Historical Horror Fiction

Forever untangling the branches of her strange family tree, Edwina Blackwood is at a turning point. Her parents’ disappearances still strike her as unaccountably odd. Her sister’s questionable life and untimely death have left her shaken. Spellfire has transformed her home and livelihood to ash. And now a devious stalker is on her trail. With supernatural detective Ian Cameron by her side, Edwina can’t get out of London fast enough.

In the spring of 1844, the Wells family receives a letter from a distant relative, the wealthy landowner Nicholas Van Ryn. He has invited one of their daughters for an extended visit at his Hudson Valley estate, Dragonwyck. Eighteen-year-old Miranda, bored with her local suitors and commonplace life on the farm, leaps at the chance for escape.

Lenora expected her unique ability would condemn her to a life of solitude, shunned by society. But when she receives an unexpected marriage proposal hinging on it, Lenora is shocked. All she must do in exchange for the life of a duchess is use her communicative skills to determine the reason for the former Duchess of Blackmoore’s suicide. Beyond the strange blackening on the stones of Blackmoore Castle, Lenora discovers another darkness lurks in her new Scottish Highlands home.

London, 1765. Lady Isabella Gerard, a respectable member of Georgian society, orders her maid to take her new golden gown and destroy it, its shimmering beauty tainted by the actions of her brutal husband the night before. Three months later, Lord Gerard stands at the shoreline of the lake, looking down at a woman wearing the golden gown. As the body slowly rolls over to reveal her face, it’s clear this was not his intended victim…

Swedish Lapland, 1717. Maija, her husband Paavo and her daughters Frederika and Dorotea arrive from their native Finland, hoping to forget the traumas of their past and put down new roots in this harsh but beautiful land. Above them looms BlackAsen, a mountain whose foreboding presence looms over the valley and whose dark history seems to haunt the lives of those who live in its shadow.

Anne Rice's Violin tells the story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation. At the novel's center: a uniquely fascinating woman, Triana, and the demonic fiddler Stefan, a tormented ghost who begins to prey upon her, using his magic violin to draw her into a state of madness.

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

In the pages of her journal, Mina Murray confesses the erotic devilment and nocturnal horrors of her time with Count Dracula. And what she writes says as much about her desires as it does about the Count’s - something no one, not even her fiancé Jonathan Harker, could ever understand. Readers everywhere will succumb to Essex’s sumptuous prose and thrill to celebrated reader Bianca Amato’s tantalizing delivery, the intoxicating effects of which will occupy listeners’ minds through the darkest of nights.

In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will. In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

November, 1694. Rachel Parsons, an accused witch, is hanged at the Gallows Tree in Summerfield, Maine. Before she dies, she curses all who live on her land. Autumn, 1963. A handicapped boy is chased into the old, abandoned mill. But it is one of his tormentors who ends up at the bottom of a shaft. Summer, 1994. Brian Fraser has heard stories about the old mill. They say it's haunted, filled with the whisperings of long ago, including something that his own father won't talk about. But Brian is drawn to the mill. Drawn to an evil so hideous, so apocalyptic it threatens one's sanity.

Recently divorced Anna Fox decides to cheer herself up by retracing a journey her great grandmother Louisa made in the mid-19th century—a Nile cruise from Luxor to Aswan. Anna carries with her two of Louisa’s possessions: an ancient Egyptian scent bottle and an illustrated diary of the original cruise that has lain unread for over a hundred years. As she follows in Louisa’s footsteps, Anna discovers in the diary a wonderful Victorian love story—and the chilling secret of the little glass bottle.

For several years, time and circumstance have managed to separate Hallie Knight and her old friend Susan Trench. But when Susan disappears from her grandfather's seaside home on historic Topsail Island, it is Hallie whom Nicholas Trench calls for help. Wealthy, ill, and irascible, he refuses to believe that his beloved granddaughter and the heir to his fortune has been lost to him.

Rosemary Chivers is haunted by the choices she made as a teenager—and by those made for her by a controlling mother. Now, in the Cold War era of conformity and suspicion, Rosemary is a modern new teacher at a school for troubled girls, where she challenges the narrow curriculum meant to tame restless young minds. She also keeps a devastating secret. She knows one of the students is the child she gave up. But which one?

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

Home is where the horror is... Jilted thriller writer Lady Violet Thorn has withdrawn to the Suffolk market town of Montford with two servants and her leading character, the adventuress Ruby Gibson, for company. Violet’s peace is disturbed when a stranger asks her for help, claiming that a friend is being kept prisoner in her own home. Her visitor seems so afraid that Violet, despite her scepticism, is persuaded to investigate.

March 1928. The Great War has been over for ten years, but Freddie still hasn't recovered from the loss of his brother. Even now, on holiday in south-west France, he cannot escape his grief. When his car crashes, Freddie stumbles down from the hills to a village nearby. There he meets Marie, a beautiful young woman who is also mourning a lost generation. Her story of the fate of her family moves him deeply.

Bertha Mellish, “the most peculiar, quiet, reserved girl” at Mount Holyoke College, is missing. One cold November morning the junior is spotted walking through the Massachusetts woods; then, she vanishes. As a search team dredges the pond where she might have drowned, Bertha’s panicked father and sister arrive at the campus desperate to find some clue as to her fate or state of mind. Bertha’s best friend, Agnes, a scholarly loner studying medicine, might know the truth, but she is being unhelpfully tightlipped.

It's February 1863, and the newly opened Metropolitan Railway is the toast of London. Among the travelers tonight are the vampire, Lord Underwood, and his guardian, Ben Flinch. But they aren't traveling alone, for Underwood and Flinch have been discovered by a group intent on their destruction.