Journalism Memoir

“I don’t want to be remembered for One Hundred Years of Solitude or for the Nobel Prize, but rather for my journalism,” Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career - years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982.

From Wilbert Rideau, the award-winning journalist who spent forty-four years in Louisiana prisons working against unimaginable odds to redeem himself, the story of a remarkable life: a crime, its punishment, and ultimate triumph. After killing a woman in a moment of panic following a botched...

Un libro imprescindible para todos los aficionados al True Crime, a los misterios sin resolver y al lado más oscuro del crímen en España. La periodista Cruz Morcillo recopila testimonios y experiencias de policías y guardias civiles a través de los crímenes más truculentos ocurridos en España. Este audiolibro está narrado en castellano.

Throughout the 1990s, Prince feuded with his record label, Warner Bros., over his rights as an independent recording artist - and made some of the most brilliant music of his career. During that time, Jim Walsh covered Prince for the St. Paul Pioneer Press and wrote about him passionately, thoughtfully, exhaustively. Here, in real-time, is that coverage: a look back at Prince in the '90s. Walsh's newly unearthed interviews, essays, columns, and reviews make Gold Experience an essential slice of history.

When Gerald Eskenazi started reporting, sports journalism had a different look than it does today. Eskenazi gives a behind-the-scenes look into the journalistic techniques that go into crafting a story, as well as the pitfalls reporters fall into. There are cautionary tales of journalistic excess, as well as moments of triumph such as the time Eskenazi got Joe Namath to open up to him by admitting he was a sportswriter who knew nothing about football. Along the way, Eskenazi discusses interviewing other reluctant subjects and writing under the intense pressure of a deadline.

Chairs. Neat people. Ugliness. War. Over six decades of intrepid reporting and elegant essays, Andy Rooney has proven a shrewd cultural analyst. Andy Rooney: 60 Years of Wisdom and Wit brings together the best of more than a half-century of work (including long-out-of-print pieces from his early years) in an unforgettable celebration of one of America’s funniest men. Like Mark Twain, Finley Peter Dunne (Mister Dooley) and Will Rogers, Andy Rooney is a classic chronicler of America, a writer for the ages.

Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of Black voters and southern resistance to a new world.

Roger Mudd joined CBS in 1961 and rose to fame as the congressional correspondent, covering the historic Senate filibuster debate over the 1964 Civil Rights Act. Mudd was there to see Dan Rather going toe-to-toe with the Nixon White House, Marvin Kalb deciphering the State Department, Daniel Schorr bird-dogging Watergate, Lesley Stahl and Connie Chung staking out all the president's men, George Herman presiding over Face the Nation, Bob Schieffer covering the Pentagon like a police reporter.

Newspaperman tells the story of how an immigrant's shy son from Queens, New York, rose to the top of his industry, powered by little more than passion, brains, and hard work. Phillips began his career working as a copyboy for the New York Herald Tribune for 16 dollars a week... and ended it as publisher of The Wall Street Journal and CEO of its parent corporation, Dow Jones & Company. The life story of Warren Phillips is the story of the American newspaper business.

I can still feel the chills, as I recall the scene on Fifth Avenue, below the editor’s office in August 1997. Two people were given their lives back, because of the journalism by my team. Now, their family was gathering in front of the building, holding copies of an extra edition of The Herald-Dispatch, which declared their freedom. This was why, I was sure, the Founders had created the First Amendment. We had stood up to a foreign government, forced our own to do the right thing. Stories would not always end so elegantly. Justice and good journalism do not always win.

Estela Casas is El Paso’s daughter. Viewers of the nightly news turned to her for comfort in times of tragedy. So when Estela was faced with her own setback, she turned to them. Estela led strangers on a very public and intimate journey with bilateral breast cancer, and turned her trials into everyone’s triumph. Estela allowed cancer to transform her and helped her find a place to anchor.

Burl is the story of one man’s unlikely rise from the coal mines of Appalachia to the pinnacle of journalism. After being diagnosed with a fatal kidney disease as a child, Burl Osborne pioneered home dialysis treatment and became the 130th person to undergo a live kidney transplant in 1966—then an unproven, high-risk operation. While managing his challenging illness, Burl distinguished himself early as a writer and reporter with The Associated Press, eventually rising to the top of the wire service’s executive ranks.

"A majestic book." --Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors...

When Howell Raines lost his position as executive editor of The New York Times, he discovered that losing his job was just what he needed, and wanted. In this memoir, The One That Got Away, Raines writes about the unpredictability of luck, love, lies, and life.

A shattering account of war and disillusionment from a young woman reporter on the front lines of the war on terror. A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a twenty-five-year-old national correspondent for the Los Angeles Times, was...

The compelling and insightful account of a New York Times reporter's abduction by the Taliban and his wife's struggle to free him...

In this perceptive, compelling essay, Katharine Murphy offers a profile of Anthony Albanese in motion – a piece about character, the balance of forces, and the mood of the nation. Are Albanese and his party up for change? Are Australians up for it? What does the new prime minister embody, if anything? Has the centre of the polity shifted, with the success of the Teals and the Greens? Where could – and should – the new government be ambitious?

Published in time for the fiftieth anniversary of the Stonewall uprising on June 28, 1969, Indecent Advances investigates how queer men navigated a society that criminalized them and displayed little compassion for the violence they endured. Polchin shows, with masterful insight, how this discrimination was ultimately transformed by activists to help shape the burgeoning gay rights movement in the years leading up to Stonewall.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.