Family Genre

Melissa Henderson is leading a quiet life. Once a best-selling author, she now pours all her energy into renovating a Victorian house nestled in the foothills of rural New England. Six years ago, she lost her young son to cancer, and her marriage dissolved. She stopped writing. Then Melissa receives a call from her sister, Hattie. They were close once, but that was before Melissa withdrew from the world. Now Hattie, who became a nun at 25, is determined to help Melissa turn a new page, even if it means reopening one of the most painful chapters of her life.

In a novel of extraordinary richness the whole sweep of British civilisation unfolds through the story of one place, Salisbury, from beyond recorded time to the present day. The landscape - as old as time itself - shapes the destinies of the five families....

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

When Rosie and Penn and their four boys welcome the newest member of their family, no one is surprised it's another baby boy. At least their large, loving, chaotic family knows what to expect. But Claude is not like his brothers. One day he puts on a dress and refuses to take it off. He wants to bring a purse to kindergarten. He wants hair long enough to sit on. When he grows up, Claude says, he wants to be a girl.

2 CHILDREN FOR SALE. In 1931, near Philadelphia, ambitious reporter Ellis Reed photographs the gut-wrenching sign posted beside a pair of siblings on a farmhouse porch. With the help of newspaper secretary Lily Palmer, Ellis writes an article to accompany the photo. Capturing the hardships of American families during the Great Depression, the feature story generates national attention and Ellis's career skyrockets. But the piece also leads to consequences more devastating than he and Lily ever imagined - and it will risk everything they value to unravel the mystery and set things right.

Dakota Jones is the second youngest of four children who had a difficult upbringing living with parents who struggle with mental illness. He escaped his family as soon as he could by joining the military. Now, after several tours of duty he has been discharged. He has nowhere to go and no solid plans for the future. Refusing to return home to his parents he arrives in Sullivan's Crossing where his brother Cal and sister Sierra have each experienced the healing power of the place and its people. Nestled at the crossroads of the Colorado and Continental Divide Trails, the area attracts those looking for answers or direction or a new lease on life. Dakota will come to terms with his less-than-perfect family and will plant the roots he's never had.

Until John Wilson met the warm, wise woman who became his fourth wife, the object of his most intense devotion had always been the work of William Shakespeare. From his feat of memorizing Romeo and Juliet and half a dozen other plays as a student to his evangelical zeal as a professor, John's faith in the Bard has shaped his life. But now his mental powers have been diminished by dementia, and his wife has reluctantly moved him to a residential care facility.

A kid walks into your bookstore and says to you, Guess what? I'm your son. The one you put up for adoption seventeen years ago. The one you never told anyone about. Surprise! His name is Matthew Walker, and he's come to spend the summer on the Cape with his parents. Why? Well, he wants to meet you before he heads off to college in the fall. Tiny detail—he didn't tell his adoptive parents about his plan. And while you hoped this day would come someday, you're so stunned, you actually faint.

A READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY “Burns like a sparkler, quick and mesmerizing.” —The New York Times Longlisted for the Aspen Words Literary Prize A young wife following her heart. A husband with the law on his side. Their daughter, caught in the middle. Forty...

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do—she tells a journalist the truth: it’s a bad movie.

Number Thirty-Two was once a family home. Anna was once a mother and a wife. Now, she is in arrears and alone. With little choice but to sell up, she is forced to confront the memories of the people who once inhabited the empty rooms. With the help of an unlikely ally in her next door neighbour's son, she is finally able to piece together the tragic events of forty years ago that have inextricably linked the fates of their families and ricocheted through both of their households for decades.

Sir James Harrison was one of the greatest actors of his generation. But, when he passes away at the age of ninety-five, he leaves behind more than just a heartbroken family. He leaves a secret so shocking, so devastating that it could rock the English establishment to its very core. Joanna Haslam is an ambitious young journalist, assigned to cover the legendary actor’s funeral. The great and the good of the celebrity world are there. But Joanna stumbles on something dark beneath the glamour: the mention of a letter Sir James left behind.

In 1979, Vincent Bianco has just graduated high school. His only desire: collect a little beer money and enjoy his final summer before college. So he lands a job as a laborer on a construction crew. Working alongside two Vietnam vets, one suffering from PTSD, Vincent gets the education of a lifetime. Now forty years later, with his own son leaving for college, the lessons of that summer - Vincent’s last taste of innocence and first taste of real life - dramatically unfold in a novel about breaking away, shaping a life, and seeking one’s own destiny.

She’s got a great job at a VA Hospital, an adorable daughter, and a loving husband. Granted, it would be wonderful if her preschooler wouldn’t wake her up at three in the morning, and it would be a miracle if her husband would change the toilet paper roll once every millennium. Still, in most ways, she has the ideal life she’d always imagined. Then Jane discovers that Dr. Ryan Reilly is the VA’s newest vascular surgeon. Dr. Ryan Reilly, a.k.a. sexy surgeon, a.k.a. the biggest jerk she ever loved.

In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India", Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.

In the early hours of a summer morning, a young woman steps into the path of an oncoming bus. A tragic accident? Or suicide? At the center of this puzzle is Adrian Wolfe, a successful architect and grief-stricken widower, who, a year after his third wife's death, begins to investigate the cause. As Adrian looks back on their brief but seemingly happy marriage, disturbing secrets begin to surface. The divorces from his two previous wives had been amicable, or so it seemed; his children, all five of them, were resilient as ever, or so he thought.

C'est pas moi, je le jure?! étonne par sa fraîcheur et sa verve, par sa vision du monde de l'enfance, par son imaginaire débridé. À trente-neuf ans, soit l'âge qu'aurait aujourd'hui son petit héros, l'auteur est manifestement resté très près de ses premières années. - Marie-Claude Fortin, Voir

In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker. But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full.

Vermont, 1972. Carole LaPorte has a satisfying, ordinary life. She cares for her children, balances the books for the family's auto shop, and laughs when her husband slow dances her across the kitchen floor. Her tragic childhood might have happened to someone else. But now her mind is playing tricks on her. The accounts won't reconcile and the murmuring she hears isn't the television.