Literary Life

Colm Tóibín's Mothers and Sons is a sensitive and beautifully written meditation on the dramas surrounding this most elemental of relationships. Psychologically intricate and emotionally incisive, each finely wrought story teases out the delicate and difficult strands woven between mothers and sons. This is an acute, masterful and moving collection that confirms Tóibín as a great prose stylist of our time.

Seventy-one and a man used to controlling those around him, Saul finds himself slipping into what he describes as his slow dance with death. His ramblings, humor, emotions, lucid moments, and confusion are laid bare as well as the thoughts and feelings of his loved ones: his wife, Monique, conflicted and depressed, caring yet angry; his daughter, Florence, compassionate yet proper and reserved; his son, Joey, self-centered and narcissistic, seemingly indifferent to his family's challenges.

It's New Year's Day, and the residents of a small fishing town are ready to start their lives anew. Leo takes his two young sons out to the lake to write resolutions on paper boats. That same frigid morning, Vera sets out for a walk with her dog along the lake, leaving her husband in bed with a hangover. But she never returns. She places a call to the police saying she's found a boy in the woods, but the call is cut short by a muffled cry. Did one of Leo's sons see Vera? What are they hiding from the police? And why are they so scared of their own father?

Two strangers in a foreign city, Thora and Santi meet in a chance encounter. At once, they recognize in each other a kindred spirit - someone who is longing for more in life than the cards they’ve been dealt. Before their friendship can blossom, though, a tragic accident cuts their story short.

Reclusive literary legend M. M. "Mimi" Banning has been holed up in her Bel Air mansion for years. But after falling prey to a Bernie Madoff-style Ponzi scheme, she's flat broke. Now Mimi must write a new book for the first time in decades, and to ensure the timely delivery of her manuscript, her New York publisher sends an assistant to monitor her progress. The prickly Mimi reluctantly complies - with a few stipulations: no Ivy Leaguers or English majors. Must drive, cook, tidy. Computer whiz. Good with kids.

Dr. Olivia Simon is on duty in the emergency room of North Carolina's Outer Banks Hospital when a gunshot victim is brought in. Midway through the desperate effort to save the young woman's life, Olivia realizes who she is - Annie O'Neill, the woman Olivia's husband, Paul, is in love with.

Where is Pradeep S. Mathew - spin bowler extraordinaire and 'the greatest cricketer to walk the earth'? Retired sportswriter W. G. Karunasena is dying, and he wants to know. W. G. will spend his final months drinking arrack, making his wife unhappy, ignoring his son and tracking down the mysterious Pradeep. On his quest he will also uncover a coach with six fingers, a secret bunker below a famous stadium, a Tamil Tiger warlord, and startling truths about Sri Lanka, cricket and himself.

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020. In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind.

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu, or 'the Jax'. It's not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie 'The Badger' Murphy. But whether it's daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat. Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to.

Grace has what one might call a 'full and interesting life', which is code for not married and has no kids. Her life is the envy of her straight friends, but all this time she has been waiting in secret for love to hit her so hard that she would run out of breath, like the way a wave in a rough sea bowls you over, slams you into the sand and nearly drowns you.

Mary Frances "Frankie" Lombard is fiercely in love with her family's sprawling apple orchard and the tangled web of family members who inhabit it. Content to spend her days planning capers with her brother, William, competing with her brainy cousin, Amanda, and expertly tending the orchard with her father, Frankie desires nothing more than for the rhythm of life to continue undisturbed. But she cannot help being haunted by the historical fact that some family members end up staying on the farm and others must leave.

For Naomi Ash, growing up the daughter of a clairvoyant medium exposed her to the chicanery of a business where telling people what they want to hear is the only currency. And the sleepy hamlet of Train Line, New York, nestled against a frigid lake in the westernmost fringes of the state, was founded on, built, and is still sustained by it. Now a young woman and a practicing medium herself, Naomi still lives in the place that nourished and raised her - the place where she fell in love. Love, however, can be deadly....

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Kim Edwards now gives us the story of a woman's homecoming, a family secret, and the old house that holds the key to the true legacy of a family. At a crossroads in her life, Lucy Jarrett returns home from Japan, only to find herself haunted by her father's unresolved death a decade ago. Old longings stirred up by Keegan Fall, a local glass artist who was once her passionate first love, lead her into the unexpected. Late one night, as she paces the hallways of her family's rambling lakeside house, she discovers, locked in a window seat, a collection of objects that first appear to be useless curiosities, but soon reveal a deeper and more complex family past.

Vermont, 1972. Carole LaPorte has a satisfying, ordinary life. She cares for her children, balances the books for the family's auto shop, and laughs when her husband slow dances her across the kitchen floor. Her tragic childhood might have happened to someone else. But now her mind is playing tricks on her. The accounts won't reconcile and the murmuring she hears isn't the television.

Lucrezia Tornabuoni, brought up in the Palazzo Medici alongside Cosimo's children, always expected to marry his charismatic younger son, Giovanni. But now in later life, she finds herself imprisoned in a loveless marriage with the gout-ridden elder son, Piero. Like Cosimo, she sees the future salvation of the family in the hands of her own son, Lorenzo the Magnificent, but how can she be sure he inherits the mantle before Piero ruins everything?

Until John Wilson met the warm, wise woman who became his fourth wife, the object of his most intense devotion had always been the work of William Shakespeare. From his feat of memorizing Romeo and Juliet and half a dozen other plays as a student to his evangelical zeal as a professor, John's faith in the Bard has shaped his life. But now his mental powers have been diminished by dementia, and his wife has reluctantly moved him to a residential care facility.

Seduced by Slim's stories of the privations of a cross-country trek that ended in the violence of an historic riot and tales of Depression-era work camps, Edie MacDonald has followed him from mine to mine, where he finds work and she cares for their son, Belly, in the thin shelter of canvas tents. Until now. Edie has left Slim behind, passed out in an unheated apartment on the coldest day of the year. Boarding a train with Belly, she travels westward. When the train struggles through a snowstorm and possible calamity, the lens shifts between Belly's perspective and Edie's.

Frustrated 35-year-old plumber Isaac Sullivan believes he has both the intellect and skill to be a surgeon. Forced to take over his father's plumbing business straight out of high school, Isaac's dreams of attending the University of Michigan fell by the wayside. However, the unfortunate setback didn't stop him entirely. For the past decade, he has absorbed every medical textbook and journal available to him. For practical experience, Isaac performs surgeries on the wildlife around his house, preparing for the day he attends Michigan.