Satire Comedy

Bryson Wilde, investigator for hire, lives in an edgy world where the dames are dangerous, cigarettes dangle from ruby-red lips, and the nights are hotter than whiskey-soaked jazz. In R. J. Jagger’s riveting noir thriller, A Way with Murder, Wilde finds himself entangled in two deadly assignments, one for a young, raven-haired attorney on the run after visiting an archeological site in Mexico, and the other for a pretty, little doll-face, who is too mysterious to trust and too hypnotic to resist.

Susy Branch (Tavi Gevinson) and Nick Lansing (Adam DiMarco) aren’t into each other, but they share a similar problem. Susy is a down-on-her-luck socialite who doesn’t want to get a real job, and Nick is a struggling writer who’s tired of tutoring the kids of the one percent. All of their wealthier friends are getting married, to seemingly lucrative results. So, Susy and Nick devise a plan: have a wedding.

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Yes, George Carlin is here with more of what he did better than any other comic: uproarious observations, laser-targeted crankiness, linguistic legerdemain, and inspired weirdness. ("If the shoe fits, get another just like it." "When you sneeze, all the numbers in your head go up by one.") Napalm & Silly Putty is just what his fans have been waiting for—another generous helping of notions, nonsense, assertions, assumptions, mockery, merriment, silliness, sarcasm, and, to be sure, plenty of disturbing references and toxic alienation.

Conversations with the Devil, Expansion is a thought-provoking collection of vignettes that delve deep into the complexities of the Human Condition. It is a powerful exploration of the human psyche, capturing the inner turmoil and conflicts we all face as human beings. As in this collections predecessor, the Devil is a central figure in each story, while the Main Characters vary. The Evil One herein is more like the Native American deity Old Man Coyote than the Satan from the Bible. Plus, he continues to be on Vacation, Paid Time Off, or doing Hellish Community Outreach.

When Adeline Bertrand-Verdon, the haughty, conniving president of the Proust Association, is murdered, Inspector Jean-Pierre Foucheroux is called on to lead the investigation. Soon Inspector Foucheroux is overwhelmed by a seemingly endless list of suspects: from her assistant to her colleagues, her fiancé to her lover, almost everyone Adeline knew had motive to kill her.

Pull up a stool and have a drink with the vacationing Father of Lies while he provides his unbiased take on topics like the truth, free will, and the seduction of the damned. It'll have you laughing, reflecting, and wondering about Karma as the stories unfold and you see yourself within them.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

In a renovated Gothic church on Long Island lives Jonathan Hemlock, an art professor and a world-renowned mountain climber who finances his black-market art collection by working as a freelance assassin. Now, Hemlock is being tricked into a hazardous assignment that involves an attempt to scale one of the most treacherous mountain peaks in the Swiss Alps: the Eiger. His target is one of his three fellow climbers. The problem is that the CII can't tell him which one.

It’s impossible to go a full day without using snark, so why fight it? Snark is everywhere, from television to movies to everyday life. This lively collection provides hours of entertainment - better than an Etch A Sketch, and more fun than Silly Putty! At the heart of it, being in a state of snark can be one of the most useful tools at one’s disposal and hence (yes, I used “hence”), a powerful way to get what you want. With snark, you can catch people completely off-guard, and royally piss them off.

A smash-hit reality show is offering a lifetime of luxury to the one person living the world's worst life, and now everyone is out to prove just how bad they've got it. Want in? All you've got to do is accept ocular implants that let the whole world see life through your eyes, 24 hours a day, seven days a week. Fortunately, there's still one person who hasn't lost faith in all humanity. The show's ever-smiling host is determined to wring some tiny bit of meaning out of this twisted competition and your unhappy existence.

They call me Big Pickle. It's not what you think. (Although that's true, too.) I happen to be the oldest Pickle in the family deli business. And we have the best salami. Take that one however you like. But when my father announces the franchise will go to the most profitable of the three brothers, I learn that even though I'm the eldest Pickle, I'm dead last. I hightail it to Texas to see what's happened to my restaurant, only to find a sassy little spitfire named Nova Strong in charge. She's amazing. She's sexy. She runs our deli like she owns it.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting.) He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person).

From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women". She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes, and marked out for tragedy; and Basil Ransom, veteran of the Civil War, with rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?

Acclaimed author of The Adults Alison Espach’s short story "In-Depth Market Research Interviews with Dead People" is an at-once hilarious and heart-breaking portrait of a dead woman’s marriage and the Volvo that stood in the middle of it all.

Heads Will Roll is an Audible Original from Saturday Night Live star Kate McKinnon and her cocreator/costar (and real-life sister) Emily Lynne. Produced by Broadway Video, this is not an audiobook - it’s a 10-episode, star-studded audio comedy that features performances from Meryl Streep, Tim Gunn, Peter Dinklage, Queer Eye’s Fab Five, and so many more. Please note: This content is not for kids.

Tricked into a world of banished gods, demons, goblins, sprites and magic, Richter must learn to meet the perils of The Land and begin to forge his own kingdom. Actions have consequences across The Land, with powerful creatures and factions now hell-bent on Richter's destruction. Can Richter forge allegiances to survive this harsh and unforgiving world or will he fall to the dark denizens of this ancient and unforgiving realm? A tale to shake "The Land" itself, measuring 10/10 on the Richter scale, how will Richter's choices shape the future of The Land and all who reside in it?

Harold, a middling literature professor at a liberal arts college, lives in a state of dissatisfaction and fear. His colleagues and students evoke nothing but disgust and disdain. None of them understand strength, power, and spiritual actualization like he does. His university’s campus—seemingly picturesque—constantly threatens to reveal something sinister. Over the course of a single afternoon, he wanders the halls, sits in meetings, steals from a student, and goes to the gym—all while reflecting on his professional and existential situation.

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.