Historical Mystery Women Sleuth

On a cold night in February, the popular Lighterman's ball festivities are cut short when a guest of honor, Stephen Bremmer, goes into spasms and abruptly collapses. Once again Inspector Witherspoon returns to the Wrexley Hotel to investigate a murder. The victim was considered a boorish snob who felt entitled to anything and anyone he wanted. Yet despite his Oxford education, he was barely literate, lazy, and prone to make stupid mistakes - his last mistake turned out to be crossing a killer.

With his dying breath, Bobby Lowell begs Ellison Russell, "Tell her I love her." Unable to refuse, Ellison struggles to find the girl the murdered boy loved. Too bad an epically bad blind date, a vindictive graffiti artist, and multiple trips to the emergency room keep getting in the way. Worse, a killer has Ellison in his sights, her newly rebellious daughter is missing, and there's yet another body in her hostas. Mother won't be pleased.

For Kathryn Ardleigh and her newly Lorded husband Charles, a seaside holiday in Rottingdean is a much-needed respite. Known as Smuggler's Village, the cozy hamlet sits upon a labyrinth of hundred-year-old tunnels through which contraband goods were once smuggled in and out of England.

When midwife Sarah Brandt visits Little Italy to check up on a new mother who delivered her baby just the day before, she finds the young woman dead. The family insists that the death was from complications of childbirth. Sarah disagrees. So does the woman's own mother, an Irishwoman who spreads the story that the girl was murdered by her Italian in-laws, the Ruoccos - an accusation that inflames tensions between the two immigrant groups.

The options for the penniless daughter of a deceased earl are few indeed in Regency England. So, following the suspicious death of her father and the discovery that she and her much younger sister have been left without income or home, Lady Caroline takes a post as a lady's companion to the wealthy widow Frogerton. Just as Caroline is getting accustomed to her new position, her aunt, Lady Eleanor Greenwood, invites her and her employer to a house party in the countryside to celebrate her youngest daughter's birthday. But all is not well at the Greenwood estate.

In the summer of 1923, the Honorable Daisy Dalrymple makes what should be an uneventful research trip to the Museum of Natural History quite an eventful day - with her nephew, Derek, and her soon-to-be stepdaughter, Belinda, in tow. But as she interviews the various curators for her article on the museums of London, she soon discovers that the Museum of Natural History is a hothouse of professional rivalry and jealousy.

Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride - and Tey is plunged into a mystery as puzzling as any in her own works.

Olivia Denis is a content young wife with a carefree life in late 1930s London. Then her world is shattered with the violent death of her husband, Reggie. The police want to call it a suicide and close the case, but Olivia knows Reggie couldn't possibly have fired the fatal shot. Further mysteries surface surrounding her husband's death. Did the trustworthy Foreign Office employee betray government secrets? Was his murder linked to the death of a German embassy clerk the same night? And who searched their flat?

Frank Malloy has never known any life other than that of a cop, but his newfound inheritance threatens his position within his department. While trying to keep both his relationship with Sarah and his fortune under wraps, he' s assigned to a new case - finding a missing young woman for her worried father, Henry Livingston. It seems the girl had been responding to "lonely hearts" ads in the paper for months before she disappeared.

Lady Violet Belmaine emerges from two years of mourning less than enthusiastic about resuming her place in Polite Society. She’s talked into attending a country house party by her French physician friend, Hugh St. Sevier, only to find that the house party guests are preyed upon by a mysterious thief.

When Ginger’s former sister-in-law Felicia, now Lady Davenport-Witt, first received a mysterious note in the post, she dismissed it as coming from a nuisance writer. These things were known to happen to those who enjoyed social popularity. But with a third one, she began to feel ill at ease. Ginger, however, had been worried since the first short missive had arrived. Someone knew of a family secret that would upset Felicia’s apple cart in a very big way.

The Great War is over, but for Harriet Agnes McDougall its effects endure. Plagued by the need to understand how her middle son, Malcolm, came to meet his death in the Belgian trenches, Harriet must embark on a voyage of discovery to retrace her son’s movements. With peace now prevailing across Europe, her investigations lead her to Flanders, still scarred by the effects of the recent war.

In this fifth delightful entry, Anthony and Agatha Award nominee Susan Wittig Albert re-imagines Beatrix Potter wearing her sleuthing cap as the village of Sawrey lies buried beneath a blanket of Christmas snow. While she and her animal friends investigate a puzzling death, Miss Potter wonders if she can acknowledge her fondness for Mr. Heelis and still remain loyal to her fiancé’s memory.

It is May 1272, and Prioress Eleanor of Tyndal, recovering from a near-fatal winter fever, journeys to Amesbury Priory to visit her aunt in time for the Feast of Saint Melor. Although Eleanor hopes to regain her strength in the midst of pleasant childhood memories, death reveals a most troublesome fondness for her company. A ghost now haunts Amesbury. Is it perhaps the spirit of a pregnant woman who drowned herself in the River Avon? But soon the specter turns murderous.

Former policeman Frank Malloy is frustrated when a woman requests his private detective services to implicate her wealthy husband in adultery, the only grounds for divorce in New York State. Although Mrs. Bing seems genuinely distressed about her marriage and desperate to end it, she refuses to tell Frank the reason she absolutely must divorce her husband and admits she has no legal justification.

When Kat Holloway is blamed when a guest mysteriously takes ill after eating one of her meals, she sets out to prove she had nothing to do with the gentleman’s sickness. She discovers a whole host of people who might wish to do away with the man, and she and her friends begin to hunt for the would-be killer. Simultaneously tasked with crafting the perfect Christmas feast, including the pièce de résistance, the Christmas plum pudding, Kat frantically works to finish all, fearing she’ll have to choose between stopping a murderer and cherishing her precious Christmas moments with her daughter.

It’s October, 1923, and Olive Belgrave has a new case. Her client, Lady Agnes doesn’t believe in curses, and she hires Olive to prove her Egyptologist uncle wasn’t the victim of a malevolent mummy. Olive investigates and discovers the truth is much worse—it’s murder. Can Olive debunk the curse and reveal the true culprit before the supposed curse claims another victim?

Amory Ames is looking forward to a tranquil period of reconnecting with reformed playboy husband Milo after an unexpected reconciliation following the murderous events at the Brightwell Hotel. However, she is drawn into another investigation when Serena Barrington asks her to look into the disappearance of valuable jewelry snatched at a dinner party. Amory agrees to help lay a trap to catch the culprit at a lavish masked ball hosted by the notorious Viscount Dunmore.

The rich and famous are converging on the iconic Savoy Hotel in swinging '60s London—including a famous Broadway producer with anger issues, a demanding Indian raja, and a gorgeous film star with certain kinky predilections. All is as it should be—until the murder of a showgirl threatens to scandalize the hotel.

May 1890: As NYU Law School finally agrees to admit female law students, Judge MacKenzie's daughter, Prudence, weighs her choices carefully. Chief among her concerns is how her decision would affect the Hunter and MacKenzie Investigative Law agency and her professional and personal relationship with the partner who is currently recuperating from a near fatal shooting.