Literary Fiction Fantasy

America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.

In AD 2600, the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems, and throughout inhabited space the Confederation Navy keeps the peace.

It's 2553. The theocratic military alliance known as the Covenant has collapsed after a long, brutal war with humanity that saw billions slaughtered on Earth and its colonies. For the first time in 30 years, however, peace finally seems possible. But though the fighting has stopped, the war is far from over: It’s just gone underground.

A city is hit by a sudden and strange epidemic of "white blindness", which spares no one. Authorities confine the blind to an empty mental hospital, but there social conventions quickly crumble and the struggle for survival brings out the worst in people.

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.

Science fiction is a portal that opens doors onto futures too rich and strange to imagine. Fantasy takes us through doorways of magic and wonder. For more than a decade award-winning editor Jonathan Strahan has sifted through tens of thousands of stories to select the best, the most interesting, the most engaging science fiction and fantasy to thrill and delight readers.

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners - a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

As passionate as it is profound, Atlas Shrugged is one of the most influential novels of our time. In it, Rand dramatizes the main tenets of objectivism, her philosophy of rational selfishness. She explores the ramifications of her radical thinking in a world that penalizes human intelligence and integrity.

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

The best of the year's science fiction and fantasy stories as selected by the multiple award-winning editor Jonathan Strahan. Distant worlds, time travel, epic adventure, unseen wonders, and much more! The best, most original and brightest science fiction and fantasy stories from around the globe from the past 12 months are brought together in one collection by multiple award winning editor Jonathan Strahan.

Even four years after the sudden death of his wife, best selling novelist Mike Noonan can't stop grieving, nor can he return to his writing. He moves into his isolated house by the lake, which becomes the site of ghostly visitations, ever-escalating nightmares, and the sudden recovery of his writing ability. What are the forces that have been unleashed here - and what do they want of Mike Noonan?

In the beginning was the Oak, its hungry roots reaching deep into the earth, its gnarled limbs searching the distant heavens. Two hundred years ago, Obediah Magrute worshipped the Oak and died violently beneath it, feeding it with his blood and bone, shouting his chilling curse to the skies. Now, Laura and Mark Avery have come to the bustling little Vermont village.

Terry Clark grew up surrounded by his parent’s life’s work, the rescue and rehabilitation of cetaceans. Born just after first contact with the Galactic Union, he’s never known a time when aliens weren’t visiting Earth. At 10 years old, he had a normal life, until a visit from one of the aliens resulted in a ground-breaking discovery. The cetaceans have a developed and complex language...and it can be deciphered by the aliens’ translators.

Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it's left to Toby to preach the Craker theology, with Crake as Creator.

This year’s selection of science fiction and fantasy stories, chosen by series editor John Joseph Adams and bestselling author of the Divergent series Veronica Roth, showcases a crop of authors that are willing to experiment and tantalize readers with new takes on classic themes and by exchanging the ordinary for the avant-garde. Folktales and lore come alive, the dead rise, the depths of space are traversed, and magic threads itself through singular moments of love and loss, illuminating the circulatory nature of life, death, the in-between, and the hereafter.

Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world. Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it. Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom.

Rowan's attempt to escape Lasher and his pursuit of her and their child are at the heart of this extraordinary saga. It is a novel that moves around the globe, backward and forward through time, and between the human and demonic worlds. Its many voices - of women, of men, of demons and angels, present and past - haunt and enchant us. With a dreamlike power, the novel draws us through twilight paths, telling a chillingly hypnotic story of occult and spiritual aspirations and passion.

Tackling some of humanity’s oldest questions along with new quandaries only he could imagine, these stories will change the way you think, feel, and see the world. They are Ted Chiang at his best: profound, sympathetic, revelatory. Ted Chiang tackles some of humanity’s oldest questions along with new quandaries only he could imagine.

Having learned the identity of her father's assassin, Adare flees the Dawn Palace in search of allies to challenge the coup against her family. Few trust her, but when she is believed to be touched by Intarra, patron goddess of the empire, the people rally to help her retake the capital city. As armies prepare to clash, the threat of invasion from barbarian hordes compels the rival forces to unite against their common enemy.

Would King Dasharatha even have his coveted sons were it not for the sacrifice of his daughter Shanta? Was Manthara an evil, conniving handmaid to the queen or a loving mother who tried to protect her ward from palace intrigues? How did Meenakshi of the beautiful eyes transform into the embodiment of ugliness and immoral lust? In an epic that revolves around the life of a righteous prince, what role do the women play?