Essays Social

For Jenn Shapland, the barrier between herself and the world is porous; she was even diagnosed with extreme dermatologic sensitivity—thin skin.

Wang Xiaobo's Pleasure of Thinking is an essay collection as riotous as it is contemplative. Between rollicking anecdotes about living between the East and West and serious musings on the intellectual situations at home and abroad, Xiaobo examines modern life with the levity missing from so much of today's politico-cultural discourse.

Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

Hedwig Dohm (1831-1919) war eine deutsche Schriftstellerin, Frauenrechtlerin und eine der ersten feministischen Theoretikerinnen. Die Großmutter von Katia Mann, der Gattin Thomas Manns, war sie obendrein. Im Jahr 1874 veröffentlichte sie ihr Essay "Der Frauen Natur und Recht", das unter anderem die den Frauen zugeschriebenen "weiblichen" Eigenschaften behandelt, sowie das Frauenwahlrecht. Cover-Illustration von Lea Pfeiffer.

Hedwig Dohm (1831-1919) war eine deutsche Schriftstellerin, Frauenrechtlerin und eine der ersten feministischen Theoretikerinnen. Die Großmutter von Katia Mann, der Gattin Thomas Manns, war sie obendrein. Im Jahr1874 veröffentlichte sie ihr Essay "Die wissenschaftliche Emanzipation der Frau", das unter anderem die Fragen behandelt, ob Frauen studieren dürfen, können - oder sogar sollen.

Demokratie gegen Demokratie - illiberale gegen liberale, direkte gegen repräsentative Demokratie, vielleicht sogar "the people vs. democracy"? Es scheint, die Demokratie war noch nie so unumstritten wie heute, während zugleich noch nie so umstritten war, was aus ihr folgt. Jeder tritt in ihrem Namen an und beschuldigt den Gegner, ein Gegner der Demokratie zu sein. Der Demokratie droht heute nur noch Gefahr von ihr selbst. Unsere Lage, so die These Philip Manows, ist von der gleichzeitigen Demokratisierung und Ent-Demokratisierung der Demokratie gekennzeichnet.

Dr. Jeanne Safer has dedicated much of her decades-long career in psychotherapy to exploring taboo subjects that we all think about in private but seldom discuss in public. From conflicted sibling relationships to the choice not to have children, Safer's work has always been unflinching in its aim to dive deep into topics that make most of us blush but which are present in all of our lives. In The Golden Condom, Safer turns her sharp and fearless eye to a subject perhaps more universal than any other: love in all its permutations.

Called a “chronicler of a world on the move” by The New York Review of Books, Anna Badkhen seeks what separates and binds us at a time when one in seven people has left their birthplace, while a pandemic dictates the direst season of rupture in humankind’s remembering. Her new essay collection, Bright Unbearable Reality, comprises 11 essays set on four continents—roving everywhere from Oklahoma to Azerbaijan—and united by a common thread of communion and longing.

An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.

In this book, Dr Marc Gafni and Barbara Marx Hubbard present a new story of humanity, a new understanding of our intimate relationship to evolution, as well as our intimacies with ourselves and with our circle of beloveds.

In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-20th century to today, from Saul Bellow, Bernard Malamud, and Kafka to William Gass and Martin Amis, all assembled in provocatively named groups.

Imagine you could give an essay entitled "How to Make Me Come" to a past, present or future sex partner, free of judgment or repercussion. What would you want them to know? In this book inspired by Emma Koenig's wildly popular website, a diverse collective of women do just that. Emma Koenig was inspired to answer this question after a truly frustrating sexual experience with a partner. As she says, "THE SIMPLEST VERSION OF THIS STORY DEVOID OF ALL IDENTIFYING DETAILS: He thought I had an orgasm. I hadn't."

Embodiment is not an easy business. From violence to illness, sexuality to racism, the fact of a body can be impossibly hard to inhabit. Olivia Laing draws on her own background in protest and alternative medicine to investigate the reasons why. Laing’s exploration of the complexities of bodily life takes in some of the most significant and beguiling figures of the past century, among them the psychoanalyst Wilhelm Reich, the painters Francis Bacon and Agnes Martin and the singer and civil rights activist Nina Simone.

The Foxfire Magazine, a literary journal first published in 1967 in Rabun Gap, Georgia, was founded on the belief that stories and meaning could be found in Appalachian spaces, not only in classics such as Shakespeare. Filled with poetry and prose from local students and authors, the magazine also featured interviews with relatives and neighbors. These oral histories conducted by students from the Rabun Gap-Nacoochee School quickly became the star of the magazine. Now, pulled from the vast Foxfire archive, come twenty-one oral histories from southern Appalachian women.

In Nothing Is Wrong and Here Is Why, acclaimed satirist Alexandra Petri offers perfectly logical, reassuring reasons for everything that has happened in recent American politics that will in no way unsettle your worldview. In essays both new and adapted from her viral Washington Post columns, Petri reports that the Trump administration is as competent as it is uncorrupted, white supremacy has never been less rampant, and men have been silenced for too long. The "woman card" is a powerful card to play! Q-Anon makes perfect sense!

A true friend is a paradox—both a mirror and a mystery, a presence that steadies yet unsettles. Emerson's Friendship is not a sentimental tribute but an exploration, as sharp as it is reverent. He does not merely celebrate companionship; he dissects it, questioning the forces that draw souls together and the invisible tensions that hold them apart. Friendship, in Emerson's vision, is not mere comfort—it is a force, a demand, a test. It requires space as much as closeness, silence as much as words.

As the creator of "Cathy", Cathy Guisewite found her way into the hearts of fans more than 40 years ago and has been there ever since. Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now, Guisewite returns with her signature wit and warmth in this debut essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle.

The Pulitzer Prize-winning author on the value of creative writing, American Democracy, and science.

¿Qué implicaciones tiene ser madre, parir y dar de mamar? Las mujeres nos enfrentamos a una doble presión, ser mamás, como dicta el mantra patriarcal, y triunfar o sobrevivir como podamos en el mercado de trabajo: un ejercicio casi imposible de malabarismos cotidianos. A lo largo de la historia, la maternidad ha sido utilizada como instrumento de control y supeditación de las mujeres. Pero, una vez conquistado el derecho a no ser madres, tenemos pendiente reapropiarnos de la experiencia materna.

We live in a time of global crisis. All of the crises are interlinked at their core, expressions of what we have called a global intimacy disorder. The urgent need for coherent action is existential. Every crisis has the potential to be a birth. Crisis is an evolutionary driver. Evolution is not happening to us. Rather, evolution is happening in us. We are called to radically realize and be lived as the transformation.