Literary Biography

The author of Predator traces the story of George Russell, Jr., a bright, young, popular black man whose thirty-year psychological unraveling led to a shocking killing spree.

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs - including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey."

Charles M. Blow’s mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their segregated Louisiana town, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to “love that blurred her vision and bent the barrel.” Charles was the baby of the family, fiercely attached to his “do-right” mother. Until one day that divided his life into Before and After—the day an older cousin took advantage of the young boy.

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

For twenty-five years, the trusted family doctor in a small Wyoming town had been raping and molesting the women and children who most relied on him. Mostly Mormons, the naive victims sometimes realized on their wedding nights the truth about what had happened in Dr. Story's office.

A classic true story.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners”. Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland.

In this first scholarly biography of Lorraine Hansberry (1930-1965), the author of A Raisin in the Sun, theater professor Soyica Diggs Colbert considers the playwright's life at the intersection of art and politics, with the theater operating as a "rehearsal room for [her] political and intellectual work". Colbert argues that the success of Raisin overshadows Hansberry's other contributions, including the writer's innovative journalism and lesser-known plays touching on controversial issues such as slavery, interracial communities, and Black freedom movements.

In this evocative work of what the author in his afterword calls “a kind of novelistic memoir”, Jay Parini takes us back 50 years, when he fled the United States for Scotland - in flight from the Vietnam War and desperately in search of his adult life. There, through unlikely circumstances, he meets the famed Argentinian author Jorge Luis Borges.

On the edge of the remote salt flats of Australia, a young woman blows in from nowhere and disturbs the precarious equilibrium of a family farm. The boy is fascinated by her, his mother despises her, and the brutish farmhand wants to possess her. When the woman mysteriously disappears, the only trace of her a bloodied dress, the boy sets out in search of an Indian hawker who may or may not have the answers. As he journeys through the broken landscape, accompanied only by his horse and his dog, the boy becomes aware of another party converging murderously on his destination.

This narrative charts Annie Ernaux's teenage awakening and then the parallel progression of her desire to be desirable and her ambition to fulfill herself in her chosen profession - with the inevitable conflict between the two. And then she is 30 years old, a teacher married to an executive, a mother of two infant sons.

In this breathtakingly inventive autobiographical novel, Eileen Myles transforms life into a work of art. Told in her audacious voice, made vivid and immediate in her lyrical language, Chelsea Girls cobbles together memories of Myles's 1960s Catholic upbringing with an alcoholic father, her volatile adolescence, her unabashed "lesbianity," and her riotous pursuit of survival as a poet in 1970s New York.

Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you. Dinner on Monster Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic.

In her spare, stark style, Annie Ernaux documents the desires and indignities of a human heart ensnared in an all-consuming passion. Blurring the line between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

When X - an iconoclastic artist, writer and polarizing shape-shifter - dies suddenly, her widow, wild with grief, hurls herself into writing a biography of the woman she deified. Though X was recognised as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born, and in her quest to find out, she opens a Pandora's box of secrets, betrayals and destruction.

When “The Fourth State of Matter”, her now famous piece about a workplace massacre at the University of Iowa, was published in The New Yorker, Jo Ann Beard immediately became one of the most influential writers in America, forging a path for a new generation of young authors willing to combine the dexterity of fiction with the rigors of memory and reportage, and in the process extending the range of possibility for the essay form. Now, with Festival Days, Beard brings us the culmination of her groundbreaking work.

Bookish picks up where Bookworm left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Here, Mangan vividly recounts her metamorphosis from young bookworm to bookish adult, from the way GCSE curricula can impact our relationship with literature to the growing pains of swapping the pleasures of re-reading for those of book-hoarding.

Coming soon from Penguin Raised by ruggedly independent, scientifically minded parents—entomologist father, dietician mother—Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: “It sounds forlorn. It was forlorn. It gets more forlorn.”), but also thrilling and beautiful.House Canada

Joe Gere said he died on the afternoon his 12-year-old daughter Brenda disappeared. It was left to Brenda's mother Elaine to sustain her stricken family, search for her missing child, and pressure the authorities for justice. From the first minutes of the investigation, suspicion fell on Michael Kay Green, a steroid-abusing "Mr. Universe" hopeful, but there was no proof of a crime, leaving police and prosecutors stymied. Tips and sightings poured in as lawmen and volunteers combed the Cascades forest.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.