Small Horrors

An atmospheric, mesmerizing novel following one woman’s return to her small town, and the secrets of its haunted past, perfect for fans of Liz Moore and Samantha Schweblin Alma Figueroa is the first person to see a girl in white. Later, more people will claim to have seen the girls: in the...

Tucked away in the foothills, surrounded by pine forests, loaded with kids who still play outside, Millwood is the small town everyone knows. For Heather Bradley, it's a place that keeps her family safe; her biggest worries are the daily grind of her job and the kids coming home late. She doesn't know that unfathomable forces are set to converge on her town and thrust their neat lives into darkness, but when her oldest son Stuart opens a one-sided door in the woods and a black cloud pours out, the Bradleys and their whole town find themselves locked in a desperate struggle for survival.

Forty years ago, triplets Miriam, Louise, and Edward were swept up in a case of rural mass hysteria. Coerced into fabricating unspeakable lies about their first-grade teacher and her adult son, they were complicit in destroying two lives. Ever since, they have believed they are being followed by a presence still seeking retribution for their childhood sins. Unless their guilty consciences are conjuring as many monsters as their innocent minds once did.

A reminder from the master storyteller Alexander Kuprin—sometimes, there are but a few steps between your own front door and unimaginable horror.

The Red House: home to the damaged genius of the late M. H. Mason, master taxidermist and puppeteer, where he lived and created some of his most disturbing works. The building and its treasure trove of antiques is long forgotten, but the time has come for his creations to rise from the darkness...

Thirteen-year-old Timmy Mantis hates pumpkins and anything to do with them. Growing up in Harvest Creek, the pumpkin-growing capital of Wisconsin, has been hell. Especially at Halloween, when the small town becomes obsessed with everything pumpkin at the annual fall festival. When an accident happens at the local research laboratory and one of the experiments escapes, Timmy realizes he was right to hate pumpkins. As the festival becomes ground zero for a monstrous invasion of gourds-gone-wild and the body count rises—literally—Timmy must face his greatest fears or become another victim.

When Gregory Tomasov moves into an abandoned farm on the edge of McGuane, Arizona, he discovers a terrible secret buried in the walls of the old building.

Jacob Reese enjoys the quiet life, running a coffee shop and renting out his cottage in The Hollows, Vermont. But the calm is shattered when a woman who looks eerily similar to his ex-girlfriend Laura turns up to stay in the cottage, and leaves a mysterious note in the guest book. Now Jacob’s seeing Laura everywhere - a glimpse of her face across the street, her music box left outside his house, a gift he gave her years before hanging from the trees. But it can’t be Laura. Because Laura’s dead.

Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm's original dump site - until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can't help but wonder if it's somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it's up to Kath to thread the clues together before someone else becomes history.

It's time for Blue Plum's annual historical festival, and everyone-including Kath and her spunky fiber and needlework group, TGIF-is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot-with a bullet from a modern-day gun.

Menace awaits. Sleath. Quiet, peaceful. A small village hidden away in the Chiltern Hills, almost forgotten by the modern world. Nothing much seems to happen here; little disturbs the centuries-old tranquillity. Until the ghosts begin to appear and frighteningly bizarre events start to occur. Psychic investigator David Ash, a man burdened by the dark secret of his own past, is sent to Sleath to investigate the phenomena and his discoveries there drive him to the very edge of his own sanity.

Small Bites exists at the fulcrum of the idyllic and the dreadful. It invokes the pleasant and mundane memories of the not-so-distant past and violently interrupts them with immediate and visceral terror. These 13 offerings beat from the corroded heart of Americana and prey upon the innocence of our cherished nostalgia. More than a horror anthology, this is a canvas oozing with living paint, pigments selected from our collective nightmares, and imprisoned within this listening experience.

When five friends are invited to a religious celebration in a small, isolated town, they are initially showered by the townsfolk with gifts and attention. As the days go by, however, it becomes clear that the community is not as innocuous as it initially presented itself. Mysterious, robed figures violently beat people who express different opinions, strange rituals take place in the church at night, and armed gunmen patrol the town perimeters–all under Prophet Martin’s orders.

Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the navy and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D. L. Harkness, a predator in all the ways there are.

Home is where the haunt is. Lexi Darling has always been a city girl through and through. New York is loud, crowded, and just chaotic enough to keep her mind off everything she’d rather not think about—especially the eerily realistic nightmares that have plagued her all her life. So when she...

Dean is a best-selling writer who struggles with writer's block ever since the scandal. Between the accident and the public scandal, no publisher wants to work with him anymore—until his agent calls him one day to tell him he managed to sign a deal with a small publisher. Dean isn't thrilled, but his lack of excitement turns into frustration when he learns that his deadline to come up with an idea for a book is 30 days.

Fourteen-year-old Eric Ross is struggling. His father is in prison for murder. His mother has slipped into addiction. Even if he can survive the bullying and the sudden run of disappearances, he has little hope for a future outside of the sleepy Massachusetts fishing town he calls home. But there is something far more important on his mind. He found her down beneath the local entertainment pier, and she seems just about perfect. Except for the teeth. But she doesn't want to simply be a part of his world. She wants more . . .

The village of Slyford St. James is no stranger to supernatural happenings, as long-time residents Jed and Emma know all too well. Although Jed’s spiritual connection with the dead was once a source of pride, it now fills him with dread. When he receives an invitation to the family estate of his old army friend Simon, who wants Jed to use his gift to solve the brutal murder of his elder brother, Jed is initially reluctant, but Emma encourages him to agree, hoping that this new sense of purpose might lift him out of his melancholy, despite the circumstances.

Things still linger in the creeks, swamps, and low places of our childhoods. They never venture into the road, nor rise to stand in open fields. They crawl about in the spider corners of aging barns, moan from mist-choked river banks, and stand hunched and patient in the shadows as we age and die. These beings neither heaven nor hell can claim.

1612 saw one of the largest and well-documented witch hunts in England. To the people of Pendle, Demdike is a name both scorned and feared. Matriarch or monster, they only see an impoverished hag. At her age, Demdike knows she should be long in her grave, but with mouths to feed she hasn't the luxury of rest. Trained in the cunning arts, she uses her craft to help others, but not all look favourably on her gift. When the Justice of the Peace arrives in Pendle, Demdike soon realises the whispers of witches are spreading, and they're focused on her.