Politics Entertainment

Some women capture our attention like no others. Faith Bacon and Sally Rand were beautiful blondes from humble backgrounds who shot to fame behind a pair of oversize ostrich fans, but with very different outcomes. It was the golden age of American entertainment, and Bacon and Rand fought their way through the competitive showgirl scene of New York with grit and perseverance. They played peek-a-boo with their lives, allowing their audiences to see only slivers of themselves. Little is known about who they really were, until now.

Die neue Prinzessin der Herzen: Mit ihrem natürlichen Charme verzaubert Meghan Markle nicht nur Prinz Harry, sondern die Menschen weltweit. Die Amerikanerin, bekannt aus der TV-Serie "Suits", lebt ein echtes Märchen: Im Mai heiratet sie Prinz Harry und wird damit offizielles Mitglied des britischen Königshauses. In der Biografie erzählt Bestseller-Autor Andrew Morton, einzigartiger Kenner der Royals, umfassend über ihre Kindheit, ihren Mut und ihre Courage und zeigt mit viel Insiderwissen, was von Meghan in ihrer neuen Rolle zu erwarten ist.

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

If you grow up in a world where wrinkles are practically illegal, going bald is cause for a mental breakdown, and women over size zero are encouraged to shoot themselves (immediately), what the hell do you do if you're, gasp... disabled? Whatever body you’re born into, the pressure to be normal is everywhere. But have you ever met a normal person? What do they look like? Where do they live? What do they eat for breakfast? And what the **** does normal mean anyway?

I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis.

Since the publication of her prize-winning memoir, Craft for a Dry Lake, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners, the mining companies have arrived and Aboriginal art has flourished.

Imagine a world where Beatlemania was against the law - recordings scratched onto medical X-rays, merchant sailors bringing home contraband LPs, spotty broadcasts taped from western AM radio late in the night. This was no fantasy world populated by Blue Meanies, but by the USSR, where a vast nation of music fans risked repression to hear the defining band of the British Invasion. The music of John, Paul, George, and Ringo played a part in waking up an entire generation of Soviet youth, opening their eyes to seventy years of bland official culture and rigid authoritarianism.

In Losing It, William Ian Miller brings his inimitable wit and learning to the subject of growing old: too old to matter, of either rightly losing your confidence or wrongly maintaining it, culpably refusing to face the fact that you are losing it. The "it" in Miller's "losing it" refers mainly to mental faculties - memory, processing speed, sensory acuity, the capacity to focus. But it includes other evidence as wel l- sags and flaccidities, aches and pains, failing joints and organs. What are we to make of these tell-tale signs?

As he finds himself within spitting distance of middle age, journalist Eric Spitznagel feels acutely the loss of...something. Freedom? Maybe. Coolness? Could be. The records he sold in a financial pinch? Definitely. To find out for sure, he sets out on a quest to find the original vinyl artifacts from his past. Not just copies. The exact same records.

What is a starf*cker? However you define it, Matthew Rettenmund, author of the acclaimed novel Boy Culture and the popular blog BoyCulture.com, readily admits to being one. The ultimate pop-culture enthusiast, he has been obsessed with celebrities ever since he was born. This hilarious, sexy memoir (arranged by memes) documents Rettenmund's affection - in the case of Madonna, it's pure mania - for movie, television, and music personalities.

In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

Folk music is more than an idealized reminder of a simpler past. It reveals a great deal about present-day understandings of community and belonging. It celebrates the shared traditions that define a group or nation. In America, folk music - from African-American spirituals to English ballads and protest songs - renders the imagined community more tangible and comprises a critical component of our diverse national heritage.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.

"Lebanon" Levi Stoltzfus, star of the hit Discovery Channel reality show Amish Mafia, delivers a sizzling tell-all about Amish life today. From the forbidden joyrides to the senseless shunnings to the colorful family feuds, he shares his frank insider's view of this fascinating and secretive society.

Quentin Kenihan is living proof that superheroes don't need capes, just the right attitude. When he was a kid, Quentin loved Superman. Ironic, really. Quentin didn't need kryptonite to reveal his weakness - born with a rare bone disorder, osteogenesis imperfecta, his bones broke all on their own. When Quentin was seven, Mike Willesee made a documentary about him. Australians fell in love with his wit and never-say-die attitude. Over the years he grew up before our eyes. But there was a dark side to his life. The true story was never told...until now.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first Black performer to gain artistic control over the representation of African Americans in commercial television and film.

In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early 20th century. She focuses on four key performers: Eva Tanguay, Julian Eltinge, Lillyn Brown, and Sophie Tucker.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children

The Behind the scenes Story of the network that Shaped a generation. SLIMED! is the first oral history to chronicle the surprisingly complex, wonderfully nostalgic, and impressively compelling story of Nickelodeon, the first kids’ network. Beginning as a DIY start-up in the late seventies, the network forged ahead through the early eighties with a tiny band of young artists and filmmakers, transforming itself into a cultural force in the late eighties and nineties that would change everything about cable television, television in general, animation, and children’s entertainment.

Desde los albores de la humanidad, las mujeres hemos estado siempre vinculadas al pecado. Mujeres pecadoras, lascivas, fornicadoras, ¿por qué no virtuosas, inteligentes, ambiciosas? ¿Utilizar nuestras virtudes en un mundo dominado culturalmente por hombres es pecado? ¿Puede la historia o la opinión pública condenarnos por buscar las vías para ser libres?, ¿para pensar por nosotras mismas, para dejar de ser objetos de posesión, de belleza, de maternidad y decidir cómo queréis que sea nuestra vida? Por ellas, por nosotras, para nosotras es este libro.