Literary Essays

Dr. Ayana Elizabeth Johnson, renowned marine biologist and co-founder of the All We Can Save climate initiative, compiles the best science and nature writing of the year.

In her introduction to this year’s The Best American Essays, guest editor Vivian Gornick states that her selections “contribute materially to the long and honorable history of the personal essay by way of the value they place on lived experience.” Provocative, daring, and honest at a time when many writers are deliberately silencing themselves in the face of authoritarian and populist censorship movements, the twenty-one essays collected here reflect their authors’ unapologetic observations of the world around them.

"In almost any culture, at any time, you can find food writing,” writes guest editor Mark Bittman in his introduction. “Food means growing and hardship, and health and medicine, and work and holiday. In its abundance it is a gift and a joy, and in its absence a curse and a tragedy. If a culture has writing, that culture has food writing.” The stories in this year’s Best American Food Writing are brilliant, eye-opening windows into the heart of our country’s culture.

15 Essays des gefeierten Autors von Die Korrekturen, Freiheit und Crossroads. Virtuos und pointiert setzt sich Jonathan Franzen mit dem Geist seiner Zeit auseinander und offenbart ganz persönliche Erfahrungen: In fünfzehn Essays ergründet er »die Schwierigkeit, in einer lärmenden und zerstreuenden Massenkultur Individualität und Vielschichtigkeit zu bewahren: die Frage, wie Alleinsein geht«. Gegen eine medial beschleunigte Welt und von Ideologien gefärbte Wahrnehmung setzt er die kreative Abgeschiedenheit, den genauen Blick, das Lesen.

In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a comprehensive and provocative theory of the novel and the experience of reading. Drawing on Friedrich Schiller’s famous distinction between “naïve” writers—those who write spontaneously—and “sentimental” writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

Before Jennifer Egan, Louise Erdrich, Luis Alberto Urrea, and Jonathan Lethem became revered authors, they were readers. In this ebullient book, America’s favorite librarian Nancy Pearl and noted-playwright Jeff Schwager interview a diverse range of America's most notable and influential writers about the books that shaped them and inspired them to leave their own literary mark. The Writer’s Library is a revelatory exploration of the studies, libraries, and bookstores of today’s favorite authors.

Part muckraker, part adventurer, and part raconteur, Frazier beholds, captures, and occasionally reimagines the spirit of the American experience. He travels down South to examine feral hogs and learns that their presence in any county is a strong indicator that it votes Republican. He introduces us to a man who, when his house is hit by a supposed meteorite, hopes to "leverage" the space object into opportunity for his family, and a New York City police detective who is fascinated with rap-music-related crimes.

The power, anger and fluency of Liang Qichao's writings make him one of the towering figures in modern Chinese literature. He saw his great, almost unmanageable task as an attempt to write China into the new era - to provide an ancient country, devastated by civil war and foreign predators, with the intellectual equipment to renew itself. This selection of pieces shows Liang's extraordinary range and the burning sense of mission which drove him on, attempting to galvanize and refresh an entire nation.

Which famous author died of caffeine poisoning? Why was Alice's Adventures in Wonderland banned in China? Who was the first British writer to win the Nobel Prize in Literature? What was Truman Capote superstitious about? Here is a light-hearted book about books and the people who write them for all lovers of literature. A treasure trove of compelling facts, riveting anecdotes, and extraordinary characters, For the Love of Books is a book about books - and the inside stories about the people who write them.

The prescient feminist fable and international classic described as “The Handmaid’s Tale for our age” (The Economist), from the Booker-shortlisted author of Stone Yard Devotional When the women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the...

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

青春像泼了墨，那斑驳的痕迹是点点回忆，如梭的时光没有放过任何精彩花絮以及不动声色的故事。而我知道，我们总能在回首时找到痕迹……青春像潑了墨，那斑駁的痕跡是點點回憶，如梭的時光沒有放過任何精彩花絮以及不動聲色的故事。而我知道，我們總能在回首時找到痕跡……

Author Suzanne R. Buerer saw a pattern throughout the Bible showing that the animals are very caught up in the affairs of mankind, carried along with humans in the Fall, in punishments, in blessings, AND in restoration. The author found that animals have the breath of the spirit of life which comes from God, and one book even discusses the spirit of the animal. The author shows how the Bible emphasizes that God is very involved with His animals—He knows them, He talks about them (in more than one book), they cry out to Him, and He feeds and saves them.

When Nolan Grey receives news that his father, a once-prominent biologist, has drowned off Leap's Island, he calls on Elsa, his estranged, older half-sister, to help pick up the pieces. This, despite the fact that it was he and Elsa who broke the family in the first place. The Greys have been avoiding each other for a dozen years. Elsa and Nolan travel to their father's field station, a wild and isolated spot off the Gulf Coast.

An intense, atmospheric novel about the devastating power of friendship, set against the backdrop of two cataclysmic events. After Marissa loses her mother at six, the most intimate relationship of her life begins. Her marine biologist father, determined to channel his grief into completing his...

Víctor Goti (Madrid, 1975) è scrittore, prologhista e responsabile della Casa Editrice Estivale. Cura il blog "Lo scribacchino preso a legnate", da decenni punto di riferimento degli scrittori emergenti. Valerio Di Stefano (Bergisch-Gladbach, 1964) è ispanista, filologo, linguista e genitore. Quando gli avanza un po' di tempo prova a insegnare qualcosa a qualcuno.

Discover the inimitable genius of Ray Bradbury as he explores the art of writing, the power of creativity, and the timeless appeal of storytelling in this collection of essays that are part masterclass, part memoir, featuring a new introduction by Dan Chaon. In Zen in the Art of Writing, Ray...

Kendra Allen’s first collection of essays—at its core—is a bunch of mad stories about things she never learned to let go of. Unifying personal narrative and cultural commentary, this collection grapples with the lessons that have been stored between parent and daughter. These parental relationships expose the conditioning that subconsciously informed her ideas on social issues such as colorism, feminism, war-induced PTSD, homophobia, marriage, and “the n-word,” among other things.

A partir de siete preguntas que funcionan como disparadores, ¿A qué llamamos literatura? intenta responder cuestiones centrales en los estudios literarios: cómo se clasifican las obras, por qué las valoramos, qué valoramos en ellas, cómo representan mundos posibles, cómo las leemos, cómo circulan en la vida social, cómo se insertan en los conflictos que atraviesan nuestra cultura. Dirigido por José Luis de Diego, el presente volumen es el resultado de convertir -obligado por las restricciones sanitarias de 2020- las clases orales en clases escritas.