New Criticism

This new edition provides extensive commentary on the literary figures, such as Baudelaire, Swinburne, J.K. Huysmans, Mallarmé, Arthur Symons and Théophile Gautier, who formed Wilde's literary circle and, in some senses, underpinned his overconfidence in the shield of Art to protect him from the sword of social morality. Returning to this contemporary account of such an infamous trial allows the modern listener a broader historical perspective. Grolleau’s words are, in fact, part of the history surrounding the immediate literary and social aftermath of Wilde’s death.

Bordertown: a city on the Border between the human world and the elfin realm. A place where neither magic nor technology can be counted on, where elf and human kids run away to find themselves…. Here are 13 interconnected stories and eight poems - all new work by some of today's best urban fantasy, fantasy, and slipstream writers.

Beyond Bombshells analyzes the cultural importance of strong women in a variety of current media forms. Action heroines are now more popular in movies, comic books, television, and literature than they have ever been. Their spectacular presence represents shifting ideas about female agency, power, and sexuality. This book explores how action heroines reveal and reconfigure perceptions about how and why women are capable of physically dominating roles in modern fiction.

This book reveals, for the first time, the story behind the writing of ‘Desiderata’. Beloved by millions, the poem was first published in 1927, but its true origins, along with the life of its author, have largely been lost to literary history. This account by actor and author Tim Dalgleish includes not only the story of ‘Desiderata’ but two additional, previously unpublished, chapters from a forthcoming biography of Max Ehrmann. This new material helps bring Max Ehrmann, the author of 'Desiderata', out of the shadows.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

Dangerous Theatre records the activities of the various organizations of the Federal Theatre Project involved with fostering the writing and production of new plays during the FTP's existence (1935-39). It presents a comprehensive and thorough picture of how playwrights actually worked and how their work was received by general audiences and critics.

Between 1936 and 1963, Judy Garland performed in thirty-three major motion pictures. That period marked a sea change in American history in which the United States was transformed from a sovereign nation in relative isolation in the Western hemisphere to a superpower on the world stage. As the cinema was changing dramatically during that quarter of a century, Garland was successfully adapting her performing style to new conventions.

Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.