Modern Fiction

Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver's mature writing and give his devoted fans a final glimpse of the great writer at work. The pure pleasure of Carver's writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

Death. Betrayal. Destruction. This was Alaya's destiny, written in the stars on the night she was born. She should have been killed because of it. She wasn't. The once crown prince of the highest throne in Sundolia is now the high king, and all of his advisors agree on one thing: He should have destroyed that dangerous Dragon woman when he had the chance. He didn't. Now war spreads like a wildfire from the southern kingdom. The empire is burning. The day of prophecy is arriving.

When a surprise nuclear attack forces Aidan from hiding, he finds the world to be a much different and more deadly place. Now, he'll traverse a post-apocalyptic landscape populated by violent redneck looters, rogue military factions, and an army of hungry undead.... After two combat tours in the Middle East, Aidan Sullivan just wants to be left alone on his family’s ranch in the Texas Hill Country. But when the bombs fall and the dead walk, Aidan risks life and limb to rescue his aging parents from the zombie horde.

After the devastating battle at the East Homestead, Sean’s family regroups and makes some new alliances; however, with those growing bonds, new risks arise. Colonel Harris struggles to feed the 31st Regiment while attempting to offer assistance to the locals and contemplates risking his own life for the future of his country. A stranger arrives in Tionesta with unknown aspirations, and an ominous looting force the size of a small army entrenches nearby. Despite the emerging prospects for a new beginning, a shadow looms over the fresh buds of optimism.

Long ago and far away (and somewhere south of France) lies the kingdom of Esquaveta. There, Princess Tullia is in nearly as much peril as her struggling kingdom. Esquaveta desperately needs to forge an alliance, and to that end, Tullia's father has arranged a marriage between her and an odious prince. However, one month before the "wedding of the century," Tullia falls in love with a lowly apprentice scribe. The king turns to Anatole, his much-maligned magician. Seventeen years earlier, when Anatole first came to the castle, he was regarded as something of a prodigy.

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content caused its publication to be delayed. The German title can be translated into English as either The Anti-Christ or The Anti-Christian, depending on how the German word Christ is translated. Nietzsche claimed in the foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "...must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion."

Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world's preeminent experts.

It's August in the Barsetshire village of Worsted, and Richard Tebben, just down from Oxford, is contemplating the gloomy prospect of a long summer in the parental home. But the numerous and impossibly glamorous Dean family - exquisite Rachel, her capable husband and six of their nine brilliant children - have come for the holidays, and their hostess, Mrs. Palmer, plans to rope everyone into performing in her disastrous annual play.

In her scenic hometown of Niagara-on-the-Lake, Anne is comfortable focusing on her successful career: filling her late mother’s shoes as town councilor and executive director of her theater company. She certainly keeps busy as the all-around wrangler of eccentric locals, self-centered family members, elaborate festivals, and the occasional attacking goose. But the more she tries to convince herself that her life is fine as is, the more it all feels like a show—and not nearly as good as the ones put on by her theater company.

Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son, Desmond. When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.

In 1914, when Nicandra is eight, all is well in the grand Irish estate, Deer Forest. Maman is beautiful and adored. Dada, silent and small, mooches contentedly around the stables. Aunt Tossie, of the giant heart and bosom, is widowed but looks splendid in weeds. The butler, the groom, the land-steward, the maids, the men - each as a place and knows it. Then, astonishingly, the perfect surface is shattered; Maman does something too dreadful ever to be spoken of.

Who knew sleeping with the enemy could be this much fun? In my defense, I had just moved back into my grandparent’s house. I’d lost my dream job, and a guy on Tinder had stood me up. It was like life had suddenly stamped ‘LOSER’ on my forehead. So, when the guy behind the bar started giving me the look....you know, the one....You don’t bother to figure out what your six degrees of separation are. You jump on that horse, and ride it! By the time I’d figured out who the bartender was, I was already falling for him.

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.

When the Shepards' car breaks down in pre-World War II New York City, a chain of events occurs that transforms the lives of the Shepards and the Drakes, as Evan and Rachel meet, court, and marry. But betrayal, disappointment, and secret schemes are on the horizon....

Frankenstein ou le Prométhée moderne est un roman fantastique de Mary Shelley. Il relate la création par un jeune savant suisse, Victor Frankenstein, d'un être vivant assemblé avec des parties de chairs mortes. Horrifié par l'aspect hideux de l'être auquel il a donné la vie, Frankenstein abandonne son "monstre". Mais ce dernier, doué d'intelligence, se venge par la suite d'avoir été rejeté par son créateur et persécuté par la société.

The Mansion tells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin, Flem. "For all his concern with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." This volume includes a new introduction to the trilogy by acclaimed novelist George Garrett, author of Death of the Fox and The Succession.

In Calcutta’s notorious red-light district, Lalee aspires to a better life. Her unfailingly loyal client Tilu Shau has dreams too. A heady romantic and marginal novelist, Tilu is in love with the indifferent Lalee and wants to liberate her from her street life with marriage. But when a fellow sex worker and young mother is brutally murdered, the solicitous madam of the Blue Lotus invites Lalee to take the woman’s place “upstairs” as a high-end escort.

In a sea of college freshmen, Elizabeth Bennet feels more like a den mother than a returning student. She’d rather be playing Exploding Kittens than dodge-the-gropers at a frat party, but no way was she letting her innocent, doe-eyed roommate go alone. Everything about Meryton College screams old money - something she and Jane definitely are not - but Elizabeth resolves to enjoy herself.

Mick Roberts, the newest partner at Twisted Steel's custom hot rod and motorcycle shop, looks like a man with everything. But secretly he still craves the connection he lost when his best friend, Adam, and the love of his life, Jessilynn, walked out. Then he wasn't ready for the pleasure they promised. Now things have changed. Rich, powerful, and insatiable, Adam Gulati is used to getting what he wants. And there's nothing he wants more than Mick and Jessi.