Literary Fiction Weird

This is the completionist's edition of the work of H.P. Lovecraft! Literally every single weird-fiction story he wrote, revised, or collaborated on - to the best of our knowledge - is in this one enormous volume. The stories are arranged chronologically and contextualized with a brief running biography of the life of this fascinating author.

Learn why the concept of "weird" is being reclaimed and turned into a badge of honor, used to show how being different—culturally, socially, physically, or mentally—can be a person's greatest strength. Most of us have at some point in our lives felt like an outsider, sometimes considering...

The Weirdie Triplets and Miss Emily are settling into Deadeye Manor when, against all logic, their parents return from the dead! Even worse, they want Barnacle, Melancholy and Garlic back, sparking a truly unusual effort to prove that Miss Emily is the best parent for them. Will the family get justice? Will the triplets succeed in their ridiculous fundraisers to pay for the lawyer? Why are there so many raccoons in the courtroom?

At last, we have nearly reached the end of our grim tale. When the Handsome Lawyer proposes (gross, love), Barnacle, Melancholy, and Garlic do not react well, sparking a cross-country adventure to bring the man Miss Emily loves back home. Unfortunately, everywhere the triplets go, trouble follows, and in this case, so do a bunch of wild characters, making it hard to stay under the radar. All the while Mr. Weirdie and the Enchantress are holding Miss Emily captive, forcing her to teach them how to be good people. Will anyone get the happy ending they deserve?

If you’re a fan of A Series of Unfortunate Events, Edward Scissorhands, or the darkest bits of Roald Dahl, the Weirdie triplets - Barnacle, Garlic, and Melancholy - will feel like old friends. After being left behind when the entire estate of Deadeye Manor is packed up for a doomed vacation cruise, the triplets have to learn how to fend for themselves.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov.

If we follow Christ, we're not supposed to be like everyone else. We’re supposed to be a little bit…well, weird. The whole point of Christianity is to become more like Jesus and less of who we are when left to our own devices and desires—to become less like the rest of the world, less normal.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

From Steven Millhauser, the Pulitzer Prize-winning author of Martin Dressler and one of the most imaginative and essential voices of our time, comes a fable about a race of miniature people and the way of life they have come master within our own. By turns enchanting and provocative, The Little People explores the fascination and unease the little people create in us, examines our private desire to disappear into their world, and reveals what happens when our personal and romantic lives inevitably collide.

The beloved New York Times best seller from acclaimed author Eleanor Brown about three sisters who love each other, but just don't happen to like each other very much. Three sisters have returned to their childhood home, reuniting the eccentric Andreas family. Here, books are a passion (there is no problem a library card can't solve) and TV is something other people watch. Their father - a professor of Shakespeare who speaks almost exclusively in verse - named them after the Bard's heroines. It's a lot to live up to.

A sorcerer on a cliff cuts into his own hand, summoning members of the ancient cult that destroyed his family. A maid hunts her former employer with a sword, attempting to win a revenge that could save us all. A doomed man rides a train to his dead father's home to unravel a terrible secret....

A producer. A novelist. An actress. It's summer 1968 - a time of war and assassinations, protests and riots. While the world is reeling, our trio is involved in making a disaster-plagued, Swingin' Sixties British movie in sunny Brighton. All are leading secret lives. As the movie shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably. The FBI and CIA get involved.

Almost every afternoon, the Woman in the Purple Skirt sits on the same park bench, where she eats a cream bun while the local children make a game of trying to get her attention. Unbeknownst to her, she is being watched—by the Woman in the Yellow Cardigan, who is always perched just out of sight, monitoring which buses she takes, what she eats, whom she speaks to.

Listeners will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination. The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written.

The Wird sisters are content to avoid the local vampires, werebeasts, and witches of the Lake Tahoe region - until one of them blows up a vampire in self-defense. Everyone knows vampires aren't aggressive, and killing one is punishable by death. But soon more bloodlust-fueled attacks occur, and the community wonders: are the vampires of Tahoe cursed with a plague?

Dracula's Guest and Other Weird Stories is a collection of short stories by Bram Stoker, first published in 1914, two years after Stoker's death.

Tradotti per la prima volta in italiano, i racconti dell'antologia "Larisa Komarova trova l'amore" offrono l'occasione per leggere una delle migliori scrittrici russe di fantascienza e new weird. Ekaterina Sedia attinge a piene mani dalla cosiddetta "russkaya dusha" (l'anima russa) e, sebbene alcune storie contengano riferimenti alla storia e al folklore nazionale, è chiaro che i temi trattati trascendono i confini della Russia per affrontare questioni universali come lo spaesamento, la precarietà dell'esistenza, la perdita dell'identità e l'ambiguità del futuro.