Sociology History

It’s hard to avoid innovation these days. Nearly every product gets marketed as being disruptive, whether it’s genuinely a new invention or just a new toothbrush. But in this manifesto on the state of American work, historians of technology Lee Vinsel and Andrew L. Russell argue that our way of thinking about and pursuing innovation has made us poorer, less safe, and — ironically — less innovative. Drawing on years of original research and reporting, The Innovation Delusion shows how the ideology of change for its own sake has proved a disaster.

A parallel army lives on the margins of the Iraq war - nearly 100,000 armed men, invisible yet in plain sight, doing jobs the overstretched and understaffed military can't or won't do. The U.S. media call them "security contractors." They call themselves "mercs," and they operate under their own rules. Washington Post reporter Steve Fainaru traveled with several groups of security contractors to find out what motivates them to put their lives in danger every day.

Woody Guthrie is often mythologized as the classic American "rambling man", a real-life Steinbeckian folk hero who fought for working-class interests and inspired Bob Dylan. Biographers and fans frame him as a foe of fascism and focus on his politically charged folk songs. What's left unexamined is how the bulk of Guthrie's work - most of which is unpublished or little known - delves into the importance of intimacy in his personal and political life.

The United States has been fighting wars constantly since invading Afghanistan in 2001. This nonstop warfare is far less exceptional than it might seem: The United States has been at war or has invaded other countries almost every year since independence. In The United States of War, David Vine traces this pattern of bloody conflict from Columbus' 1494 arrival in Guantanamo Bay through the 250-year expansion of a global US empire.

Unflinchingly honest about the brutality of this nation’s founding and its legacy of settler-colonialism and genocide, the impact of Roxanne Dunbar-Ortiz’s 2014 book is profound. This classic is revisited with new material that takes an incisive look at the post-Obama era from the war in Afghanistan to Charlottesville’s white supremacy-fueled rallies, and from the onset of the pandemic to the election of President Biden.

In Distracted, journalist Maggie Jackson ponders our increasingly cyber-centric world and fears we're entering a dark age of interruption that will render us unable to think critically, work creatively or cultivate meaningful relationships.

تفرد الدكتور والمفكر علي الوردي في طرح بعض الإشكاليات والمواضيع الاجتماعية الهامة والتي كان الناس يأخذونها مأخذ اليقين، في هذا الكتاب يُناقش بعض القيم التي تهدد البنية الاجتماعية وتتسبب في تآكل دور المدينة في مواجهة زحف الريف.

How did the preaching of a peasant carpenter from Galilee spark a movement that would grow to include over two billion followers? Who listened to this "good news," and who ignored it? Where did Christianity spread, and how? Based on quantitative data and the latest scholarship, preeminent scholar and journalist Rodney Stark presents new and startling information about the rise of the early church, overturning many prevailing views of how Christianity grew through time to become the largest religion in the world.

"La crise. On ne parlait que de ça, mais sans savoir réellement qu'en dire, ni comment en prendre la mesure. Tout donnait l'impression d'un monde en train de s'écrouler."

Published in 1961, the year of Frantz Fanon's death, The Wretched of the Earth is both a powerful analysis of the psychological effects of colonization and a rallying cry for violent uprising and independence. The book rejects colonial assumptions that the people of colonized countries need to be guided by their European colonizers because they are somehow less evolved or civilized. Fanon argues that violence is justified to purge colonialism not just from the countries themselves, but from the very souls of their inhabitants.

A lauded expert on European history paints a vivid picture of Paris, London, and New York during the Age of Revolutions, exploring how each city fostered or suppressed political uprisings within its boundaries. In The Unruly City, historian Mike Rapport offers a vivid history of three intertwined cities toward the end of the 18th century - Paris, London, and New York - all in the midst of political chaos and revolution.

In the last 350-odd years, the international “scientific community” has come to be the bastion of consensus and concerted action, especially in the face of two global crises: disastrous climate change, and a deadly pandemic. How did “the scientific community” come into existence, and why does it work? Rivals is an attempt to answer these questions in the form of a brief historical overview, from the late seventeenth to the early twenty-first centuries.

Many black strategies of daily resistance have been obscured—until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.

The Ball in the Air is reported with Bamberger’s you-are-there intimacy and captures the sweep of time. Pratima finds her way from Nepal to a university golf team in Southern California. Ryan and his father caddie in minor-league events while sleeping in tents, a preamble to Ryan’s becoming the godfather of the popular Monday Qualifier Twitter feed. Sam Reeves, born in rural Georgia during the Depression, becomes a cotton king, the oldest amateur to make the cut at the Pebble Beach National Pro-Am, and the ultimate man for all seasons.

For the last five years, James and Deborah Fallows have been traveling across America in a single-engine prop airplane. Visiting dozens of towns, they have met hundreds of civic leaders, workers, immigrants, educators, environmentalists, artists, public servants, librarians, businesspeople, city planners, students, and entrepreneurs to take the pulse and understand the prospects of places that usually draw notice only after a disaster or during a political campaign. The America they saw is acutely conscious of its problems, but it is also crafting solutions.

Our investmeents are devastated, obesity is epidemic, blue-chip companies circle the drain, and popular medications turn out to be ineffective and even dangerous. What happened? Didn't we listen to the scientists, economists, and other experts who promised us that if we followed their advice all would be well?

Something is wrong. We all know it. American life expectancy is declining for a third straight year. Birth rates are dropping. Nearly half of us think the other political party isn’t just wrong; they’re evil. We’re the richest country in history, but we’ve never been more pessimistic. What’s causing the despair? In Them, bestselling author and U.S. senator Ben Sasse argues that, contrary to conventional wisdom, our crisis isn’t really about politics. It’s that we’re so lonely we can’t see straight—and it bubbles out as anger. Local communities are collapsing.

A work of genuine social history, After the Black Death leads the listener into the villages and cities of European society. The book begins with an overview of family and community structure, social conflict, and religious beliefs. After describing the fundamental traits of both rural and urban society, it considers the elites, armed rebellion, poverty, criminality, sexual behavior, and marriage practices.

Liverpool and Manchester. Two gloriously independent-minded, eclectic, culturally vibrant places—two cities, both alike in dignity. Yet the inhabitants dislike each other with a passion that is visceral. It is a divide that spans generations, across class and ethnicity. It is a divide that has grown over the years, largely driven by one thing: football. The dark, malignant loathing shared by the followers of Liverpool and Manchester United has seeped into every aspect of life in the two cities.

In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics.