploited first by a middle-class New England white family and then by an opportunistic husband on the abolitionist lecture circuit. In adopting the nineteenth-century conventions of both the sentimental novel and the narratives of enslaved people, Wilson delivered a scathing and ironic indictment of the racism of the antebellum North.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

Published in 1861, Harriet Jacobs's Incidents in the Life of a Slave Girl is an autobiographical account of the author's experiences as a slave in 19th-century North Carolina, from her relatively happy childhood to the brutality she experienced as a teenager and young woman to her eventual escape to the North.

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

First published in 1923, Jean Toomer's Cane is an innovative literary work powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.