Renaissance Fiction

Regarded as yet another threat to the volatile King Henry VII's claim to the throne, Margaret Pole, cousin to Elizabeth of York (known as the White Princess) and daughter of George, Duke of Clarence, is married off to a steady and kind Lancaster supporter - Sir Richard Pole. For his loyalty, Sir Richard is entrusted with the governorship of Wales, but Margaret's contented daily life is changed forever with the arrival of Arthur, the young Prince of Wales, and his beautiful bride, Katherine of Aragon.

The newest novel from #1 New York Times best-selling author and "queen of royal fiction" ( USA Today) Philippa Gregory tells the passionate story of Elizabeth of York, daughter of the White Queen, who gets caught in the middle of a battle for the crown of England. A princess from birth, Elizabeth fell in love with Richard III, though her mother made an arranged betrothal for her with the pretender to the throne: Henry Tudor. When Henry defeats Richard against all odds, Elizabeth has to marry the man who murdered her lover in battle.

Elizabeth of York is the oldest daughter of King Edward IV. Flame-haired, beautiful, and sweet-natured, she is adored by her family; yet her life is suddenly disrupted when her beloved father dies in the prime of life. Her uncle, the notorious Richard III, takes advantage of King Edward’s death to grab the throne and imprison Elizabeth's two younger brothers, the rightful royal heirs. Forever afterward known as the princes in the tower, the boys are never seen again.

Heiress to the red rose of Lancaster, Margaret Beaufort never surrenders her belief that her house is the true ruler of England and that she has a great destiny before her. Her ambitions are disappointed when her sainted cousin Henry VI fails to recognize her as a kindred spirit, and she is even more dismayed when he sinks into madness.

"And they lived happily ever after." In fairy tales, that's always how things end. The prince and princess ride away on his white horse and from then on, all's right with the world. But what if it wasn't? What if the prince's life didn't suit the princess? What if she felt stifled by life inside the castle walls? Could she tell him? And if she loved him - really loved him - how could she ask him to give up his kingdom?

Sélection d'Essais de Jean-Yves Tadié. Montaigne se lance dans la rédaction des "Essais" avec un objectif : se connaître soi-même. Philosophie, nature, justice, lecture, histoire... Les réflexions qui nourrissent l'œuvre de cet humaniste curieux et érudit sont le résultat d'une vaste introspection. Le génie de Montaigne est de donner à cette découverte du moi une portée universelle. Le plaisir de lecture qu'offrent les "Essais" ne serait rien sans la saveur d'une langue si singulière. L'ancien français - parfois difficile d'accès - a été ici "rajeuni".

Palermo 1632: Giulia is thirteen when she learns her mother's greatest secret: Teofania makes an undetectable, slow-acting, lethal poison—Acqua Tofana—which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon realizes that in a time when women have no voice, justice is sometimes best served in a cup of wine or broth.

Anne, Duchess of Brittany, is the love of King Louis XII of France's life. Too bad he's already married. While his annulment proceedings create Europe's most sensational scandal of 1498, Anne returns to Brittany to take back control of her duchy that her late husband, Charles VIII, King of France, had wrested from her. At age 21, Anne is sovereign ruler of Brittany as well as Europe's most wealthy widow. But can she maintain Brittany's independence from France if she accepts Louis's offer to make her Queen of France once more?

Written in the winter of 1849, The Scarlet Letter unfolds the story of Hester Prynne, a young woman branded as an adulteress in the harsh Puritan world of 17th-century New England. As Hester calls on her inner strength to transcend her shame, the scarlet letter ceases to be a stigma and finally becomes Hester's symbol of self-affirmation. This dramatic reading heightens the sense of lyric poetry that permeates every line of Nathaniel Hawthorne's great novel.

In The Kingmaker's Daughter, number one New York Times best-selling author Philippa Gregory presents the riveting story of Anne Neville, her sister Isabel, and their ever-changing fortunes. The Kingmaker's Daughter is the gripping and ultimately tragic story of the daughters of the man known as the "Kingmaker", the most powerful magnate in England through the Cousins' Wars. In the absence of a son and heir, he uses the two girls as pawns in his political games.

Princeton. Good Friday, 1999. On the eve of graduation, two students are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili. Famous for its hypnotic power over those who study it, the 500-year-old Hypnerotomachia may finally reveal its secrets to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled, until an ancient diary surfaces.

In 1461, Nicholas is in Florence. Backed by none other than Cosimo de' Medici, he will sail the Black Sea to Trebizond, last outpost of Byzantium, and the last jewel missing from the crown of the Ottoman Empire. But trouble lies ahead. Nicholas's stepdaughter—at the tender age of thirteen—has eloped with his rival in trade: a Machiavellian Genoese who races ahead of Nicholas, sowing disaster at every port. And time is of the essence: Trebizond may fall to the Turks at any moment.

Mary is queen of Scotland, but she has been forced to flee her land and take refuge in an England that is ruled by her cousin, Elizabeth. But England, precarious in its Protestant state, set against the mighty powers of Spain, France and Rome, doesn't need a charismatic Catholic figurehead at large. So Elizabeth's chief advisor, Cecil, devises a plan in which Mary will live under guard with his trusted accomplice: Bess of Hardwick.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen, yet one woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows Elizabeth’s ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her advisors warn her that she will survive only if she marries a strong prince to govern the rebellious country. She desires Robert Dudley.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

England, 1591. Rose Rushe’s passion for life runs deep—she loves mead and music, meddles with astrology, and laughs at her mother’s warnings to guard her reputation. When Rose’s father dies and a noble accuses her and her dear friend Cecely of witchcraft, they flee to the household of respected alchemists in London. But as their bond deepens, their sanctuary begins to feel more like a cage. To escape, they turn to the occult, secretly casting charms and selling astrological advice in the hopes of building a life together.

Niccolò Rising, book one of the series, finds us in Bruges, 1460. Jousting is the genteel pastime, and successful merchants are, of necessity, polyglot. Street smart, brilliant at figures, adept at the subtleties of diplomacy and the well-timed untruth, Dunnett's hero rises from wastrel to prodigy in a breathless adventure that wins him the hand of the strongest woman in Bruges and the hatred of two powerful enemies.

Published to great acclaim in 1873, Walter Pater’s compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the “holy writ of beauty.” It was Pater’s cry of “art for art’s sake” that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater’s essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Scotland, 1567. A pregnant Mary, Queen of Scots is dragged out of her palace by rebel lords and imprisoned in the isolated Lochleven Castle, an ancient fortress surrounded by a vast lake. Her infant son and heir, James, has been captured by her enemies. Accompanying Mary are two inconspicuous serving women: observant, ambitious Jane and romantic, quick-tempered Cuckoo, who endeavor to keep their mercurial mistress company while sharing the space of a claustrophobic room over the course of their eleven-month forced stay. Their hosts want them dead. They'll settle for Mary's abdication.