Medieval English

Before Twilight and True Blood, only one vampire commanded “the children of the night". In this bloodthirsty tale of unholy terror, Count Dracula slips into Victorian London with a cargo of his native Transylvanian soil - so he can rest between victims. The city seems helpless against his frightful power, and only one man, Dr. Van Helsing, can stop the carnage. But to do this, he must uncover the vampire’s lair and pierce his heart with a wooden stake.

1333 A.D. - The lovely and educated Lady Aubrielle Grace di Witney is what is kindly termed an unmanageable woman. Her uncle, the Earl of Wrexham, has been awarded custody of his niece because her mother can no longer handle the head-strong beauty. Like a coward, the earl abdicates his duties to his most powerful knight, Sir Kenneth St. Hever with the instructions to transform her into a submissive lady. Aubrielle and Kenneth are at odds from the onset; Kenneth expects obedience and Aubrielle is less than compliant.

The year is A.D. 1333. At the conclusion of the English victory of Halidon Hill, King Edward appoints Stephen of Pembury the Guardian Protector of the newly captured city of Berwick. To cement this victory, he orders Stephen to marry the defeated Scottish commander's daughter, the Lady Joselyn de Velt Seton. In a marriage meant to symbolize the English domination over the Scots, Stephen is nonetheless attracted to his new bride; a petite, raven-haired beauty with pale blue eyes. Joselyn is a lady with a horrific past and dark secrets of abuse.

Eadric, a bladesmith from the east, stands at a crossroads. Honor the late king’s cryptic command, and risk dying at the hands of the nobility, or stay silent in a world where good men do nothing and watch his kingdom burn at the hands of the invader. Against the backdrop of an encroaching enemy and internal betrayal, Eadric’s quest becomes a profound exploration of faith and forgiveness, as he searches for men to wield his blades before it’s too late.

The Iliad is one of the most enduring creations of Western Civilization and was originally written to be recited or chanted to the accompaniment of various instruments. Properly performed, this work today is just as meaningful, just as powerful, and just as entertaining as it was in the ninth century BC, and it casts its spell upon modern listeners with the same raw intensity as it did upon the people of ancient times.

Duty-bound to seek revenge, Broderick MacConnaway, son of the Thane of Dunkeld, lives haunted by memories of his lost wife, Aisling. Forming an alliance with the Lochlann family presents its own trials, but if the marriage allows him to fulfill his vengeance, then so be it. Even if the guilt over Aisling prevents him from ever loving again.... But when sinister intentions surface and Amabel is captured before she has a chance to reveal them, Broderick is forced to see past the deceptions and begin another campaign of vengeance.

A traveling merchant’s death heralds a series of grim mishaps at Salisbury Castle. Ela suspects a plot to discredit her as sheriff. Can she solve the murder and save her reputation, or will she be the next victim?

Livingston argues that the English lens through which the war has been viewed has led historians to define it in terms of English interests (most famously, the claim of the English Plantagenet king Edward III to be the rightful king of France), and that the events collectively labelled the ‘Hundred Years War’ are best seen as a sequence of steps in France’s struggle to define itself as a nation. For much of the period, France’s primary rival was indeed England. But it was by no means the only combatant. Burgundy stood in its way, too, as did Brittany, Flanders, Navarre and other rival powers.

AD 1380. The great-grandson of the legendary William de Wolfe is not as his family had hoped; although a man of legendary skill and strength like his great-grandfather, Gates de Wolfe is something of a legendary rake as well. A man with an eye for women, he has left a string of broken hearts all across England and rumors of at least two bastards, possibly more. But Gates is also a man of humor, charm, and great charisma, making it difficult for women to resist him and making it even more difficult for men to despise him, because he is such a likable character.

Widely hailed as a revelation of a "lost" golden age, this history brings to vivid life the rich and thriving culture of medieval Spain, where, for more than seven centuries, Muslims, Jews, and Christians lived together in an atmosphere of tolerance, and literature, science, and the arts flourished.

NEW YORK TIMES BESTSELLER From #1 New York Times bestselling author Ava Reid comes a “masterful reimagining” (Publishers Weekly) of Lady Macbeth, Shakespeare’s most famous villainess, giving her a voice, a past, and a power that transforms the story men have written for her. “Lady...

1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time. Both women will stand and fight for what they know is right for England's royalty.

Kidnapped while journeying with her maid, Morven, Louise McGregor finds herself the prisoner of the charming rogue Colin McKay. As she waits for her father to answer Colin’s demand for ransom, she begins to see there is more to her captor than meets the eye. The threat of war looms between the McGregors and the Ross clan, but will Louise’s father get to her in time, or will Colin sell her to the highest bidder?

An English knight with inner demons meets the Scottish lass who will kill those demons.... Following a terrible tragedy that robbed him of his wife, the dark and fiery second son of the Wolfe of the Border finds solace in battle.... Quick to temper, and an aggressive fighter, Troy de Wolfe is at the helm of his father's army when it subdues a smaller castle south of Kelso. Assuming command, Troy is in the heart of Scots territory and the Scots aren't happy about it one bit. Trying to gain peace with a powerful clan, Troy is tricked into fighting a warrior of the clan chief's choosing. Imagine his surprise when that warrior turns out to be the clan chief's daughter.... And Troy is forced to marry her.

A reckless princess. An enemy kingdom. And a mistake that could cost her everything.

Read by the author. An extraordinary journey that uncovers historical secrets about England’s forgotten Queen. From Alice Loxton, author of the acclaimed bestseller Eighteen. ‘Alice Loxton is the star of her generation’ – Dan Snow, historian and host of History Hit ‘I loved this...

Medieval knights were like armoured tanks in combat. They often made quick work of their enemies. They may not have realized it, but they owed their success to science. Learn how science helped medieval knights win victory!

The digital era is beset by distraction, and it feels like things are only getting worse. At times like these, the distant past beckons as a golden age of attention. We dream of recapturing the quiet of a world with less noise. We imagine retreating into solitude and singlemindedness, almost like latter-day monks. But although we think of early monks as master concentrators, a life of mindfulness did not, in fact, come to them easily.

Kihrin is a bastard orphan who grew up on storybook tales of long-lost princes and grand quests. When he is claimed against his will as the long-lost son of a treasonous prince, Kihrin finds that being a long-lost prince isn't what the storybooks promised. He also discovers that the storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies, true love, and how the hero always wins. Then again, maybe he’s not the hero, for Kihrin is not destined to save the empire. He’s destined to destroy it.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.