Horror Thriller Suspense

Under the direction of famed explorer Porter Stone, an archaeological team is secretly attempting to locate the tomb of an ancient pharaoh who was unlike any other in history. Stone believes he has found the burial chamber of King Narmer, the near mythical god-king who united upper and lower Egypt in 3200 B.C., and the archaeologist has reason to believe that the greatest prize of all - Narmer's crown - might be buried with him. No crown of an Egyptian king has ever been discovered, and Narmer's is the elusive crown of the two Egypts.

Bertram Stone is a former Texas Ranger running from the changes of an ever-evolving world. Horses were being replaced by cars. Laws were changing how Bertram could deliver justice. Wanting to live out his golden years in peace, Stone flees to the quiet town of Hamilton, Texas, where he becomes the local sheriff. In a small town where the law rarely needs enforcing, everything is going according to his plan—until a great evil plunges Hamilton into horror.

Shane Ryan returns to his hometown of Nashua, and the childhood memories that have haunted him throughout his life. Something sinister prowls the shadows of his family home. And a darkness threatens to destroy all he holds dear.

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River - off season - awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall.

Deep in the sewers of New York City, the rat population is growing. Dr. Randolph Finch is determined to break the cycle. His new rodenticide, Degenesis, doesn’t kill rats. It sterilizes them from reproducing. But nothing adapts faster than a New York rat.... City exterminators and soon-to-be divorced Chris and Benita Jackson think they know how these rats think. They know how rats breed. And they fear that Degenesis has only made these rats stronger. More aggressive. More intelligent. And more ravenous than ever...

Born with uncanny abilities, 19-year-old Adam could be a great help to people. Could be, if he wasn't such a slacker. Instead, he's obsessed with his nonexistent love life; trying to hook up and constantly striking out at the local watering hole. Marked when he was 12 by a powerful spirit, he encounters it again. It's been waiting for him to mature and now he's definitely ripe. Adam is revolted by the evil succubus. Even a wannabe Lothario has some standards! When he rejects the horrifying "offer", the enraged demon strikes back. Bodies start to pile up.

Upon the cliffs of a remote Scottish island, Lòn Haven, stands a lighthouse. A lighthouse that weathered more than storms. Mysterious and terrible events have happened on this island. It started with a witch hunt. Now, centuries later, islanders are vanishing without explanation. Coincidence? Or curse? Liv Stay flees to the island with her three daughters, in search of a home. She doesn’t believe in witches, or dark omens, or hauntings. But within months, her daughter Luna will be the only one of them left.

Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six awful days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged.

July 1995. April and Eddie have taken a wrong turn. They’re looking for the small resort town where they plan to spend their honeymoon. When they spot what appears to a lone hitchhiker along the deserted road, they stop to help. But not long after the hitchhiker gets into their car, they see the blood seeping from her jacket and a truck barreling down Atticus Line after them.

Hannah awakens to carnage, all mangled metal and shattered glass. After she was evacuated from a secluded boarding school during a snowstorm, her coach careered off the road, trapping her with a handful of survivors. They’ll need to work together to escape—with their sanity and secrets intact. Meg awakens to a gentle rocking. She’s in a cable car stranded high above snowy mountains, with five strangers and no memory of how they got on board.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event.

Five days ago, the epidemic of rage began. Four days ago, the rash of senseless murders swept the nation. Three days ago, the president addressed the country and begged for peace—even as the murders increased tenfold. Two days ago, the killers began to mobilize. One day ago, the power went out. And tonight, the killers are reading the names of those to be killed over the Emergency Broadcast System.

It’s autumn in the town of Harrow, but something besides the season is changing there. Because in that town there is an orchard, and in that orchard, seven most unusual trees. And from those trees grows a new sort of apple: strange, beautiful, with skin so red it’s nearly black. Take a bite of one of these apples, and you will desire only to devour another. And another. You will become stronger. More vital. More yourself, you will believe. But then your appetite for the apples and their peculiar gifts will keep growing—and become darker.

Step Fletcher, his pregnant wife DeAnne, and their three children move to Steuben, North Carolina, with high hopes. But Step's new job with a software company turns out to be a snake pit, and 8-year-old Stevie's school is worse. As Stevie retreats into himself, focusing more and more on a mysterious computer game and a growing troop of imaginary friends, the Fletchers' concern turns to terror.

Reporter Holly Thorne is intrigued by Jim Ironheart, who has saved 12 lives in the past three months. Holly wants to know what kind of power drives him, why terrifying visions of a churning windmill haunt his dreams, and just what he means when he whispers in his sleep that an enemy who will kill everyone is coming.

Named Author of the Year at the 2003 British BookAwards, Sarah Waters is the author of Tipping the Velvet, a New York Times Notable Book. Once inside the concrete walls of Millbank Prison, Margaret Prior, hired to speak with the female inmates, becomes all too aware that what she perceives to be reality may not be so. Bringing new ideas to her mind is the beautiful, but dangerous criminal Selina Dawes.

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

In 1986, Eddie and his friends are on the verge of adolescence, spending their days biking in search of adventure. The chalk men are their secret code, stick figures they draw for one another as hidden messages. But one morning, the friends find a chalk man leading them to the woods. They follow the message, only to find the dead body of a teenage girl. In 2016, Eddie is nursing a drinking problem and trying to forget his past, until one day he gets a letter containing a chalk man — the same one he and his friends saw when they found the body.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.