Metaphysical Fiction

Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege — but he's also lonely. Maybe past his prime. Maybe even...getting fat? He's tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor, and dinosaur skull collector Nicolas Cage isn't enough to pull Carrey out of his slump.

First we live. Then we die. And then...we get another try? Ten thousand tries, to be exact. Ten thousand lives to "get it right". Answer all the big questions. Achieve wisdom. And become one with everything. Milo has had 9,995 chances so far and has just five more lives to earn a place in the cosmic soul. If he doesn't make the cut, oblivion awaits. But all Milo really wants is to fall forever into the arms of Death. Or Suzie, as he calls her.

Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his 11th life, a little girl appears at his bedside. "I nearly missed you, Doctor August", she says. "I need to send a message". This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.

As a guide, Luke has helped countless new arrivals journey from the old train station in the valley to the city beyond, in a strange and wondrous land. Once a new arrival himself, he aids visitors in healing old wounds and confronting life’s greatest mysteries while awaiting a long-lost friend. When an elderly woman named Anna arrives, familiar yet unknown, Luke embarks on what will be his final journey as a guide, unaware of the profound connection about to unfold. The Ones We Wait For is a novel about loss, love, faith, and heaven.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

I've been living in a small town working for the vampires for the last six months. All I want is to save up enough to open an apothecary so I don't have to heal the neckers anymore. Of course, nothing in my life can be that simple. Two detectives show up at my door asking questions about a dead girl and trying to pin the murder on my employer. Next thing I know, I'm dodging fireballs in parking lots.

Now, for the first time ever, a new complete edition audiobook original of the timeless classic by Richard Bach. This is the story for people who follow their hearts and make their own rules, people who know there's more to this living than meets the eye: they'll be right there with Jonathan, flying higher and faster than they ever dreamed. Read by Marcus Lovett. Music composed by Ken Miller.

Set in Rome in 2012, the story follows Sarah Adamson, a beautiful young Catholic graduate student from Boston studying at the Vatican Library for her thesis on the first Christian heretic, Marcion of Pontus. She is being courted by two utterly different men: Simon Appel, a descendent of the kabbalist Isaac Luria who covers Vatican affairs for the New York Times, and Armando Pierleoni, the scion of an ancient Italian aristocratic family with strong ties to the Vatican.

Includes three audiobooks from the Rise of the Arkansas Werewolves series: By the Light of the Moon, Beneath a Blood Lust Moon, and Desires of a Full Moon.

The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards—some strange and other-worldly—but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.

Growing up in the chaos of Menzoberranzan, one young drow elf tries to make sense of the conflict between the traditions he must serve and the protestations of his own conscience. To lay bare the injustices he sees and to strengthen his own resolve to follow the ethical call of his heart, Drizzt Do'Urden is both an agent of action and self-reflection.

Zecharia Sitchin’s best-selling series The Earth Chronicles provided humanity’s side of the story concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki we now view this saga from the perspective of Lord Enki, an Anunnaki leader revered in antiquity as a god, who tells the story of these extraterrestrials’ arrival on Earth from the planet Nibiru.

It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is.

I've known Death a long time but now Death knows me. When their idyllic childhood is shattered by the sudden death of their parents, siblings Marty, Liz and Jules are sent to a bleak state boarding school. Once there, the orphans' lives change tracks: Marty throws himself into academic life; Liz is drawn to dark forms of escapism; and Jules transforms from a vivacious child to a withdrawn teenager.

FLAWED is a faerie tale mystery for adults, a lush journey through real and spectral worlds. Drawing on Tibetan, First Nation, and Classical mythology, it tells the story of two families: four generations, torn apart by a terrible secret. FLAWED touches on the use of LSD in treating alcoholism, the often fine line between artistic temperament and insanity, and the ongoing debate between allopathic and naturopathic medicine.

The world is broken. The powerful machines that once ruled over land and sky fought and died, leaving humanity in a primitive age of swords and monsters. But that was long ago, and only legends of the Schism remain. Enoch has never been frightened by these tales. He sees things differently from the other youth in Rewn's Fork, and that makes him an outcast. Where others see crops and weather and flocks of sheep, Enoch sees numbers and patterns.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed.

Story is told by a narrator who is a psychologist in Indian country. What appears to be a consultation with a patient ends up being a meeting with his teacher, Tarrence. Tarrence proceeds to take the narrator into a dreamtime journey that melts the worldview held by the storyteller. The dream leads the narrator to a place in which the energy generated by ancient dreamers must be balanced. The lack of balance brought on by the power dreamers and their ceremony resulted in the atomic bomb.

981 AD. The Viking King of Dublin is dead. His young widow, Gormflaith, has ambitions for her son – and herself – but Ireland is a dangerous place and kings tend not to stay kings for long. Gormflaith also has a secret. She is one of the Fomorians, an immortal race who can do fire-magic. She has kept her powers hidden at all costs, for there are other immortals in this world – like the Tuatha DE Danann, a race of warriors who are sworn to kill Fomorians.

Alan Moore channels both the ecstatic visions of William Blake and the theoretical physics of Albert Einstein through the hardscrabble streets and alleys of his hometown of Northampton, UK. In the half a square mile of decay and demolition that was England's Saxon capital, eternity is loitering between the firetrap housing projects. Embedded in the grubby amber of the district's narrative, among its saints, kings, prostitutes, and derelicts, a different kind of human time is happening.