Global Warming Fiction

A Friend of the Earth opens in the year 2025, as Tyrone O'Shaughnessy Tidewater ekes out a bleak living in southern California, managing a rock star's private menagerie. Global warming is a reality. The biosphere has collapsed and most of the major mammalian species are extinct.

Read by Peter Kenny, award-winning narrator of the Culture series by Iain M. Banks. In a ravaged near-future England, a private detective with psychic powers might be the last hope standing between mankind and total collapse. Mindstar Rising is the first cyberpunk thriller in Peter F. Hamilton's...

Eric is as passionate as a scientist can be, and while his friends and colleagues remain staunchly gloomy in regards to the future of the planet, Eric comes at things with a distinct sense of hope and adventure. But while collecting data in the arctic, Eric's sense of adventure ends up getting the best of him. After attempt to get a sample from a strange blue plant that has adapted in the icy waters, thanks to global warming, Eric ends up transformed into a beautiful young woman with an appetite for sex.

With the natural world exhausted and in tatters, Ben has dedicated himself to protecting this single fragment of the wild. One night, he hears voices in the valley—poachers, come to hunt his bear. A heart-pounding chase begins, crossing forests and mountainsides, passing centuries of human ruins. Sometimes hunter, sometimes prey—Ben must choose the bear’s fate and his own.

Seventeen-year-old Caprice wants to piece her family back together now that her older brother has returned home, even as she resents that he ever broke them apart. Just as she starts to get a new footing—falling in love for the first time, uncertainly mending her traumatized relationship with her brother, completing the app that will win her a college scholarship and a job in tech—wildfires strike Sierra, her small California town, forcing her to reckon with a future that is impossible to predict.

Recently, Shyamala Mehta’s life in LA feels stagnant: she’s undervalued at work, newly single, and constantly clashing with her marriage-obsessed mother. So when she’s offered a transfer to Mumbai, she travels halfway around the world to the now drought-stricken city her parents left behind.

Only the most hardened survivalists can endure living in the scorched deadlands of the former state of Arizona. Among them is nineteen-year-old Georgia Reno, who lives in an isolated desert settlement with her father and younger brother. Roads don’t exist here; visitors are more dark fairy tale than reality. But when two mysterious strangers arrive on their land, Georgia begins to question her sheltered existence. Soon, her tentative curiosity blooms into a fledgling desire to leave the settlement, even if it means venturing into a world her father has only ever warned against.

The next generation will face the reality that human activity is changing the planet from one geological epoch to another. From this vantage point—two generations across two geological epochs facing a fundamentally changing planet—Larry Rasmussen writes to his grandchildren. As a grandfather invested in a green earth and climate justice as well as a scholar of faith-based earth ethics, Rasmussen bridges this gap between generations to write to the future about climate change, global citizenship, democracy, and legacy.

A few generations from now, the coastlines of the continent have been redrawn by floods and tides. Global powers have agreed to not produce any new plastics, and what is left has become valuable: Garbage is currency. In the region-wide junkyard that Appalachia has become, Coral is a “plucker", pulling plastic from the rivers and woods. She’s stuck in Trashlands, a dump named for the strip club at its edge, where the local women dance for an endless loop of strangers and the club's violent owner rules as unofficial mayor.

As the host of Radio Free Vermont - "underground, underpowered, and underfoot" - 72-year-old Vern Barclay is currently broadcasting from an "undisclosed and double-secret location". With the help of a young computer prodigy named Perry Alterson, Vern uses his radio show to advocate for a simple yet radical idea: an independent Vermont, one where the state secedes from the United States and operates under a free local economy.

Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. The Discomfort Zone is his intimate memoir of his development from a "small and fundamentally ridiculous person", through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions.

Phaet Theta has lived her whole life in a colony on the moon. She's barely spoken since her father died in an accident nine years ago. She cultivates the plants in Greenhouse 22, lets her best friend talk for her, and stays off the government's radar. Then her mother is arrested. The only way to save her younger siblings from the degrading shelter is to enlist in the militia, the faceless army that polices the lunar bases and protects them from attacks by desperate Earth dwellers.

Peaches Goes It Alone, Frederick Seidel’s newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel - and thrilled and offended his audiences. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel’s masterful body of work.