Film Studies

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

Yunte Huang ingeniously traces Charlie Chan from his real beginnings as a bullwhip-wielding detective in territorial Hawaii to his reinvention as a literary sleuth and Hollywood film icon. Huang finally resurrects the "honorable detective" from the graveyard of detested postmodern symbols and reclaims him as the embodiment of America’s rich cultural diversity. The result is one of the most critically acclaimed books of the year and a "deeply personal...voyage into racial stereotyping and the humanizing force of storytelling" (Donna Seaman, Los Angeles Times).

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age is an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation.

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment.

With humor and honesty, Girls on Film looks at the good, the bad, and the unfairly written women in film. A celebration of the power of cinema and the hidden messages within media and culture, this collection of personal essays explores the women who inspired and confused a young film enthusiast.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas.

The millions of fans who watch World Wrestling Entertainment (WWE) programs each year are well aware of their role in building the narrative of the sport. #WWE: Professional Wrestling in the Digital Age explores the intersections between media, technology, and fandom in WWE's contemporary programming and business practices. In the Reality Era of WWE (2011 to the present), wrestling narratives have increasingly drawn on real-life personalities and events that stretch beyond the story-world created and maintained by WWE.

Wissenschaftlich geprüfter Stoff für alle Serienjunkies: Wie reagiert man nach neusten wissenschaftlichen Erkenntnissen am besten auf eine Zombie-Epidemie à la Walking Dead? Könnte jeder Chemielehrer einfach so Crystal Meth produzieren wie Walter White in Breaking Bad? Wann ermöglicht die Wissenschaft das Teleportieren wie in Star Trek? Und was für eigentümliche klimatische Bedingungen herrschen eigentlich in Game of Thrones?

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy."

Mittels ihrer Religion richten Menschen ihr Leben an Konzepten eines "sinngebenden Ganzen" aus. Diese in sehr langen Traditionen entstandenen Welterklärungen und Anleitungen zur Lebensbewältigung werden in der westlichen Welt aufgrund christlicher und humanistischer Traditionen häufig mit der Kurzformel "Glaube" zusammengefasst...

The 10 best Bond movies...ever? It doesn't get much more subjective than this. Or much more fun! Come and join international best-selling author Mark Williams on a personal James Bond odyssey as he explores the phenomenon that is James Bond, starting with the Bond film that made number 10 on the list: Thunderball.

This book examines important themes about American politics the film Citizen Kane provokes. Citizen Kane is widely believed by many critics to be the greatest movie of all time. What about the film resonates so deeply with those who can appreciate great art and film? And also for this book, what does Citizen Kane say about American politics, power, and who gains influence in America?

Alle über Star Trek: Wie schnell ist die Warp-Geschwindigkeit? Wann erfinden wir endlich die Teleportation? Wie funktioniert ein Traktorstrahl? 10 Dinge, die man über Star Trek wissen sollte.

Alles über True Detective: Sind LSD-Flashbacks nur ein Ammenmärchen? Ist die Zeit ein flacher Kreis? 10 Dinge, die man über True Detective wissen sollte.

Alles über The Big Bang Theory: das Echo der Ausdehnung. Das Cooper-Hofstadter-Paradoxon. Die Asperger-Hypothese. 10 Dinge, die man über The Big Bang Theory wissen sollte.