Shakespeares English

The Age of Reason Begins brings together a fascinating network of stories in the discussion of the bumpy road toward the Enlightenment. This is the age of great monarchs and greater artists - on the one hand, Elizabeth I of England, Philip II of Spain, and Henry IV of France; on the other, Shakespeare, Cervantes, Montaigne, and Rembrandt. It also encompasses the heyday of Francis Bacon, Galileo, Giordano Bruno, and Descartes, the fathers of modern science and philosophy.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote.

Bobbi Kaur is determined to plan a celebration to remember for her best friend’s wedding. But she has two problems that are getting in her way: 1. The egotistical, and irritatingly sexy, chef Benjamin “Bunty” Padda is supposed to help her with the menu since he’s the groom’s best friend, and 2. Someone is trying to sabotage the wedding. With aspirations of taking over her family’s event planning business, Bobbi knows that one misstep in managing the Kareena Mann and Prem Verma party, along with the other weddings on her plate, will only give her uncle another reason not to promote her.

This book charts the personal and professional journey of Greg Doran, Artistic Director of the Royal Shakespeare Company, from 2012 until 2022. My Shakespeare uniquely captures the excitement, energy, surprises, joys and agonies of working on the greatest of plays; sheds new light on these plays through Doran’s own research and discoveries made in the rehearsal room; and gives unprecedented access into the craft, life and loves of this exceptional director.

Witness a tale of love, fairies, and betrayal in this classic tale. Theseus, duke of Athens, is preparing for his marriage when Hermia, and her father, Egeus, burst into his court and beg for Theseus’s judgment regarding whom Hermia, Egeus’s, daughter, should marry. Theseus tells Hermia she must marry Demetrius, even though she really loves Lysander.

In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.

Shakespeare for Kids adapts and abridges Shakespeare's classic plays presenting them in shorter versions in plain English, in this case our abridged adaptation of The Merchant of Venice runs just under 20 minutes. Short enough to retain the interest of a younger audience. The Merchant Of Venice is considered a romantic comedy, though has its share of dramatic scenes. A young nobleman wishes to borrow money to spend on a wealthy heiress, but falls foul of an unethical moneylender.

Power, excess and betrayal are played out in these tragedies that continue to hold modern resonance. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

Set adrift by his pirate crew, Pocket of Dog Snogging - last seen in The Serpent of Venice - washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool. But the island is in turmoil. Egeus, the Duke’s minister, is furious that his daughter Hermia is determined to marry Demetrius, instead of Lysander, the man he has chosen for her. The Duke decrees that if, by the time of the wedding, Hermia still refuses to marry Lysander, she shall be executed...or consigned to a nunnery.

Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter.

Widge is an orphan with a rare talent for shorthand. His fearsome master has just one demand: steal Shakespeare's play "Hamlet" - or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

Seventeen of the bard’s most notable plays, from A Midsummer’s Night Dream to Romeo and Juliet, abridged and novelised for young listeners. This collection also includes the biography The Life and Times of William Shakespeare. Hours of audio fun to keep children entertained while on the move!

This version of Hamlet is adapted into plain English for a younger audience, though the plot and themes of the play are unchanged. The play is adapted from Shakespeare's original by Laurie Riihimaki and performed by a full cast of voice actors with music and sound effects to amplify the mood of the performance.

This box set brings the Bard's timeless tales to life for a younger generation, with wit and panache. Samantha Newman's cleverly reworked text retains many of Shakespeare's own inimitable turns of phrase, while simplifying and clarifying the language and plots to make stories accessible to children. Perfect for children aged 7+.

This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.