Horror Anthology

Longtime contributor to the Hellboy mythos Christopher Golden brings together a crew of luminaries including Joe R. Lansdale and China Miéville, cross-genre sensation Barbara Hambly, celebrated mystery writer Ken Bruen, best-selling science-fiction and fantasy novelist Tad Williams, and a bevy of other skilled storytellers eager to spin a tale or two about the world's greatest paranormal detective. Some of the biggest names in horror, mystery, and fantasy come together to pay homage to Mike Mignola's Hellboy!

First published in an 1839 edition of Burton's Gentleman's Magazine, "The Fall of the House of Usher" is the story of the declining physical and psychological health of the residents of the House of Usher - and the way in which the house itself reflects that. Gothic in theme and style, the story is an exemplar of Poe's philosophy of composition, which dictates that literary works should be short and methodological and have a unity of effect wherein all the elements of the story are related and relevant.

A small town is ruined by black rain, and two police officers find themselves face to face with the creatures lurking in the flooded streets. In the wild west, an aging gunslinger returns to his favorite brothel, only to encounter a fathomless black tar that's devouring everyone within. Paramedics find a remedy for a zombie virus outbreak - but can the survivors come to terms with their cannibalism? These stories and more fill Growing Dark, a collection of Kristopher Triana’s darkest short stories.

In “The Net,” a girl and her mother arrive at their secluded cabin on a frozen lake to find their fishing net has been attacked, a massive hole ripped through the middle. After the net has been mended and the night’s catch eaten, the daughter sits awake playing with a bit of leftover netting string. When she was a girl, her grandmother taught her to make string figures—just as her mother had taught her—a game played by Inuit for generations, but a game not to be taken lightly . . .

Joe Ledger Fans Rejoice! Everyone’s favorite snarky, dangerous, idealistic, relentless covert operative is back, and this time he’s brought friends. Joe Ledger: Unstoppable presents original short stories about Joe Ledger and the Department of Military Sciences by some of New York Times...

This collection comprises stories by and inspired by the originators of weird fiction. From Allen's "The Arctic Death", through to Poe's "The Tell-Tale Heart", Stoker's "Dracula's Guest", and beyond. Time immemorial; worlds unimaginable.

America is fat and prosperous. We’ve warred with the world and come out on top. We’ve gotten rid of the riff-raff. A new era is arising, change is in the air, and to top it all off, the first Government Lethal Chamber is now open and ready for its first occupant. The future looks bright in 1895.

The world stands on the brink of annihilation as the spirits of the dead begin to take over. Windows to Hell appear across the globe. Can the apocalypse be stopped?

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

Monster Hunter International may have had its roots in the United States of America, but there are plenty of monsters in the big old world. And wherever there are monsters, humans will need monster hunters. Here then, stories of the things that go bump in the night and the men and women who bump back—focusing on the myths, legends, and folklore of Czechia, by Czech authors. Includes a new short story by Larry Correia.

> Scary Rednecks collects 23 stories of horror, madness, and humor set in the rural south of America's heartland. The stories run the gamut from terror to outrageousness. Packed with everything from abusive parents, cannibals, deer hunters, demonic catfish, UFO abductions, voodoo priestesses, vampire moonshiners, and other Appalachian monstrosities, it will amuse you, disturb you, and leave you hungering for more.

Midnight. Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind....

The most terrifying thing that you can possibly imagine is your own body in the hands of a monster. Or worse, in the hands of another human being. In this definitive anthology of body horror selected by a World Horror Grandmaster, you'll find the unthinkable and the shocking: a couture designer preparing for an exquisitely grotesque runway show; a vengeful son seeking the parent who bred him as plasma donor; a celebrity-kink brothel that inflicts plastic surgery on sex workers; and organ-harvesting doctors who dissect a living man without anesthetic.

“Feed this directly into my veins.” —Taylor Jenkins Reid, New York Times bestselling author From the bestselling author of Hungerstone, an intoxicating and chilling gothic horror novel that reimagines Hamlet with a seductive sapphic twist—and where the only thing more dangerous than a...

A propulsive and chillingly prescient novel of suspense and terror from the Bram Stoker award–winning author of The Cabin at the End of the World and A Head Full of Ghosts. “Absolutely riveting.” — Stephen King In a matter of weeks, Massachusetts has been overrun by an insidious...

Zombies! Zombies! Zombies! is the darkest, the living-deadliest, scariest - and dare we say most tasteful - collection of zombie stories ever assembled. It's so good, it's a no-brainer. There is never a dull moment in the world of zombies. They are superstars of horror, and they are everywhere, storming the world of print and visual media. Their endless march will never be stopped. It's the Zombie Zeitgeist! Now, with his wide sweep of knowledge and keen eye for great storytelling, Otto Penzler offers a remarkable catalog of zombie literature.

In five disparate tales, introspective women at key turnings points face otherworldly experiences which force them to consider who they are and who they might have been. An ex-figure skater is haunted by her best friend’s ghost in “The End of All Things.” The frontwoman of a rising punk band navigates a strange liminal space towards a mysterious train in “Our Lifelong Dreams.” In “I’ve Been Here Before,” a nihilistic college student experiences vivid memories of a past life that ended in a tragic roller coaster accident sixty years before.

En cada uno de los cuentos de El buen mal, Samanta Schweblin nos abduce a otra dimensión donde quedamos en contacto íntimo con sus personajes. Encandilados por el fulgor de la inminente tragedia, vulnerables y profundamente humanos, advierten cuánto podría transformarlos la irrupción de lo inesperado. A algunos los dejará de pie frente al dolor, a otros dialogando con la culpa y a todos atravesados por la incertidumbre. ¿Importa saber qué es verdad? Se trata, de principio a fin, de ser partícipes de un fenomenal artificio literario.

This statement was true when H. P. Lovecraft first wrote it at the beginning of the twentieth century, and it remains true at the beginning of the twenty-first century. The only thing that has changed is what is unknown. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year, edited by Ellen Datlow, chronicles these shifting shadows.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).