Native American Politics

Shortly before he died, Plenty Coups, the last great Chief of the Crow Nation, told his story - up to a certain point. "When the buffalo went away the hearts of my people fell to the ground", he said, "and they could not lift them up again. After this nothing happened." It is precisely this point - that of a people faced with the end of their way of life - that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear's view, Plenty Coups' story raises a profound ethical question that transcends his time and challenges us all.

The Indigenous Paleolithic of the Western Hemisphere is a reclaimed history of the deep past of Indigenous people in North and South America during the Paleolithic. Paulette F. C. Steeves mines evidence from archaeology sites and Paleolithic environments, landscapes, and mammalian and human migrations to make the case that people have been in the Western Hemisphere not only just prior to Clovis sites (10,200 years ago) but for more than 60,000 years, and likely more than 100,000 years.

Purely by chance, renowned author Mary Summer Rain met No-Eyes, a blind Chippewa visionary who lives in a small, remote cabin in the Colorado mountains. Spirit Song the first volume in Summer Rain's No-Eyes tetralogy, introduces us to this remarkable, unforgettable woman. No-Eyes teaches her about many fascinating topics, including the history of the Chippewa people, the songs of the shaman, and the healing power of medicinal herbs.

Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Metis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research—an anticolonial science laboratory—to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land.

Russell Means was the most controversial American Indian leader of our time, and in Where White Men Fear to Tread, he recounts pivotal moments of his life. Means did everything possible to dramatize and justify the American Indian aim of self-determination — from storming Mount Rushmore and seizing Plymouth Rock to running for President in 1988. Perhaps most notoriously, in 1973, Means led a 71-day takeover of Wounded Knee, South Dakota.

Based upon a 10,000 year old oral tradition, these stories reflect three essential elements of the cumulative wisdom of Paula Underwood's Native American ancestors. "Who Speaks for Wolf" deals with the human impact on the Earth, "Winter White and Summer Gold" deals with planning for the future, "Many Circles, Many Paths" deals with living together in peace.

More than 12,000 years ago, in one of the greatest triumphs of prehistory, humans colonized North America, a continent that was then truly a new world. Just when and how they did so has been one of the most perplexing and controversial questions in archaeology.

Structures of Indifference examines an Indigenous life and death in a Canadian city and what it reveals about the ongoing history of colonialism. At the heart of this story is a 34-hour period in September 2008. During that day and half, Brian Sinclair, a middle-aged, non-Status Anishinaabeg resident of Manitoba's capital city, arrived in the emergency room of the Health Sciences Centre, Winnipeg's major downtown hospital, was left untreated and unattended to, and ultimately died from an easily treatable infection.

In Plant Teachers, Narby and Pizuri hold a cross-cultural dialogue that explores the similarities between ayahuasca and tobacco, the role of these plants in indigenous cultures, and the hidden truths they reveal about nature. Juxtaposing two distinct worldviews, Plant Teachers invites listeners on a wide-ranging journey through anthropology, botany, and biochemistry, while raising tantalizing questions about the relationship between science and other ways of knowing.

Written in an accessible, conversational style that incorporates numerous stories and questions, this book exposes the weaknesses of a Western worldview through a personal engagement with Indigenous theology. Randy Woodley critiques the worldview that undergirds the North American church by dismantling assumptions regarding early North American histories and civilizations. Woodley explains that Western theology has settled for a particular view of God and has perpetuated that basic view for hundreds of years, but Indigenous theology originates from a completely different DNA.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

The words of the individuals included in this book offer just a glimpse of the results of the effort of one group of people to educate people who were in many cases not seeking the knowledge being offered. These are tales of lessons learned, languages lost, traditions replaced, & charity corrupted.

Le présent ouvrage raconte comment la «rencontre des deux mondes» entre les nations autochtones et les empires européens a provoqué un immense choc des cultures. Il analyse les mécanismes qui ont mené, au nom de la civilisation, à l’écrasement et à l’expropriation des peuples de l’Amérique septentrionale. Par des exemples concrets, il dévoile ce que les auteurs appellent «le piège de la modernité», la liberté promise par les Occidentaux, servant en définitive à opprimer et à refouler les populations amérindiennes.

Dennis Banks, an American Indian of the Ojibwa Tribe and a founder of the American Indian Movement, is one of the most influential Indian leaders of our time. In Ojibwa Warrior, written with acclaimed writer and photographer Richard Erdoes, Banks tells his own story for the first time and also traces the rise of the American Indian Movement (AIM).

Learning about the 1,800-mile journey made by Chief Joseph and 800 Nez Perce men, women, and children from their homelands in what is now eastern Oregon to Montana is essential to understand who we are as a nation. There, only 40 miles from the Canadian border and freedom, Chief Joseph, convinced that the wounded and elders could go no farther, walked across the snowy battlefield, handed his rifle to the US military commander who had been pursuing them, and spoke his now-famous words, "From where the sun now stands, I will fight no more forever."

In the 18th and early 19th centuries, a Native American empire rose to dominate the fiercely contested lands of the American Southwest, the southern Great Plains, and northern Mexico. This powerful empire, built by the Comanche Indians, eclipsed its various European rivals in military prowess, political prestige, economic power, commercial reach, and cultural influence. Yet, until now, the Comanche empire has gone unrecognized in American history. This compelling and original book uncovers the lost story of the Comanches.

Unapologetically punk, the essays in Thunder Song segue from the miraculous to the mundane, from the spiritual to the physical, as they examine the role of art—in particular music—and community in helping a new generation of indigenous people claim the strength of their heritage while defining their own path in the contemporary world.

Drawing on archeological and ethno-historical evidence, Irving Rouse sketches a picture of the Tainos-the first people Columbus encountered when he arrived in the Americas-as they existed during the time of Columbus, contrasting their customs with those of their neighbors. He then moves backward in time to the ancestors of the Tainos-two successive groups who settled the West Indies and who are known to archeologists as the Saladoid peoples and the Ostionoid peoples.

Below the mist-shrouded mountains of the West Coast lie the stories of how we came to be. It is through the myths of the people who have lived with this spirit of place for thousands of years that we uncover the mystery of our homeland. The mythical creatures Raven, Thunderbird, Bear, and the Great Spirit become a path to rediscovering the spiritual landscape of culture. These are the stories of the Pacific Coast that tell of gods and demons, good and evil; things unimaginable brought to life.

A haunting dream that will not relent pulls author Kent Nerburn back into the hidden world of Native America, where dreams have meaning, animals are teachers, and the "old ones" still have powers beyond our understanding. In this moving narrative, we travel through the lands of the Lakota and the Ojibwe, where we encounter a strange little girl with an unnerving connection to the past, a forgotten asylum that history has tried to hide, and complex, unforgettable characters.