Social Media Study

In the late 1960s, Patsy Channing, a stunningly beautiful young woman, was suspended from the venerable Mississippi State College for Women for breach of conduct. The resulting scandal reached all the way to the Columbus courthouse, and the press ate it up. But Patsy's story starts long before that, living with a preoccupied and troubled mother in Memphis, Tennessee. Music becomes her ticket out and a vehicle for the one thing she covets most—a chance to be crowned Miss America. In Confessions of a Southern Beauty Queen, Julie Hines Mabus provides a peek into that world.

In his blistering new audiobook, Bias in the Booth, sports reporter and commentator Dylan Gwinn takes you inside the sports media spin machine to reveal what they hope you won't notice: The sports media are no different from the news and entertainment media.

In No Longer Newsworthy, Martin covers this shift in focus, the loss of political voice for the working class, and the emergence of a more conservative media in the form of Christian television, talk radio, Fox News, and conservative websites...Martin offers the mainstream media recommendations for how to push back against right-wing media and once again embrace the working class as critical to its audience and its democratic function.

Once a shoestring operation built on plywood sets and Australian rules football, ESPN has evolved into a media colossus. A genius for cross-promotion and its near-mystical rapport with its viewers empower the network to set agendas and create superstars, to curate sports history even as it mainstreams the latest cultural trends. Travis Vogan teams archival research and interviews with an all-star cast to pen the definitive account of how ESPN turned Xs and Os into billions of $$$.

With his distinctive blend of frontline determination and a journalist's knack for a good story, former CBS anchorman Dan Rather looks at the awesome struggles and everyday accomplishments he's witnessed at home and around the globe. Ranging from the Iraq conflict to a schoolyard shooting in Arkansas, from the Oklahoma City bombing to encounters with world-renowned figures such as Princess Diana, Bill Gates, and Dolly Parton, Deadlines and Datelines provides unique insights from one of America's premier newsmen.

In Polygamy: A Very Short Introduction, Sarah M.S. Pearsall explores what plural marriages reveal about the inner workings of marriage and describes the controversies surrounding it. The book emphasizes the diversity of historical polygamist societies, from the Shi'ite Muslims and Wendat men who practiced short-term marriages to the Mixteca, Maori, Inca, Algonquin, and Marta indigenous people of North America and the Pacific Islands. Pearsall also explains the divides within Christianity that led to Joseph Smith's establishment of the Church of Jesus Christ of Latter-day Saints.

Where do our everyday words come from? The bagel you eat for breakfast, the bumf you have to wade through at the office, and the bus that takes you home again: we use these words without thinking about their origins or how their meanings have changed over time. Simon Horobin takes the listener on a journey through a typical day, showing how the words we use to describe routine activities - getting up, going to work, eating meals - have surprisingly fascinating histories.

In Enemy of the People, Marvin Kalb, an award-winning American journalist with more than six decades of experience both as a journalist and media observer, writes with passion about why we should fear for the future of American democracy because of the unrelenting attacks by the Trump administration on the press.

In this Very Short Introduction, Robert Segal introduces the array of approaches used to understand the study of myth. These approaches hail from disciplines as varied as anthropology, sociology, psychology, literary criticism, philosophy, science, and religious studies. Including ideas from theorists as varied as Sigmund Freud, Claude Levi-Strauss, Albert Camus, and Roland Barthes, Segal uses the famous ancient myth of Adonis to analyze their individual approaches and theories.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners,” and photographers who fought the war on the ground in cities across America.

In this blistering polemic, veteran journalist Mick Hume presents an uncompromising defence of freedom of expression, which he argues is threatened in the West not by jackbooted censorship but by a creeping culture of conformism and you-can't-say-that. The cold-blooded murder of the Charlie Hebdo cartoonists in January 2015 brought a deadly focus to the issue of free speech. Leaders of the free-thinking world united in condemning the killings, proclaiming ‘Je suis Charlie'.

A story of courage, unconventionality and lust for life. Vera Wasowski was just seven years old when German soldiers marched her family into the Lvov Jewish ghetto in Poland. She watched her father take his own life and her mother accede to sexual blackmail in order to ensure her and Vera’s survival. With unsparing honesty and the blackest humour, she recalls a world where the desire to survive was everything.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

Seeking ways to understand video games beyond their imperial logics, Patterson turns to erotics to re-invigorate the potential passions and pleasures of play. Video games vastly outpace all other mediums of entertainment in revenue and in global reach. On the surface, games do not appear ideological, nor are they categorized as national products. Instead, they seem to reflect the open and uncontaminated reputation of information technology. Like literature and film before it, video games have become the main artistic expression of empire today.

Instagram está tan ligado a nuestro día a día que su historia no puede disociarse del impacto que tiene sobre nuestras vidas. Desde su creación en el año 2010 de la mano de Kevin Systrom y Mike Krieger como una aplicación simple e intuitiva, lnstagram se ha convertido en una máquina de hacer famosos como nunca antes se había visto -ya sea en el patio de los colegios, en el mundo cultural o en el de la moda- en busca de un reconocimiento digital que obtiene gracias a likes, comentarios, seguidores y espectaculares acuerdos con distintas empresas.

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners”, and photographers who fought the war on the ground in cities across America.

Sagen Medien, was ist? Eindeutig: nein. Der Bruch mit der Wirklichkeit ist im Journalismus längst eine bestimmende Konstante. Immer wieder ist zu beobachten, wie Medien Wirklichkeit ignorieren, verdrehen, frisieren oder gar gleich erfinden. Die Wirklichkeit, die Medien uns vor Augen führen, ist oft so stark verzerrt, dass es gilt, sie grundlegend zu hinterfragen. Insbesondere in den Zentren der tonangebenden Medien ist ein Journalismus entstanden, der mehr und mehr Züge einer Glaubenslehre trägt. Häufig bedienen Journalisten zuerst die eigenen Glaubensüberzeugungen, dann kommen die Fakten.

A sharecropper, a warrior, and a truth-telling prophet, Fannie Lou Hamer (1917-1977) stands as a powerful symbol not only of the 1960s Black freedom movement, but also of the enduring human struggle against oppression. This is a rhetorical biography that tells the story of Hamer's life by focusing on how she employed symbols - images, words, and even material objects such as the ballot, food, and clothing - to construct persuasive public personae, to influence audiences, and to effect social change.

In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering.