Horror Criticism

Visions have always been...my pasture. I almost think there is no wisdom comparable to that of exchanging the realities of life for dreams. Old castles, old pictures, old histories take one back into centuries that cannot disappoint. I waked one morning from a dream of which all I could recover was that I had thought myself in an ancient castle and that on the uppermost banister of a great staircase I saw a gigantic hand in armour. In the evening I sat down to write, without knowing in the least what I intended to say or relate.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.