Journalism History

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

During his years of reporting from the world's most savage and turbulent regions, Fergal Keane has witnessed the violence of the South African townships and the terror in Rwanda, the most extreme kinds of human behaviour, the horror of genocide, and the bravery of peacekeepers faced with overwhelming odds. As one of the BBC's leading correspondents, he recounts extraordinary encounters on the front lines.

In this holistic history, Will Mari traces American journalism from the 1920s through the 1960s, a time of great change and controversy in the field; one in which journalism was produced in “news factories”, by workers with dozens of different roles, using the latest technology, and setting the stage for the emergence of the information economy. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.

In Sit Down and Cheer, Martin Kelner traces the development of this relationship from its humble origins in the 1960 Olympics, by way of the first-ever Match of the Day in 1964, through to the financial impact of Sky, right up to the high-tech gadgetry of our present-day viewing. Insightful and very funny, this is an entertaining exploration of two major national pastimes and not to be missed.

Thanks to one reporter's skill, we can fix the exact moment on November 22, 1963 when the world stopped and held its breath: At 12:34 p.m. Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith's dispatches.

John Schulian, a much-honored sportswriter for nearly forty years, takes us back to a time when our greatest athletes stood before us as human beings, not remote gods. In this compelling collection, Schulian paints prose portraits to remind fans of what today's cloistered stars won't share with them. The result is an audiobook guaranteed to stir memories for the generation that was - and to leave subsequent generations wishing they had it so good.

When Norman Pearlstine - as editor in chief of Time Inc. - agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source", he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be, and that confidentiality has become a weapon in the White House's war on the press - a war fought with the unwitting complicity of the press itself.

The Sun and the Moon tells the delightful and surprisingly true story of how a series of articles in the Sun newspaper in 1835 convinced the citizens of New York that the moon was inhabited. Purporting to reveal discoveries of a famous British astronomer, the series described such moon life as unicorns, beavers that walked upright, and four-foot-tall flying man-bats. It quickly became the most widely circulated newspaper story of the era.

In an era when numerous modern media outlets rail about the guilt of their political enemies for speaking untruths, Postgate proves that the media can often credibly be viewed as the party actually guilty of deception. Americans today mistrust the major media more than ever. Postgate will prove that this distrust is richly deserved.

Now, for the first time, the nation's most respected reporters share their stories as the eyes and ears of the nation to create a fascinating oral history. Some of the most influential journalists of our time, including Christiane Amanpour, Walter Cronkite, Morley Safer, Peter Arnett, and Andy Rooney convey the facts, the brutality, and the drama of warfare and examine issues such as censorship, propaganda, ethics, the power of the press, and the future of war reporting, especially after September 11th.

Whistlestop tells the human story of nervous gambits hatched in first-floor hotel rooms, failures of will before the microphone, and the cross-country crack-ups of long-planned stratagems. At the bar at the end of a campaign day, these are the stories reporters rehash for themselves and embellish for newcomers. In addition to the familiar tales, Whistlestop also remembers the forgotten stories about the bruising and reckless campaigns of the 19th century.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.

From the start of Barack Obama's presidency in 2009, conservative populist groups began fomenting political fractiousness, dissent, and surprising electoral success. The Tea Party was one of the major characters driving this story. But, as Khadijah Costley White argues in this book, the Tea Party's ascent to major political phenomenon can be attributed to the way in which partisan and non-partisan news outlets "branded" the Party as a pot-stirrer in political conflicts over race, class, and gender.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

In a collection of original essays, the venerated television journalist, Dan Rather, celebrates our shared values and what matters most in our great country, and shows us what patriotism looks like. Writing about the institutions that sustain us, such as public libraries, public schools, and national parks; the values that have transformed us, such as the struggle for civil rights; and the drive toward science and innovation that has made the US great, Rather brings his experience on the frontlines of the world's biggest stories, and offers listeners a way forward.

En esta ficción sobre personajes reales iluminados y malditos, Daniel Centeno capta al oyente con su ojos para el detalle singular y una prosa detectable. En sus manos, las vidas de los "ogros" son relatos geniales, dulciamargos y eternamente memorables.

In this colourful history of the wild world of crime reporting since 1700, Duncan Campbell reveals what it's really like to deal with murderers, gangsters, victims, informers and detectives, looking at the 'hacks in the macs' who would go to any lengths to get a story - and serve it up to an ever-eager reading public. Crime is a prism through which we see society and its phobias.

Using his famed on-the-nose commentary, Twitter legend James Felton has dissected 99 of the most outlandish stories The Sun (for a long time the biggest-selling British newspaper) has run since it became a tabloid in 1969, hoping to answer once and for all whether the press has reflected - or manipulated - the British people over the last 50 years.

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

A collection of newspaper articles about Dust Bowl migrants in California’s Central Valley by the author of The Grapes of Wrath.