Scottish World

Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centered, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing.

On the morning of her 25th birthday, Lily Harper opens the very last letter written to her by her beloved mother, who died when she was eight. Learning about the first and only real love of her mom's life is a revelation. The same momentous day, Lily meets Eddie Tessler, an actor fleeing fame who could change her world in unimaginable ways. But her childhood friend, Dan, has his own reasons for not wanting Lily to get too carried away by Eddie's attentions.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

On Midsummer’s Eve, Dan and Una enact A Midsummer Night’s Dream three times over - right under Pook’s Hill. That is how they meet Puck, “the oldest Old Thing in England” and the last of the People of the Hills. Through Puck, they are introduced to the nearly forgotten pages of old England’s history and to characters that can illuminate their own historical predicaments. Originally published in 1906, these 10 stories and accompanying poems were intended for both adults and children.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.

Emma Woodhouse, "belle, intelligente et riche" a vingt-et-un ans. Elle habite la belle demeure de Hartfield, près du gros bourg de Highbury, avec son père âgé, hypocondriaque et veuf, entourée d'amis fidèles, tel Mr. Knightley, son beau-frère, propriétaire du riche domaine voisin de Donwell Abbey. Son ancienne gouvernante, Miss Taylor, vient d'épouser un veuf fortuné, Mr. Weston, dont le fils a été adopté tout jeune par son oncle et sa tante, les Churchill, avec qui il vit à Enscombe, dans le Yorkshire.

At the height of World War II, the British Air Transport Auxiliary need help. A group of young women volunteer for action, but the perils of their new job don’t end on the tarmac. Things are tough in the air, but on the ground their abilities as pilots are constantly questioned. There is friction from the start between the new recruits. Spirited American Lizzie turns heads with her audacity, but few can deny her flying skills. She couldn’t be more different from shy, petite Ruby, who is far from diminutive in the sky. It falls to pragmatic pilot May to bring the women together.

L'amour et l'indépendance de la jeune fille, les préséances sociales et les revanches sur le passé, l'attirance pour les idéaux généreux, les messages de la passion triomphant du temps et de l'espace, les flammes de la folie, tels sont quelques-uns des thèmes qui se détachent sur un fond d'observation à la Dickens et qui sont emportés par un grand souffle romanesque.

This is the final book of "The Forsyte Saga". The interlude "Awakening" introduces us to young Jon's discoveries and his love for his mother Irene. To Let tells of Soames' daughter Fleur's and Jon's love for each other - a love which is subjected to the stigma of their parents' divorce.

In this first book of "The Forsyte Saga", Galsworthy paints a vivid portrait of a wealthy and ambitious London family at the turn of the century. Interwoven with this is the ill-fated romance of Irene and Bossiny.

Annes dreijähriger Aufenthalt in Summerside Anne Shirley macht ihre ersten Karriereschritte als Rektorin der Summerside Highschool. Dass man in einer solchen Position nicht immer von allen geliebt wird, ist eine Erfahrung, die sie bitter zu spüren bekommt. Vor allem der im Ort sehr mächtige Pringles-Familienclan macht ihr zu schaffen. Aber Anne wäre nicht Anne, wenn sie allen Sorgen nicht mit viel Optimismus, Mut und einer kräftigen Portion Humor begegnen würde. Eine heitere und lebensbejahende Geschichte voller Schwung.

This collection brings together stories by Edith Wharton, Katherine Mansfield, Wilkie Collins and Marcel Proust, with forays into the supernatural and the comedic by Sabine Baring-Gould and Saki. Be them funny or moving, all stories are beautifully read by Harriet Walter (Atonement, Netflix’s The Crown), Juliet Stevenson (Bend it Like Beckham, The Enfield Haunting), Barbara Leigh-Hunt (Pride and Prejudice, Billy Elliot) and Rosalind Ayres (Titanic, Outnumbered).

When two children happen across an ancient shrine, they unintentionally summon an impish sprite named Puck, also known as Robin Goodfellow. To their wonderment, the fairy conjures up the past, taking them on ten magical adventures: They visit Roman Britain and the legion guarding Hadrian's Wall, the thirteenth-century court of King John, and Old England from the time of William the Conqueror.

Au phare, c'est cette destination vers laquelle se tend et se déploie tout le roman, un serment en suspens, à flux tendu au-dessus des profondeurs abyssales de la conscience des personnages. La promesse d'une promenade scelle l'alliance de Mrs Ramsey avec ses enfants, contre le père, contre vents et marées, le temps qui passe et la Guerre - c'est autour de cette parole donnée que se nouent les désirs enfouis et les pensées tues, que se cristallisent tragiquement les souvenirs d'enfance.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

Zuleika Dobson, internationally famous prestidigitator visits her grandfather, the Warden of Judas College, Oxford. But Zuleika, "though not strictly beautiful" is a devastatingly attractive young woman, and proves utterly irresistible among the all-male undergraduate body - including the snobbish and trend-setting young Duke of Dorset. Thus begins a chain of events that culminates in a very watery end to the Eights Week boat races...

Un jour de printemps, Mrs Dalloway, maîtresse de maison londonienne, s'apprête à donner une réception à Westminster. Tandis qu'au fil de la journée, Big Ben sonne les heures, les personnages s'affairent, vivant chacun à leur manière leur rapport au temps et aux autres. À travers les souvenirs et les réflexions des personnages se dévoilent apparences et faux-semblants et le temps ne devient plus qu'une succession d'événements minuscules et de bouleversements camouflés.

Elvira Carr believes in rules. She also strongly believes in crisp schedules, clear guidelines, and taking people at face value. Not that the 27-year-old sees many people. After several unfortunate incidents, her overbearing mother keeps her at home. But when her mother has a stroke, Elvira is suddenly on her own. To help her navigate a world that is often puzzling, she draws up seven ironclad rules. Armed with these, a notebook full of questions, and guidance from a helpful neighbor, she takes charge of herself.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.