English Theater

More over-the-top violence, harem fun, and awesomeness as one man fights against a deathly conspiracy and one woman seeks justice. Letha plans to ascend to Planet Paradise Fourteen, where she will finally have her revenge. If only this planet were everything it appeared to be on the surface, instead of the golden-framed and crystal-distorted mirror image of Planet Kill. They still have their sex parties, their fighting competitions, and even a sport that is in a way a shrine to everything she tried to leave behind.

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night.

This is the riveting, brutally honest story of a man’s struggle to make something of himself in the theater. Coming from meager circumstances in the Ozark Mountains, he fights his way up the shaky ladder toward fame. He makes mistakes, goes down blind alleys, fails and succeeds, again and again. But he never quits.

Jack Jensen is a middle-aged nobody who lives a lackluster life in an even more uninteresting town. Having sampled every job the small town of Merrill, Wisconsin has to offer, he has excelled at nothing but growing his beer gut and his luxurious curly, chestnut brown hair. His life is one of unrealized potential and lack of direction. Things change one morning when his brother, an Army Major, lands his helicopter in the parking lot of Jack’s less-than-profitable gaming store.

Barlowe Theater stole the life of Greta Mercy’s eldest brother during its construction. Now in 1915, the completed theater appears every bit as deadly. When Greta’s younger brother goes missing after breaking into the building, Greta engages the assistance of a local police officer to help her unveil the already ghostly secrets of the theater. But when help comes from an unlikely source, Greta decides that to save her family she must uncover the evil that haunts the theater and put its threat to rest.

Norman Mathews was born in the wrong town, the wrong era, and with the wrong name. What’s a boy to do? He conjured up a more enticing, imaginary world to better navigate the perils of childhood. Dreams of a life in the theater and of passionate romance were stymied by lack of self-assurance.

When Margaret Thursday lands a role as a child actress at a well-known London theatre, becoming famous almost overnight, news of her success reaches her bitter enemy, the matron of her old orphanage. Margaret knows that Matron is set on revenge, but she keeps her head held high, focusing on the play. But Matron’s evil plans are well prepared and Margaret is going to need her wits about her – and the help of her friends – if she is to escape unharmed.

Alex/Xeal tried to let things come to him and in doing so things escalated quickly almost ending in disaster for him. Now it’s time for him to make his will known and assert himself on those who wish to assert themselves on him. As forces from both reality and Eternal Dominion try to manipulate Alex/Xeal for their own designs, will he succeed, or will he find himself overwhelmed and bogged down by the plans of others?

After overcoming the assault in Eternal Dominion by Abysses End's members, Alex/Xeal and his friend have shown that they can stand firm. Now they must navigate Abysses End's advances in reality without isolating themselves from the entirety of the VR gamming workshop community. While the nobles of Nium have begun to take a vested interest in Alex's/Xeal's progress. Will Alex/Xeal and his friends be able to navigate these diplomatic situations or will they find themselves dancing to the tune of others.

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theatre for all.

The Pestilence has come, and kingdoms fall. Nemon Fargus has done what he could to prepare for this, but the End of an Age is not something that can be fought—only endured. The wizard can only hope that what he's done will be enough.

George Webber, a first-time author, writes a book that makes frequent references to his home town of Libya Hill. The book is a success, except in Libya Hill, where the residents believe that it paints an extremely distorted portrait of their town. They send Webber menacing letters, including death threats.

Mace and Shari continue their search for survivors among the undead even as they struggle to stay alive themselves. While working to raise their sync levels with the game, the new couple pursue the quests they’ve picked up, explore a dungeon or two, and work to stabilize the game world they hope to live in. With the undead world above closing in, will they have the time to figure out how to save themselves and other survivors?

“Crackling and bighearted...A powerhouse [that] echoes with the truth that we find harmony when we listen first to ourselves.” —Oprah Daily * “Takes off with magnificent speed and never lets up.” —The New York Times * “Revolutionary.” —NPR’s Morning Edition * A Los Angeles...

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.

Tilda Quickthatch gave up adventuring years ago and retired to small-town Briarhaven as the local tavern wench. But now the past she's worked so hard to keep hidden has come calling for her. Its messengers? A group of misfit teens who insist she train them to pick up her mantle... or else. But what starts as simple "roll" play soon turns deadly when their antics attract the attention of a fearsome necromancer who never gave up searching for Tilda. He swoops in with a sinister offer: exchange the powerful artifact she stole nearly a decade ago for her former partner's life.

Ghost Light: An Introductory Handbook for Dramaturgy offers useful and entertaining answers to the confounding question: "What, exactly, is dramaturgy, and what does a dramaturg do?" According to Michael Mark Chemers, dramaturgs are the scientists of the theater world - their primary responsibility is to query the creative possibilities in every step of the production process, from play selection to costume design, and then research the various options and find ways to transform that knowledge into useful ideas.

Lively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness)...

A sweeping, witty, and wise novel following an actress and a writer-director—told through the plays they make together and the time they spend apart You could probably run cities on the energy generated between directors like him and actresses like her. When Frida Slattery and John Reddan meet...