Literary Humor

These are the adventures of a naughty wooden puppet who, through many misadventures, learns what it takes to become a real boy.

The award-winning, “quick-witted and razor-sharp” (Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones & The Six) author of Limelight and Small Admissions returns with a funny and heartwarming summer novel about love, family drama, secrets, and second chances. “Poeppel...

From the celebrated twenty-nine-year-old author of the everywhere-heralded short-story collection St. Lucy’s Home for Girls Raised by Wolves (“How I wish these were my own words, instead of the breakneck demon writer Karen Russell’s . . . Run for your life. This girl is on fire”—Los...

A cross-cultural tale of two women brought together by the intersections of television and industrial agriculture, fertility and motherhood, life and love—the breakout hit by the celebrated author of A Tale for the Time Being and The Book of Form and Emptiness Ruth Ozeki’s mesmerizing debut...

When Scat comes up with an idea for the hottest new soda ever, he's sure he'll retire as the next savvy marketing success story. But in the treacherous waters of corporate America, there are no sure things. Suddenly Scat finds himself scrambling to save not only his idea, but his yet-to-be-realized career. With the help of a scarily beautiful and brainy girl called 6, he sets out on a mission to reclaim the fame and fortune that, time and again, elude him.

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

The rural town of Stockton, New York, is famous for nothing: No one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there...

Winner of the Ottawa Book Award Finalist for the Governor General's Literary Award A Globe and Mail Notable Book of the Year A Quill & Quire Top Five Canadian Fiction Book of the Year A Maclean’s Top Ten Book of the Year Elizabeth Hay’s runaway national bestseller is a funny, sad-eyed...

With The Last Days of California, Mary Miller bursts into the literary world, taking up the mantle of Southern fiction and rendering it her own with wry vulnerability and contemporary urgency. Miller’s revelatory protagonist, Jess, is fourteen years old and waiting for the world to end. Her evangelical father has packed up the family and left their Montgomery home to drive west to California, hoping to save as many souls as possible before the Second Coming.

A BEST BOOK OF THE YEAR The New York Times Book Review Publishers Weekly CrimeReads Book Riot A LibraryReads Pick The lives of two librarians become dangerously intertwined in this razor-sharp exploration of human nature and the lure of artistic obsession. No one knows Margo’s real...

PEN-Faulkner Award-winning author T. Coraghessan Boyle weaves together the stories of two families in Southern California: one affluent, the other destitute. As Boyle creates a counterpoint of personal needs, civic responsibility, and social custom, each family's quest for the American Dream fuels deep fear and anger that ultimately lead to a perilous confrontation.

This stylish, charming, and delightfully witty comedy showcases all the reasons why P.G. Wodehouse is hailed as one of the most sharp-witted writers of the 20th century. It begins when a proper British earl falls asleep in a dentist’s chair - and wakes up in the body of America’s favorite child star.

Marnie MacGraw wants an ordinary life - a husband, kids, and a minivan in the suburbs. Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes - just as Blix told her it would. When her marriage ends after two miserable weeks, Marnie is understandably shocked.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Strange things are happening at Belpher Castle. For starters, the Earl's sister is intent on pairing off her stepson, Reggie, and niece, Lady Patricia (known as Maud). Maud, however, is in hot pursuit of Geoffrey Raymond, and she is also being pursued by the unacceptable composer, George Bevan.

In a lush meadow, bounded by dense forest and a sparkling river, the flags of several tents flutter in the breeze, rich with the promise of halcyon days. Yet all is not as tranquil as it may seem: The balance of power wrought between the occupants of The Great Field, as it is properly known, is a delicate one, and relationships are stretched to breaking point when a new, large and disciplined group offers to share its surplus of milk pudding.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.

When Maud Marsh flings herself into George Bevan's cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious travelling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud's aunt, Lady Caroline Byng, wants Maud to marry Reddie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out.

When the university merged his Department of Linguistics with English, Professor Desmond Bates took early retirement, but he is not enjoying it. But his daily discontent is nothing compared to the affliction of hearing loss, which is a constant source of domestic friction and social embarrassment. In the popular imagination, he observes, deafness is comic, as blindness is tragic, but for the deaf person himself it is no joke.