Literary Lives

The Road Home lies in the shadows of Manifest Destiny and Wounded Knee; it is etched into the landscape of an old man’s memory and into the stubborn dreams of a young man’s heart. In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the expanses of the Nebraska plains. They strive to understand their fates, to reconcile with demons of the past, to live in accordance with the land, and to die with grace.

Years after an Easter weekend tragedy devastates a family, they return to the house they grew up in to unearth the many secrets hidden within the nooks and crannies of home.

The corridor of the Fine Arts Building was deserted, save for two figures at the far end, two men approaching slowly. Rose was about to go into the classroom, where she'd left her purse, when she saw a sign on the door - a crude sign in pencil, on a ragged sheet of paper. "Collapse of Western Civilization - Dr. Norbert Beilstein," it said. "Visitors welcome."

The summer Berie was 15, she and her best friend, Sils, had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules. But no matter how wild, they always managed to escape any real danger - until the adoring Berie sees that Sils really does need her help - and then everything changes.

When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night.

Read by Lin-Manuel Miranda, the Tony Award-winning creator and star of the musical Hamilton, and Tony Award-winning actress, Karen Olivo. This brilliant narration adds another layer of lyricism and depth to this Pulitzer Prize-winning classic novel. Things have never been easy for Oscar...

It was a typical evening at a mall outside Portland, Maine. Three teenage friends waited for the movie to start. A boy flirted with the girl selling sunglasses. Mothers and children shopped together, and the manager at the video game store tended to customers. Then the shooters arrived. The chaos and carnage lasted only eight minutes before the killers were taken down. But for those who lived through it, the effects would last forever.

Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. She was determined, confident, and ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she’d imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, rejection, and doubt. If only she’d had a handbook for the aspiring actor. Or, better yet, someone to show her the way. Jenna wants to be that person for you.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

After her grandmother Arlette's death, Betty is finally ready to begin her life. She had forfeited university, parties, boyfriends, summer jobs in order to care for Arlette. Now she's ready for whatever life throws at her, and, since the will included a beneficiary unknown to her who lives in the city, she heads there to find the mysterious woman. In 1920s London, Arlette is starting her new life in a time of postwar change. Beautiful and charismatic, she's drawn into a hedonistic world, but then tragedy strikes, and she flees back to her childhood home....

Fifteen years after graduating from Harvard, five close friends on the cusp of middle age are still pursuing an elusive happiness and wondering if they’ve wasted their youthful opportunities. Jules, already a famous actor when she arrived on campus, is changing in mysterious ways but won’t share what is haunting her. Mariam and Rowan, who married young, are struggling with the demands of family life and starting to regret prioritising meaning over wealth in their careers.

This magnificent novel - which secured for its author the 1955 Nobel Prize in Literature - is now available to contemporary American audiences. Although it is set in the early 20th century, it recalls both Iceland's medieval epics and such classics as Sigrid Undset's Kristin Lavransdatter. And if Bjartur of Summerhouses, the book's protagonist, is an ordinary sheep farmer, his flinty determination to achieve independence is genuinely heroic and, at the same time, terrifying and bleakly comic.

Lucrezia Tornabuoni, brought up in the Palazzo Medici alongside Cosimo's children, always expected to marry his charismatic younger son, Giovanni. But now in later life, she finds herself imprisoned in a loveless marriage with the gout-ridden elder son, Piero. Like Cosimo, she sees the future salvation of the family in the hands of her own son, Lorenzo the Magnificent, but how can she be sure he inherits the mantle before Piero ruins everything?

AN OPRAH’S BOOK CLUB PICK "Extraordinary. Books like this are why I love reading. This novel about marriage and friendship and life and dying is a marvel." —Elin Hilderbrand “Profound and moving and real.”—Andrew Sean Greer “Some Bright Nowhere is a novel that draws you in deeply and...

Matthew King was once considered one of the most fortunate men in Hawaii. His missionary ancestors who came to the islands were financially and culturally progressive - one even married a Hawaiian princess, making Matt a royal descendant and one of the state’s largest landowners. But now his luck has changed. His two daughters are out of control - 10-year-old Scottie has a smart-ass attitude and a desperate need for attention and 17-year-old Alex is a recovering drug addict.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments.

Fifteen-year-old Christopher Boone has Asperger's Syndrome, a condition similar to autism. He doesn't like to be touched or meet new people, he cannot make small talk, and he hates the colors brown and yellow. He is a math whiz with a very logical brain who loves solving puzzles that have definite answers.

The scion of a family of wealthy timber barons, David Burkett has grown up with a father who is a malevolent force more than a father and a mother made vague and numb by alcohol and pills. He and his sister Cynthia, a firecracker who scandalizes the family at 14 by taking up with the son of their Finnish-Native American gardener, are mostly left to make their own way.

Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.