Noir Anthology

Dans un appartement, un jeune homme gît dans un bain de sang sans qu'il y ait le moindre signe d'effraction ou de lutte. Pas d'arme du crime, rien que cette entaille en travers de la gorge de la victime. Et dans sa poche, des cachets de Rohypnol, connu sous le nom de drogue du viol... Runolfur a-t-il violé une femme qui s'est ensuite vengée ? Un châle trouvé sous le lit va mettre Elinborg, l'inspectrice qui remplace Erlendur, sur la piste d'une jeune femme.

The best noir writers make us feel the heat of the sun, the touch of a lover. Setting can be gritty but can also be sublime, no longer relegated to urban locales and seedy hotel rooms but also mansions and swimming pools. Hence, Palm Springs, which may seem like an odd setting for a collection of dark short stories—it’s so sunny and bright here. The stories in this collection come on like the wicked dust storms common to the area.

Launched with the summer '04 award-winning best seller Brooklyn Noir, Akashic Books has published over 60 volumes in its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book. Featuring Noir Series stories from: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, and more.

Vancouver is the so-called City of Glass. A nice place, in any case, and much too nice for noir. Looked at from afar, Vancouver may seem idyllic. But living here is different - cold and baffling and occasionally hostile. While outsiders focus on high-test BC bud, locals see a heroin crisis: Vancouver is home to the first legalized safe-injection site in North America, now heavily taxed by overdoses resulting from street drugs cut with fentanyl.

Sin City. An artificial oasis of pleasure, spectacle, and entertainment, the gambling capital of America has reinvented itself so many times that it's doubtful that anyone knows for sure what's real and what isn't in the miles of neon and scorching heat. Las Vegas is considered the ultimate player's destination, no matter what your game. Las Vegas is the true city that never sleeps, where fortunes are made and lost every day, and where snake-eyes aren't found just on a pair of dice.

In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city - the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane's own contribution - the longest story in the volume - is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

Each contributor presents a brand new story set in a distinct neighborhood. Brooklyn Noir mixes masters of the mystery genre with the best of New York’s literary fiction community - and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities - in the most diverse urban location on the planet.

My favorite line in my favorite song about Dallas goes like this: Dallas is a rich man with a death wish in his eyes / A steel and concrete soul in a warm heart and love disguise... The narrator of Jimmie Dale Gilmore's perfect tune Dallas" is coming to town as a broke dreamer with the bright lights of the big city on his mind. He's just seen the Dallas cityscape through the window of his seat on a DC-9 at night. Is he just beginning his quest?

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria's best-known authors. The 13 stories that comprise this volume stretch the boundaries of "noir" fiction, but each one of them fully captures the essence of noir, the unsettled darkness that continues to lurk in the city's streets, alleys, and waterways.

Beneath the glitter of Mardi Gras lies the sleaze of Bourbon Street; under the celestial sounds of JazzFest, the nightmare screams of a city once at war within its neighborhoods, but after Hurricane Katrina, seemingly at war with nature and the rest of the country as well. New Orleans is a third world country in itself, a Latin, African, European (and often amoral) culture trapped in a Puritan nation.

Berlin does not make it easy to write noir fiction - or perhaps Berlin makes it too easy. Noir tradition casts a long, influential, and even daunting shadow. Neither Döblin nor Benn, Brecht nor Lang, catered to any crime fiction traditions. They merely steeped their literary projects in a great deal of noir. And so it is with most of the stories in our anthology: they do not necessarily follow the usual patterns of crime fiction, but regard noir as a license to write as they wish, a certain way of approaching the city, and a prism through which its nature is viewed....

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott used his creative genius to transform the work of science fiction's most uncompromising author into a critical sensation, a commercial success, and a cult classic that would reinvent the genre.

This wry collection of Hanukkah noir features eleven stories by critically acclaimed authors that run the gamut from hardboiled to heartfelt, curated by New York Times bestselling author Tod Goldberg. Across eleven stories, award-winning authors spin tales of family, corruption, buried treasure and delightful yet twisted capers that will entertain listeners through all eight nights of the Festival of Lights.

"À force de vouloir m'abriter en toi, j'ai perdu de vue que c'était toi, l'orage. Que c'est de toi que j'aurais dû vouloir m'abriter. Mais qui a envie de vivre abrité des orages ?" Frida parle haut et fort, avec son corps fracassé par un accident de bus et ses manières excessives d'inviter la muerte et la vida dans chacun de ses gestes."

From its launch in 1920 until its demise in 1951, the magazine Black Mask published pulp crime fiction. The first hard-boiled detective stories appeared on its pages. Never before in audio, these vintage stories are the darkest of the dark, and the best of the best.

Crime fiction fans old and new will delight in rediscovering these taut, character-rich, heart-stopping tales, now on audio for the first time.

When you think of St. Petersburg noir, some of the greatest literary names immediately spring to mind - Alexander Pushkin, Nikolay Gogol, and Fyodor Dostoevsky. Modern day St. Petersburg lavishly offers the scenery and conditions for true noir stories, and the writers in St. Petersburg Noir succeed in concocting their own worlds within this city with stories ranging from mystical to outwardly grotesque.

Bombay's communal riots of 1992 - in which Hindus were alleged to be the primary perpetrators - were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades.

The most civilized and 'decent' among us find that we are complicit with the most brutal murderers. We enter into literally unspeakable alliances - of which we dare not speak except through the obliquities and indirections of fiction, poetry, and visual art of the sort gathered here in New Jersey Noir.