Irish Classics

From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.

The Irish have always had a knack for telling wonderful stories, and their fantastic ability has been recognized from early Gaelic times. For centuries, stories of all kinds have been offered to friends and strangers alike as a form of entertainment and communication. Today in Ireland, the short story is revered even above the novel. Hearing these magnificent stories, we become aware of more than just the humor and travail of a small island.

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

Irish fairy tales and legends - full of enchantment, brave deeds and lost loves. The best tales from the Irish tradition, including: 'How Cúchulainn Got His Name', 'The Magic Shoes', 'Deirdre and the Sons of Uisneach', 'The King’s Secret', 'The Children of Lir', 'The Giant’s Causeway', 'The Bodach of the Grey Coat', 'The Pot of Gold', 'Tír na n-Óg' and 'The White Gander'. Irish fairy tales and legends are full of enchantment, brave deeds and lost loves. Told from generation to generation, they are as fascinating now as they were to their original listeners.

Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.

Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.

The four Grace sisters love their quiet life in the country village of Chevis Green. To some, their insular world might seem dull, but the sisters never seem to run out of conversation, jokes, and pleasant ways to pass the time together. They truly are the happiest of families. That is, until Aunt Rona comes to town. Rona intends to stay with the Graces indefinitely, and her meddlesome attitude immediately sets the sisters' teeth on edge. Throw in another unexpected houseguest, some potential suitors and a case of mistaken intentions, and the members of the Grace family suddenly find themselves quite out of their element.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Winner of the Irish Book of the Year * A New Yorker Best Book of the Year * Winner of the Orwell Prize for Political Fiction * Shortlisted for the Nero Novel of the Year * A New York Times Book Review Editor’s Choice From one of the most acclaimed Irish writers today, a new novel about...

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

Did you know that a poet named William Drennan was the first to name Ireland the “Emerald Island”? He was referring to the green hills of Ireland’s countryside in his poem “When Erin first rose”. The countryside is what defines Ireland probably the best since, for a long time, it played a major role in the economy and culture of the nation.

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

"Le Portrait de Dorian Gray" a été rédigé en 1890, puis complété en 1891. Ce roman fantastique est à la fois un manifeste esthétique et un récit moral. Bien qu'Oscar Wilde y développe l'idée d'un art dégagé de toute éthique, le jeune Dorian Gray va faire face à sa conscience morale à travers son portrait qui porte à sa place les traces de sa perversité et la décadence que le temps inflige aux esprits les plus purs.

In short stories, poems, and monumental novels, James Joyce set out to discover the meaning of his nationality, simultaneously celebrating and ridiculing the history of Ireland in the brilliant style that has made him the most towering figure in the literary landscape of the early 20th century. In this audio, Dublin-born Gabriel Byrne brings to life Joyce's short stories from Dubliners, as well as selections from the brilliant A Portrait of the Artist as a Young Man and the dream-like Chamber Music.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.

In the 1880's, an American senator observes, with some perplexity, English country life and all of its social echelons. To add some spice along the way, we follow the romances and intrigues of the flirtatious Arabella Trefoil.

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Suite au décès de M. Dashwood, sa veuve et ses trois filles se voient contraintes de quitter le Sussex et le domaine familial de Norland. Elles se réfugient dans le Devon, à l'invitation d'un généreux parent, où une nouvelle vie, plus modeste les attend. Les sœurs aînées, Elinor et Maria, l'une plus raisonnable, l'autre plus sentimentale vont vivre leur premiers émois amoureux non sans quelques revers.