Literary Fiction Weird

At last, we have nearly reached the end of our grim tale. When the Handsome Lawyer proposes (gross, love), Barnacle, Melancholy, and Garlic do not react well, sparking a cross-country adventure to bring the man Miss Emily loves back home. Unfortunately, everywhere the triplets go, trouble follows, and in this case, so do a bunch of wild characters, making it hard to stay under the radar. All the while Mr. Weirdie and the Enchantress are holding Miss Emily captive, forcing her to teach them how to be good people. Will anyone get the happy ending they deserve?

If you’re a fan of A Series of Unfortunate Events, Edward Scissorhands, or the darkest bits of Roald Dahl, the Weirdie triplets - Barnacle, Garlic, and Melancholy - will feel like old friends. After being left behind when the entire estate of Deadeye Manor is packed up for a doomed vacation cruise, the triplets have to learn how to fend for themselves.

The Weirdie Triplets and Miss Emily are settling into Deadeye Manor when, against all logic, their parents return from the dead! Even worse, they want Barnacle, Melancholy and Garlic back, sparking a truly unusual effort to prove that Miss Emily is the best parent for them. Will the family get justice? Will the triplets succeed in their ridiculous fundraisers to pay for the lawyer? Why are there so many raccoons in the courtroom?

Learn why the concept of "weird" is being reclaimed and turned into a badge of honor, used to show how being different—culturally, socially, physically, or mentally—can be a person's greatest strength. Most of us have at some point in our lives felt like an outsider, sometimes considering...

From Steven Millhauser, the Pulitzer Prize-winning author of Martin Dressler and one of the most imaginative and essential voices of our time, comes a fable about a race of miniature people and the way of life they have come master within our own. By turns enchanting and provocative, The Little People explores the fascination and unease the little people create in us, examines our private desire to disappear into their world, and reveals what happens when our personal and romantic lives inevitably collide.

This is the completionist's edition of the work of H.P. Lovecraft! Literally every single weird-fiction story he wrote, revised, or collaborated on - to the best of our knowledge - is in this one enormous volume. The stories are arranged chronologically and contextualized with a brief running biography of the life of this fascinating author.

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

What exactly are the weird and the eerie? In this new essay, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The weird and the eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The weird and the eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.

A mythmaker of the highest order, China Miéville has emblazoned the fantasy novel with fresh language, startling images, and stunning originality. Set in the same sprawling world of Miéville’s Arthur C. Clarke Award-winning novel, Perdido Street Station, this latest epic introduces a whole...

On board the moletrain Medes, Sham Yes ap Soorap watches in awe as he witnesses his first moldywarpe hunt: the giant mole bursting from the earth, the harpoonists targeting their prey, the battle resulting in one’s death and the other’s glory. But no matter how spectacular it is, Sham can't...

Finalist for the Locus Award Belletrist Book Club Pick From Philip K. Dick Award finalist Elwin Cotman, an irresistibly unnerving collection of stories that explore the anxieties of living while Black—a high-wire act of literary-fantastical hybrid fiction. A rural town finds itself under the...

From internationally acclaimed author Haruki Murakami—a fantastical illustrated short novel about a boy imprisoned in a nightmarish library. Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild...

A thriller of war that never was—of survival in an impossible city—of surreal cataclysm. In The Last Days of New Paris, China Miéville entwines true historical events and people with his daring, uniquely imaginative brand of fiction, reconfiguring history and art into something new...

A groundbreaking collection of stories, including four never-before-published tales, from the award-winning author of Perdido Street Station What William Gibson did for science fiction, China Miéville has done for fantasy, shattering old paradigms with fiercely imaginative works of startling...

The Wird sisters are content to avoid the local vampires, werebeasts, and witches of the Lake Tahoe region - until one of them blows up a vampire in self-defense. Everyone knows vampires aren't aggressive, and killing one is punishable by death. But soon more bloodlust-fueled attacks occur, and the community wonders: are the vampires of Tahoe cursed with a plague?

Dracula's Guest and Other Weird Stories is a collection of short stories by Bram Stoker, first published in 1914, two years after Stoker's death.

Tradotti per la prima volta in italiano, i racconti dell'antologia "Larisa Komarova trova l'amore" offrono l'occasione per leggere una delle migliori scrittrici russe di fantascienza e new weird. Ekaterina Sedia attinge a piene mani dalla cosiddetta "russkaya dusha" (l'anima russa) e, sebbene alcune storie contengano riferimenti alla storia e al folklore nazionale, è chiaro che i temi trattati trascendono i confini della Russia per affrontare questioni universali come lo spaesamento, la precarietà dell'esistenza, la perdita dell'identità e l'ambiguità del futuro.