Cultural Memoir

Paris in the 1940s was a place of fear, power, aggression, courage, deprivation, and secrets. During the occupation, the swastika flew from the Eiffel Tower and danger lurked on every corner. While Parisian men were either fighting at the front or captured and forced to work in German factories, the women of Paris were left behind where they would come face to face with the German conquerors on a daily basis, as waitresses, shop assistants, or wives and mothers, increasingly desperate to find food to feed their families as hunger became part of everyday life.

Before she was the Duchess of Windsor, Bessie Wallis Warfield was Mrs. Wallis Spencer, wife of Earl “Win” Spencer, a US Navy aviator. From humble beginnings in Baltimore, she rose to marry a man who gave up his throne for her. But what made Wallis Spencer, Navy Wife, the woman who could become the Duchess of Windsor? The answers lie in her one-year sojourn in China. In her memoirs, Wallis described her time in China as her “Lotus Year,” referring to Homer’s Lotus Eaters, a group living in a state of dreamy forgetfulness, never to return home.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

Du Fu (712-70) is one of China’s greatest poets. His career coincided with periods of famine, war and huge upheaval, yet his secular philosophical vision, combined with his empathy for the common folk of his nation, ensured that he soon became revered. Like Shakespeare or Dante, his poetry resonates in a timeless manner that ensures it is always relevant and offers something new to the modern generation. Broadcaster and historian Michael Wood follows in his footsteps to try to understand the places that inspired Du Fu to write some of the most famous and best-loved poetry the world has known.

Half-Korean, half-Japanese, Masaji Ishikawa has spent his whole life feeling like a man without a country. This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.

The daughter of slaves, Madam C.J. Walker was orphaned at seven, married at 14, and widowed at 20. She spent the better part of the next two decades laboring as a washerwoman for $1.50 a week. Then - with the discovery of a revolutionary hair care formula for Black women - everything changed. By her death in 1919, Walker managed to overcome astonishing odds: Building a storied beauty empire from the ground up that would be run by four generations of Walker women until its sale in 1985.

At once a deeply personal memoir and an examination of a violent and stratified country, The House at Sugar Beach tells of tragedy, forgiveness, and transcendence with unflinching honesty and a survivor's gentle humor. And at its heart, it is a story of Helene Cooper's long voyage home.

As a half-Black, half-Korean kid in Campbell, California, Dylan Park-Pettiford never really fit in, so he and his little brother Rory became joined at the hip. But after the terror attacks of September 11, 2001, swept up in patriotism, Dylan enlisted in the US Air Force and was sent to Iraq, and the brothers were separated. There Dylan’s days alternated between boredom and terror, and rare moments of levity and learning came thanks to an Iraqi boy named Brahim.

Pero más allá del éxito empresarial, MIGRANTE es la historia de cómo superar límites que parecían insuperables transformó no solo mi vida, sino también la de mi familia y mi comunidad. MIGRANTE no es solo mi historia; es el eco de millones de voces que, como la mía, han dejado su tierra para construir un mejor porvenir. Es un homenaje a la resiliencia, al espíritu indomable de quienes nunca dejan de soñar y al sacrificio de aquellos que, lejos de su hogar, siguen siendo el pilar económico y emocional de sus familias.

When a moment of quietly ignored bigotry prompted his three-year-old daughter to ask "what happened?" David Chariandy began wondering how to discuss with his children the politics of race. A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now 13-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth.

As the only African-American soloist dancing with the prestigious American Ballet Theatre, Misty Copeland has made history. But when she first placed her hands on the barre at an after-school community center, no one expected the undersized, anxious 13-year-old to become a ground­breaking ballerina. Life in Motion is a story of passion and grace for anyone who has dared to dream of a different life.

In 1960, Frank Worrell was appointed the first Black captain of the West Indies cricket team. Within three years he was knighted; within five, the West Indies were the champions of the world and would come to dominate cricket with their wicked bowling and electrifying play. Yet two years later, in 1967, Worrell died of leukaemia and cricket lost its 'ideal cricketer'. But Worrell wasn't merely an extraordinarily talented and record-breaking sportsman. By the time he died he was a founder of the University of the West Indies and a Jamaican senator.

In the 34 years since his retirement, Henry Aaron’s reputation has only grown in magnitude: He broke existing records (rbis, total bases, extra-base hits) and set new ones (hitting at least 30 home runs per season 15 times, becoming the first player in history to hammer 500 home runs and three thousand hits). But his influence extends beyond statistics, and at long last here is the first definitive biography of one of baseball’s immortal figures.

By a prize-winning young Black trans writer of outsized talent, a fierce and disciplined memoir about queerness, masculinity, and race, Pretty is as much a powerful and tender love letter as it is a call for change.

After losing her job due to the coronavirus pandemic, a vet tech decides to confront the roots of her childhood traumas by hiking the Appalachian Trail. Pack Light follows a woman's journey changing the narrative of hiking while Black—because the great outdoors belongs to everyone.

The epic, rollicking, up-and-down life of Muddy Waters—who went from Mississippi farmhand to musical legend, invented electric blues, and created the template for the rock-and-roll band and its wild lifestyle—is chronicled with rare vividness in Robert Gordon’s widely praised biography.

A chronicle of the divergent journeys of a father, who fled post-war Vietnam on a small boat to find refuge in the United States, and his American-born daughter, who ventures to Vietnam as an adult, capturing the stark contrast between their perspectives on their shared homeland, as they search for common ground and a path toward mutual healing.

Mark Mathabane was weaned on devastating poverty and schooled in the cruel streets of South Africa’s most desperate ghetto, where bloody gang wars and midnight police raids were his rites of passage. Like every other child born in the hopelessness of apartheid, he learned to measure his life in days, not years. Yet Mark Mathabane, armed only with the courage of his family and a hard-won education, raised himself up from the squalor and humiliation to win a scholarship to an American university.

Empress Wu Zetian (624-705 AD) was the only woman to be the sovereign ruler of imperial China. A teenage concubine of the Tang Emperor Taizong, she seduced his son while the emperor lay dying. Recalled from a nunnery as part of an intricate court power-game, she caused the deaths of two lady rivals, before securing her enthronement as the Emperor Gaozong's consort. She ruled in the name of her husband and two eldest sons, presiding over the pinnacle of the Silk Road, before proclaiming herself the founder of a new dynasty.

Sean was a seventh-grade drop-out, a dishwasher then a construction worker to help his mother and sister scrape by, and a self-described "nobody with a sad story behind him." Yet he cannot deny the glimmers of life's goodness even amid its rough edges. Such goodness becomes even harder to deny when Sean meets the love of his life at a fried chicken church potluck, and harder still when his lifelong love of storytelling leads him to stages across the southeast, where he is known and loved as "Sean of the South."