Horror Movie History

New York Times Bestseller “Smart and funny and all sorts of raunchy in the best way.” — San Francisco Chronicle Repeat New York Times bestselling author Christopher Moore returns to the mean streets of San Francisco in this outrageous follow-up to his madcap novel Noir. San Francisco...

From the New York Times bestselling authors of Welcome to Night Vale and It Devours! and the creators of the hit podcast, comes a new novel set in the world of Night Vale and beyond. In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one...

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

I was a “Monster Kid” and “The Weird Kid, The Horror Movie Kid.” I found out early…horror is always personal. Now I make horror for a living. It shouldn’t just be WATCHED. Horror should be ENJOYED. This isn’t some stuffy analysis telling you what’s good or bad. Instead, it’s a tour of the 1930s through the 1980s—a personal account of how the best and worst of this era gave us so many memories and experiences that impacted our own lives. It’s fun…just how horror should always be.

Take a step – if you dare – into the shadows and the story of our primal fascination with fear, terror, and the macabre. This comprehensive and creepily guide explores the dark and eerie landscapes of horror down the centuries and across the world – from prehistoric death rituals and early...

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.