Entertainment History

Quincy Jones (b. 1933) is one of the most prolific composers, arrangers, bandleaders, producers, and humanitarians in American music history and the recording and film industries. Clarence Bernard Henry focuses on the life, music, career, and legacy of Jones within the social, cultural, historical, and artistic context of American, African American, popular, and world music traditions.

How does magic in J. K. Rowling’s universe work? Finally, the scientific secrets of the Harry Potter universe are revealed! The Science of Harry Potter examines the scientific principles behind some of the spells, scenes, and games that Harry, Hermione, Ron, and Dumbledore love best. Author Mark Brake, whose The Science of Star Wars was a knockout success, has found the answers to satisfy the curious spirits of muggles everywhere.

The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley's fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley's passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s.

Acclaimed biographer William Mann follows Elizabeth Taylor publicly as she makes her ascent at MGM, falls into (and out of) marriages, wins Oscars, fights studio feuds, and combats America's conservative values with her decidedly modern love affairs. But he also shines a light on Elizabeth's rich private life, revealing a love for her craft and a loyalty to the underdog that fueled her lifelong battle against the studio system.

This book is a comprehensive history of the most successful straight-to-video horror franchise of all time: Puppet Master. It provides an in-depth exploration of all 14 films to date—including a made-for-TV crossover and a theatrical reboot—and the action figures, comics, and other merchandise that have helped to keep the brand alive for the past 30 years.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

Secrets of the Serpent: After years of research, the real religious history of the world can be told. In Secrets of the Serpent, Philip Gardiner for the first time reveals that the world’s most mysterious places were once sacred to the Serpent Cult. The Cross of Thoth: Deep within the great pyramid is a secret that has remained hidden for over 4000 years. An ancient instrument designed to unlock mysteries that have baffled mankind for generations. The Real BloodlineTim Wallace-Murphy talks about the real bloodline of Jesus Christ and Mary Magdalene....

While every new TV series has to face some problems, no show had to overcome greater obstacles than Gilligan's Island. In spite of that, no series has achieved greater success, as measured by the fact that Gilligan's Island has given rise to three TV movies, two animated series, and is the most rerun program in the entire history of television.

Jonathan Cott met John Lennon in 1968 and remained friends with him and Yoko Ono until John's death in 1980. He has kept in touch with Yoko since that time, and is one of the few writers who understands her profoundly positive influence on Lennon. This deeply personal book recounts the course of these friendships over the decades and provides an intimate look at two of the most astonishing cultural figures of our time. And what Jonathan Cott has to say will be found nowhere else.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

In Plunderphonics, Matthew Blackwell tells the story of a group of musicians who advocated for changes to the copyright system by deploying unlicensed samples in their recordings. Though the legal terrain did not shift in the favor of plunderphonic musicians, they changed public perception of fair use and enabled more widespread sampling in underground music.

We'll Always Have Casablanca is celebrated film historian Noah Isenberg's rich account of this most beloved movie's origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca's production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, and the effect of the war's progress on the movie's reception.

In The Pied Pipers of Rock 'n' Roll, Wes Smith examines the phenomenon of the AM deejays who captivated a generation and helped define the counterculture that has forever changed the landscape of American youth. Smith takes a close look at nine of the men who made this happen and explores the reasons for their influence and its lasting effects on the generation whose lives still unfold to the soundtrack laid down by these platter-spinners of their youth.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic

Leaving school and starting his career at Decca Records in 1958 at the age of sixteen, Tony King would soon find himself becoming close friends with Elton John, rekindling John Lennon and Yoko Ono's relationship, mediating a quarrelsome Mick Jagger and Keith Richards and spending time with Freddie Mercury in his final days - a far cry from his childhood days in Eastbourne. Living in an era of seismic social, technological and cultural transformation, King experienced these defining moments as a stalwart in London and New York's gay scenes.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

In The Wicked Witch of the West: The Enduring Legacy of a Feminist Icon, Lona Bailey explores the radical feministic undertones of one of the most enduring characters in popular culture. This book traces her transformation over the past century, highlighting how she has evolved through countless adaptations from The Wizard of Oz to the film adaptation of Wicked while maintaining her core identity as a powerful, defiant figure.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.

In 1986, more people watched “The Mystery of Al Capone’s Vault” than the Superbowl. More people watched the two-hour live event than David Frost’s interview with Richard Nixon. Both events were high-wire, high-reward, high-disaster broadcasts. Geraldo Rivera had been fired from ABC after fifteen years and the live broadcast from Chicago of Al Capone’s vault was to be his comeback. On April 21, 1986, at nine fifteen Eastern, Geraldo gave the signal at the midpoint of the show to blow open the subterranean vault with dynamite and reveal to the world the great secrets of Al Capone...

The Beatles came onto the scene like a force of nature. Their songs became the anthems of generations of fans, and their emergence marked a high-water mark of popular music. But beyond the Beatles themselves, there is one man who can be credited with engineering this perfect maelstrom of musical majesty, and that man is former Beatles manager Brian Epstein.