Satire Comedy

This wickedly fun debut is a stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives intertwine over the course of a summer, by a sharp new voice in fiction.

These are the adventures of a naughty wooden puppet who, through many misadventures, learns what it takes to become a real boy.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting.) He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person). As Bud awaits his fate at work, he does the only logical thing: He goes to the wakes and funerals of total strangers to learn how to live again.

Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.

When two childhood best friends blow up their respective romantic relationships, they make a time-sensitive pact: serial-cheater Chuck cannot sleep with anyone as she attends a three-month-long recovery group for cheaters, while sex-deprived Sofia vows to hook up with as many people as possible before recommitting to monogamy and tying the knot with her long-time fiancé. To keep things interesting, Chuck and Sofia decide to revive a past tradition from their summer camp days—also known as the dawning of sluthood.

Roger Micheldene, an English publisher, is on the loose in the US. He spends an October week shuttling between New York and Budweiser College in Pennsylvania. This exercises all his British appetites … snobbery, gluttony, anger, sloth, and lust. But Amis roasts Americans as well and serves us familiar dishes, though in a piquant sauce: the precocious undergraduate author of a far-out novel, an earnest young priest, and an alcoholic literary agent’s nymphomaniacal wife.

Holiday Greetings from Sugar and Booze is a music-filled holiday comedy starring Ana Gasteyer and Maya Rudolph, with a jolly cast including Patti LuPone, Rachel Dratch, and Richard Kind. In this heartwarming story of love and friendship, we follow the journey of “Sugar” and “Booze” as they go from inseparable college buddies to busy working moms who mostly keep in touch with each other, and their close friends and family, through annual holiday letters.

In this slyly funny and lavishly inventive novel, Nobel Prize winner V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. Witty, tender, filled with the sights, sounds, and smells of Trinidad's dusty Indian villages, The Mystic Masseur is Naipaul at his most expansive and evocative.

The location: London. The date: Very, very soon. Beset by multiple crises and buried under a growing mountain of debt, the leaders of the G7 have taken the only logical decision. They've sold the planet. When Toby, a penniless student, and his two new flatmates find out one morning on TV, they're surprised to find the Earth's new alien owners are staggeringly cute and bring the promise of a debt-free future. They're just getting ready to celebrate along with the rest of the world, when a chance encounter with a mysterious professor reveals the truth.

A Modest Proposal for Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public, commonly referred to as A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. Swift suggests in his essay that the impoverished Irish might ease their economic troubles by selling children as food. By doing this he mocks the authority of the British officials.

This funny, down-to-earth parody of Marie Kondo’s The Life-Changing Magic of Tidying Up hands listeners the most useful tools for keeping crap clean and organized without all the pressure.

Meet Jeff: overworked, underappreciated, and stuck granting 1,000 wishes for humanity before he can retire or get promoted—whichever comes first. Unfortunately, Jeff isn’t your typical genie. He’s a cosmic entity with an attitude problem, a hatred of paperwork, and a flair for granting wishes in the most inconvenient, ridiculous ways possible.

When Scat comes up with an idea for the hottest new soda ever, he's sure he'll retire as the next savvy marketing success story. But in the treacherous waters of corporate America, there are no sure things. Suddenly Scat finds himself scrambling to save not only his idea, but his yet-to-be-realized career. With the help of a scarily beautiful and brainy girl called 6, he sets out on a mission to reclaim the fame and fortune that, time and again, elude him.

When Adeline Bertrand-Verdon, the haughty, conniving president of the Proust Association, is murdered, Inspector Jean-Pierre Foucheroux is called on to lead the investigation. Soon Inspector Foucheroux is overwhelmed by a seemingly endless list of suspects: from her assistant to her colleagues, her fiancé to her lover, almost everyone Adeline knew had motive to kill her.

Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents – anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

Cuando las puertas de la iglesia se cierran, algo peculiar sucede: las figuras de santos y vírgenes cobran vida. San Antonio, cansado de sentirse inútil, decide lanzarse a cumplir el sueño de Leslie: conocer Acapulco antes de quedarse ciega. Así comenzarán un viaje que pondrá todo de cabeza.

HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

Tricked into a world of banished gods, demons, goblins, sprites and magic, Richter must learn to meet the perils of The Land and begin to forge his own kingdom. Actions have consequences across The Land, with powerful creatures and factions now hell-bent on Richter's destruction. Can Richter forge allegiances to survive this harsh and unforgiving world or will he fall to the dark denizens of this ancient and unforgiving realm? A tale to shake "The Land" itself, measuring 10/10 on the Richter scale, how will Richter's choices shape the future of The Land and all who reside in it?

Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.