Social Horror

In Social, renowned psychologist Matthew Lieberman explores groundbreaking research in social neuroscience, revealing that our need to connect with other people is even more fundamental, more basic, than our need for food or shelter. Because of this, our brain uses its spare time to learn about the social world-other people and our relation to them.

What begins with a sense that Michael's deceased grandfather might be inhabiting his body soon escalates to "slipping" into to the river of the dead. When Michael slips, he relives moments of his grandfather's life and tries to help him find peace. But each time he ventures into the river it's harder to come out again. Michael will have to depend on an unlikely group of friends to keep him from slipping... permanently. A penetrating twist on the classic ghost story, full of humor and insight about family relationships.

Carlos Castaneda takes the listener into the very heart of sorcery, challenging both imagination and reason, shaking the very foundations of our belief in what is “natural” and “logical”. His landscape is full of terrors and mysterious forces, as sharply etched as a flash of lightning on the deserts and mountains where don Juan takes him to pursue the sorcerer’s knowledge - the knowledge that it is the Eagle that gives us, at our births, a spark of awareness, that it expects to reclaim at the end of our lives and which the sorcerer, through his discipline, fights to retain.

Megan Crewe has received both critical accolades and popular acclaim for her young adult novels. The Way We Fall launches a new series featuring 16-year-old Kaelyn, whose island community is quarantined after the outbreak of a deadly virus. Before long, people begin to turn against each other as they fight for dwindling supplies. Remarkably, in the midst of this chaos, Kaelyn discovers both an unlikely ally and a surprising love interest. And with prospects for survival growing dimmer with each passing moment, she will need all the help she can get.

In Captive in Iran, Maryam and Marziyeh recount their 259 days in Evin. It’s an amazing story of unyielding faith - when denying God would have meant freedom. Of incredible support from strangers around the world who fought for the women’s release. And of bringing God’s light into one of the world’s darkest places - giving hope to those who had lost everything, and showing love to those in despair.

The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book, Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live - a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror.

One woman's deadly obsession with a haunted archival film precipitates her undoing in Black Flame, from the USA Today bestselling author of Manhunt, Gretchen Felker-Martin. “[Narrator Dana] Aronowitz's skillful portrayal of Ellen's breakdown will lead listeners to ponder if she can possibly...

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

"Blood-soaked, heart-wrenching, grim and glorious.”—Rachel Harrison, national bestselling author of Black Sheep From CJ Leede, the author of Maeve Fly, comes a scorching new apocalyptic novel. American Gods meets The Last of Us in this epic and sweeping story about the end of the world as we...

When Grace @FilthyBlueBird tweeted her dirtiest, most delicious secret desires to MovieStar @VaughnAsher she never expected a reply, let alone a face-to-face meeting and an offer of a lifetime. And when MovieStar @VaughnAsher figured out the woman vacationing at his family’s St. Thomas resort was the author of all those dirty hashtags a fan was relentlessly tweeting at him...well that was a challenge he couldn’t pass up. He was more than happy to #RockHerFilthyWorld.

ASBOs may be the pride and joy of New Labour, but they don't cut much ice with Horace Rumpole - he takes the old-fashioned view that if anyone is going to be threatened with a restriction of their liberty then some form of legal proceeding ought to be gone through first. When one of the Timson children is given an ASBO for playing football in the street, Rumpole soon realizes something fishy is going on.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

A Goodreads Most Anticipated Horror Novel Four unlikely allies in a small town investigate a local teen's disappearance, and what they discover festering at the core of their community is far more sinister and ancient than they could’ve ever imagined. For fans of She is a Haunting, True...

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.

Alex's second attempt to break out has failed. This time his punishment will be much worse than before. Because in the hidden, bloodstained laboratories beneath the prison, he will be made into a monster. As the warden pumps something evil into his veins - a sinisterly dark nectar - Alex becomes what he most fears: a superpowered minion of Furnace. How can he escape when the darkness is inside him?

FBI Special Agent Matthew Roarke is closing in on a bust of a major criminal organization in San Francisco when he witnesses an undercover member of his team killed right in front of him on a busy street, an accident Roarke can't believe is coincidental. His suspicions put him on the trail of a mysterious young woman who appears to have been present at each scene of a years-long string of accidents and murders, and who may well be that most rare of killers: a female serial.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Analyzing the way in which horror has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.

Brooklyn Stevens sits in a pool of her own blood, tied up and gagged. No one outside of these dank basement walls knows she’s here. No one can hear her scream. A terrifying tale in the tradition of Carrie and The Exorcist.