English Theater

Life is cruel. Arbor learns this lesson the hard way when everything he loves is taken from him in a single night. Left alive by the men who butchered his family, Arbor has two options: give up and perish, or rise up and fight to take back the life he's lost. To do that, though, he'll have to leave behind the only home he's ever known and venture out into the world beyond. What he doesn't yet realize is that the world is a much more dangerous place than he could ever have imagined. A world filled with magic, monsters, and mythic beasts powerful enough to destroy entire nations!

Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe. Runyon described himself as 'being known to one and all as a guy who is just around'. That line seems to say a lot about Runyon and his life.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

After 40 years with his beloved wife, Henry is alone for the first time. His sudden bachelorhood is a struggle for him and his daughter Lisa, who is feeling pressure to fill the void. To give Henry the companionship he’s craving, Lisa buys him a personal robotic assistant. The device transforms Henry’s life and inspires him to embrace the possibility of romance during his golden years.

Grace is an usher at the stately (and possibly haunted) Royal Ruby Theater. She’s also an aspiring actress ready for her big break. Vanessa is the glamorous yet spiteful star who’s made more enemies than friends on her rise to the top. When Vanessa winds up dead in act one, Grace is determined to find the killer. But is she seeking justice, or something darker?

Oric Rune is on the hunt for retribution. As the sky shifts crimson, a plague engulfs the continent. Oric must act. Revenge can come later; destiny awaits. Joined by a wolf, a mage, a giant, and a cunning illusionist, Oric's unlikely team is his best chance for survival in this fantasy LitRPG adventure. As the enemies close in from all sides, Oric must make the difficult choice between personal vengeance and becoming the hero he is destined to be. Or die. Because a player can actually die in the online fantasy world known as Unigaea.

For those who reside in the outer regions of Aleria, the day of bestowal is what determines their destiny. It is the holy day of the Goddess. The day that allows those of age to step forward and receive their blessing, to embark on the path that she has chosen for them. To receive their Classification, which dictates their strength and ability. For those people, the holy day of bestowal represents fate itself. For Dante, it represents salvation.

A portal opened, and Perry's curiosity got the better of him. Once. Twice. Three times did Perry step through a portal, each to a new and strange world. He stepped through into a world of advanced technology, power armor and micro reactors. He stepped through into a world of knights and kings, orcs and goblins, where old wizards handed out magical swords. He stepped through into a world of hidden vampires and rainy streets, where the clocktower tolled the hour as ships sailed by.

After conquering all of Hesse, creating a devilish new dungeon, and establishing himself as the villain that everyone loves to hate, Lucas decides to continue his quest to create new content by taking over as a dungeon master on the mainland. Unlike the dominant force on the island he left behind, however, the once-mighty Imperium only controls a single capital city in a rapidly shrinking territory, leaving a group of scheming nobles to bicker among themselves and fight over scraps of land.

Run. Hide. Live the good life online. Early retirement looked so easy on paper. Steal eight million euros from a gangster. Hide inside an online game and enjoy the finer things in life as a bard until the danger had passed. Except Daniel messed up. Now, the gangsters are in the game looking for him and he's stuck with an imbalanced character build in a dead-end starter village. Can Daniel find his own place and a life worth living inside the World of Chains?

In Tinder Box, Tony Hatch, former CBS reporter and Emmy Award winner, tells the Iroquois story as it has never been told before. In a rush to open the theater on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs, and functioning asbestos curtain. Some exits, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward, and exterior fire escapes were unfinished.

Out-of-work Latin teacher and borderline alcoholic Austin DeSantis is determined to spend his final days in the arms of a prostitute—that is if the aliens don’t exterminate humanity first. But when the aliens land at the Vatican, begin speaking Latin, and reveal themselves to be Catholic, the world turns upside down. Pressed into service as a translator and thrust into the center of humanity's first contact with a cryptic alien race, Austin must uncover their true intentions before religious turmoil rips the planet apart.

In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy.

Tilda Quickthatch gave up adventuring years ago and retired to small-town Briarhaven as the local tavern wench. But now the past she's worked so hard to keep hidden has come calling for her. Its messengers? A group of misfit teens who insist she train them to pick up her mantle... or else. But what starts as simple "roll" play soon turns deadly when their antics attract the attention of a fearsome necromancer who never gave up searching for Tilda. He swoops in with a sinister offer: exchange the powerful artifact she stole nearly a decade ago for her former partner's life.

Newly divorced Lily Kimura returns to her hometown to start fresh with her daughter and her recently retired parents. She’s committed to rebuilding her life, starting with a new job at the town theater. The Starlight Cove Playhouse has been closed for years, ever since a tragic fire took the life of the lead actress. Now, thanks to an anonymous donor, the town is finally ready for a revival. So is Lily, who wholeheartedly dives into her new duties as theater manager, including an unexpected connection with the visiting movie star playing the lead.

Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations - Rosencrantz and Guildenstern Are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love - remain as fresh and moving as when they entranced their first audiences.

Ignas Corvinus, ruler of Vlachia, has been captured by his worst enemies. A puppet ruler has been installed to lead the most powerful nation in Archemi, and he's doing his best to blame Hector Park, his dragon Karalti, and their allies for the world's problems.

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theatre for all.

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.