Mental Violence

Now a riveting new audio production, Holding a Mirror Up to Nature: Shame, Guilt, and Violence in Shakespeare takes advantage of scenes performed by acclaimed actors to dramatize how much Shakespeare’s tragic heroes exhibit the psychology of those who commit violence in the contemporary world.

In Every 90 Seconds, Anne P. DePrince argues that to end violence against women, we must fundamentally redefine how we engage with it—starting by abandoning the idea that violence is a problem involving only those who abuse or are abused. Instead, DePrince illuminates how violence against women is inextricably linked to other issues that stoke our greatest passions.

On the eve of Kyle's sentencing a year after Jamie's death, all the other "chosen ones" are coping in various ways. But our tenacious narrator is full of anger, stuck somewhere between the horrifying past and the unknown future as she tries to piece together why she gets to live, while Jamie is dead. Now she finds herself drawn to Charlie, Jamie's boyfriend - knowing all the while that their relationship will always be haunted by what-ifs and why-nots. Is hope possible in the face of such violence? Is forgiveness? How do you go on living when you know it could have been you instead?

Golden “Go” Jennings wasn’t supposed to be on Bus 21 the day it blew up in New York City. Neither was her boyfriend, Chandler. But they were. And so was Rudy, a cute stranger Go shared a connection with the night before. And Caroline, a girl whose silence ended up costing 19 people their lives. Though it’s been a year since the bombing, Go isn’t any closer to getting over what happened. With Chan completely closed off to even talking about it, Go makes an impulsive decision: round up the rest of the survivors and head to New York City.

When everything has been taken from you, what else is there to do but run? So that’s what Annabelle does - she runs from Seattle to Washington, DC, through mountain passes and suburban landscapes, from long lonely roads to college towns. She’s not ready to think about the why yet, just the how - muscles burning, heart pumping, feet pounding the Earth. But no matter how hard she tries, she can’t outrun the tragedy from the past year, or the person - The Taker - that haunts her.

Thirteen-year-old Tyler loves spending the summer in New York with his cousin. Each day, they play baseball in a Central Park league. Tyler is a sharp hitter, so he hopes to become an All-Star. But he has a temper that is quicker than his swing. If he can't control it, he will lose his place on the team. There's trouble off the diamond, too. An awful accident has turned Tyler's dad into a distracted stranger. People tell Tyler that time will heal his father's wounds, but what about the hurt Tyler feels?

Victoria Zell doesn't fit in, not that she cares what anyone thinks. She and her homeschooled boyfriend, Andrew, are inseparable. All they need is each other. That is, until Zachary Zimmerman joins her homeroom. Within an hour of meeting, he convinces good-girl Vic to cut class. And she can't get enough of that rush. Despite Vic's loyalty to Andrew, she finds her life slowly entwining with Z's. Soon she's lying to everyone she knows in an effort to unravel Z's secrets. Except Z's not the only one with a past.

What can parents and other concerned adults do to prevent the next Sandy Hook? Are there red flags that warn us if our children might become victims or perpetrators of bullying or of sexual assault? How do we know when a child or young adult is at risk for suicide or just moody? These are certainly questions most parents have wondered about, especially at a time when childhood dangers seem increasingly hard to predict or control.

They’re going to show up. If you’ve been teaching self-defense for any length of time, chances are that you’ve already taught a survivor of violence, whether you knew it or not at the time. If you are going to teach for any length of time, meeting a survivor is a ‘when,’ not an ‘if.’ These students present a specific set of challenges, and have specific needs. If they’re handled unconsciously or inexpertly, they can be damaged more easily than most other people.

Finding Comfort is a book about easing grief and trauma after unimaginable horrors - mass shootings, catastrophic natural disasters, and terrorist acts. Through personal recollections of responding to tragedy, combined with a practical application, Earl Johnson offers listeners the tools they need to seek support and offer it to those in need. The book walks through the life cycle of disaster care from the first hours and days to the years that follow.

A new town, a new school, a new start. That's what 14-year-old Gray Wilton believes as he chants, "It's gonna be better, gonna be better here." But it doesn't take long for Gray to realize that nothing's going to change--there are bullies in every school, and he's always their punching bag. Gray feels trapped in a world where he has no control and no way out--until the day he enters the halls with his father's semiautomatic in hand.

Mann is only 13, yet he has already had to deal with more than most go through in a lifetime. His family is still reeling from the tragic shooting death of his little brother, Jason, each person coping with grief in his or her own way.

Being a teenager has never been easy, but in recent years, with the rise of the Internet and social media, it has become exponentially more challenging. Bullying, once thought of as the province of queen bees and goons, has taken on new, complex, and insidious forms, as parents and educators know all too well.

A Woman’s Toolkit offers a uniquely female perspective on recovering from violence. This audiobook aims to provide accessible, useful tools for developing the mentality and skillsets that one needs in order to heal.

In December 1957, the wife of a Florida citrus baron is raped in her home while her husband is away. She claims a "husky Negro" did it, and the sheriff, the infamous racist Willis McCall, does not hesitate to round up a herd of suspects. But within days, McCall turns his sights on Jesse Daniels, a gentle, mentally impaired white 19-year-old. Soon Jesse is railroaded up to the state hospital for the insane and locked away without trial. But crusading journalist Mabel Norris Reese cannot stop fretting over the case and its baffling outcome. Who was protecting whom, or what?

In the exciting final installment of the Lost Voices trilogy, mermaid Luce swims to the San Francisco Bay where she finds a group of renegade mermaids who become an army under her leadership when war breaks out between humans and mermaids.

Violence impacts everyone. Maybe it doesn’t impinge on you directly. Maybe you and your loved ones feel safe most of the time. But the sad reality is, we know that violence is happening all the time, somewhere in our country, our cities, our towns, and our neighborhoods. Sometimes we see it, sometimes we don’t. Sometimes it makes the news; usually it doesn’t.

Ian's band is finally taking off. But the band's front man and Ian's best friend, Orlando, can't catch a break as a black kid in their white town. Tension with a security guard lands both Ian and Orlando in jail, and when Orlando is held indefinitely, someone will need to take over the band until he gets out. When Orlando chooses Chase, the band's bassist, to step in, Ian is slighted. As Ian's resentment builds, he plots his revenge. One by one, he turns his bandmates against one another, with tragic results.