Theater Biographies

Carey Perloff, Artistic Director of San Francisco's legendary American Conservatory Theater, pens a lively and revealing memoir of her 20-plus years at the helm and delivers a provocative and impassioned manifesto for the role of live theater in today's technology-infused world. Perloff's personal and professional journey - her life as a woman in a male-dominated profession, as a wife and mother, a playwright, director, producer, arts advocate, and citizen in a city erupting with enormous change.

You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.

As an expert and speaker on mass shootings and gun violence, Dr. Lynn Fenton knew it was impossible to “spot a killer”. But when she met her new patient, troubled grad student James Holmes, the hair on her arms stood up. She feared he was going to kill. Yet she could find no way to thwart him. A few months later, Holmes struck: He entered a packed movie theater and opened fire, killing 12 people and wounding 70; some were left brain damaged, several were paralyzed for life. Immediately the familiar debates reignited: the crisis of mental health access.

Since its founding by Joseph Papp in the 1950s, The Public Theater has been an American artistic leader defined by its breadth of programming, from Hair and A Chorus Line, to Free Shakespeare in the Park. With the recent critical and financial success of Fun Home and Hamilton, and its emphasis on new play development, The Public's contemporary history has been equally remarkable, even as world crises and social changes have tested the mettle of its foundation of accessible and "radically inclusive" theatre for all.

Die Schauspielerin Angela Winkler führt mehr als ein Leben: für die Bühne, für den Film – und gleichermaßen für ihre Familie. In Mein blaues Zimmer erzählt sie von diesen Leben und nimmt uns mit hinter die Kulissen ihres geliebten Theaters. Sie erinnert sich an ihre Anfänge als Schauspielerin in Castrop-Rauxel und beim Neuen Deutschen Film, an die vielen fast verfallenen Häuser in Italien und Frankreich, die sie gemeinsam mit ihrem Mann umgebaut und zum Leben erweckt hat, und lässt uns an ihrer Liebe zur Natur teilhaben.

Boomer: In the Theater of Fearful Tragedies is a nonfiction account of the life of Colonel George B. Boomer, a little-known bridge builder and combat veteran who served in the Civil War of the United States. He was the son of a Baptist minister from Sutton, Massachusetts, who struggled with his Christian faith while searching for God's plan for his life. While his formal education was limited by a youthful disability of the eyes, he became a self-taught master bridge builder who learned to speak multiple languages while living in the state of Missouri.

Sondheim in Our Time and His offers a wide-ranging historical investigation of the landmark works and extraordinary career of Stephen Sondheim, a career which has spanned much of the history of American musical theater. Each author uncovers those aspects of biography, collaborative process, and contemporary context that impacted the creation and reception of Sondheim's musicals. In addition, several authors explore in detail how Sondheim's shows have been dramatically revised and adapted over time, bringing together his past with the present, thriving existence of his musicals.

Erinnerungen eines legendären Theatermachers. Erstmals erzählt Tom Pauls von dem Moment, der ihn für die Bühne begeisterte, von Selbstzweifeln während seines Schauspielstudiums, den Widersprüchen vor 1989 sowie dem Neuanfang nach 1990. Noch nie sprach er so persönlich von den Höhen und Tiefen seiner Karriere, über die Rolle des Theaters in der DDR, die Ostalgie sowie gegenwärtige Katastrophen wie Elbe-Hochwasser und Corona-Pandemie. Ohne Herausforderungen ging es bei ihm nie. Aber mit Possen bringt er unverdrossen sein Publikum zum Lachen und macht immer weiter Theater.

Their names are iconic: Eugene O’Neill, Willem de Kooning, Josef and Anni Albers, Emma Goldman, Mary McCarthy, Edward Hopper, Walter Gropius—the list goes on and on. Scorning the devastation that industrialization had wrought on the nation’s economy and workforce in the early decades of the twentieth century, they gathered in the streets of Greenwich Village and on the beachfronts of Cape Cod. John Taylor “Ike” Williams, who married into the Cape’s artistic world and has spent half a century with these luminaries, renders the lives and careers of a staggering generation.

In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich listening for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

Amanda Vaill, Jerome Robbins biographer and authority, drawing on the vast and closely held Robbins archives, has put together a selection of his writings, giving us a sense of his extraordinary range as a thinker and artist, as well as a surprising and revealing glimpse into the mind and heart of this towering cultural giant.

If you read a standard history of magic, you learn that it begins in ancient Egypt with the resurrection of a goose in front of the Pharaoh. You discover how magicians were tortured and killed during the age of witchcraft. You are told how conjuring tricks were used to quell rebellious colonial natives. The history of magic is full of such stories, which turn out not to be true. Behind the smoke and mirrors, however, lies the real story of magic.

Was murder part of the game? Seventeen-year-old Kat McDonough grew up with theater in her blood - and a penchant for make-believe. More than a decade older, Seth Mazzaglia was well-known in the community theater circle of Portsmouth, New Hampshire. He, too, had a rich inner life - and he soon had Kat convinced that they were soul mates. To intensify their bond, Seth lured Kat into a world of violent sex and role-playing, where she was his slave. Enter Lizzi Marriott, the new girl in town. And when she accepts an invitation to Kat and Seth's apartment....

In 1974, director/producer Harold Prince released his first book, Contradictions: Notes on Twenty-Six Years in the Theatre. Although Contradictions has since attained cult status among producers, directors, and actors alike, Prince, in hindsight, believes he wasn't ready to publish such a tome at that point in his career. Although he doesn't regret that effort, he is at last prepared to conclude it. In Sense of Occasion, Prince returns to this seminal text, invigorating it with fresh insights cultivated through four decades of additional practice.

The abolitionist legacies of Orville Brown and his son, Spencer, live on in this historic and daring 19th-century account. Journeying apart from each other, but with similar passion, Orville and Spencer's stories span virtually every major abolitionist event: from the battles of Bleeding Kansas and the establishment of the free-soil movement to the river wars of Memphis, Vicksburg, and Shiloh. Listeners will follow Orville west as he strikes out for Kansas Territory to help ensure its entry as a free state.

George Chakiris famously played the angry gang leader Bernardo in the film version of West Side Story (1961), for which he won an Oscar for best supporting actor. My West Side Story is an insider's look at how this theatrical and cinematic landmark evolved from a conversation in Jerome Robbins's Manhattan apartment between him, Arthur Laurents, and Leonard Bernstein to ten Oscars, three Golden Globes, two Tony Awards, and a Grammy.

Theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with 19 of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff, and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past 50 years.

In Nothing Like a Dame, theater journalist Eddie Shapiro opens a jewelry box full of glittering surprises, through in-depth conversations with twenty leading women of Broadway. He carefully selected Tony Award-winning stars who have spent the majority of their careers in theater, leaving aside those who have moved on or occasionally drop back in. The women he interviewed spent endless hours with him, discussing their careers, offering insights into the iconic shows, changes on Broadway over the last century, and the art (and thrill) of taking the stage night after night.

Norman Mathews was born in the wrong town, the wrong era, and with the wrong name. What’s a boy to do? He conjured up a more enticing, imaginary world to better navigate the perils of childhood. Dreams of a life in the theater and of passionate romance were stymied by lack of self-assurance.

Albert Poland, legendary Broadway and Off-Broadway producer and general manager, presents Stages: A Theater Memoir.