Urban Crime

In 1973, Roseann Quinn, an Irish-Catholic teacher at a school for deaf children, was killed in New York City after bringing a man home to her apartment from an Upper West Side pub. The crime made headlines and the ensuing case quickly evolved into a cultural phenomenon. In this groundbreaking true crime tale, Lacey Fosburgh, the New York Times reporter first assigned to the story, utilizes an inventive dramatization technique to veer between the chilling, suspenseful personal interactions leading up to the brutal stabbing and the gritty details of its aftermath.

A dangerous man is on the run, with nothing left to lose. And more than anything he wants Gen Beaufont dead. She's the one who exposed him for who he is and ruined him—exactly as he deserved. The Rogue Riders have never been more disorganized and split. They need a leader. They need direction. They need a medieval warrior who knows how to fight for justice in brand new ways. The Rogue Riders need Gen Beaufont. The world needs her and the ruler of dragons to step into the leadership roles they were made for. Only they can take the reins and restore balance between good and evil.

After a successful L.A. television career, Ray Mitchell returns to the New Jersey housing project where he grew up, to rethink his life, reconnect with his teenage daughter, and give back to the community. Things are looking up: he's seeing a woman from the old neighborhood and teaching at his high school. But suddenly, he is found savagely beaten. He knows who did it, but won't talk. It's up to Nerese Ammons, a childhood acquaintance and now a police detective, to get Ray to tell what happened.

As a painter travels the world and creates his art, he also mourns the death of his queen, his wife. He is secluded from the world and finds an escape through the drawings in his work. Not until he gets an unexpected knock at his door does his life take a drastic turn. The guest presents a problem that traps them inside of a home for 72 hours and this quiet suburban estate becomes the devil’s playground. The painter is then thrown into a psychological game that has twists and turns, which leads to an unforeseeable ending.

After she’s shot in the line of duty, Detective Carolina McKay returns to her hometown hoping to rebuild her life and conquer her demons. But before she can even unpack, a college student is found dead in a ditch. The crime scene looks familiar. Too familiar. Has the madman who terrorized Carolina’s childhood, reemerged? Or is a new killer copying those old murders?

Korey Taylor, a.k.a. "Killa Korey" and his ace, Hammer, were sentenced to serve two decades in federal prison, but after an unexpected change in the crack cocaine sentencing laws, Korey is released. Now he's on his way home to Charlotte, North Carolina. Like Hammer, Korey is a thug with a violent nature, nothing to joke around with in the cold streets. However, while serving his time, Korey took classes that he hoped would help him become someone other than a drug dealer. Armed with a new way of thinking and a deep desire to reconnect with his teenage daughter, Korey wants to wave goodbye to the game.

El autor retoma el relato de una vida de desamparo y violencia la noche en que a los dieciséis años, herido de varios balazos, entra a un instituto de menores. Con una prosa madura -cruda y directa-, González nos lleva a un mundo que conoce como pocos. Y como pocos, se aleja de todo cliché. La caída es insoportable. Arden las heridas de bala, desespera la soledad, se subleva la sangre que reclama cocaína, poxirrán y pastillas. ¿Y ahora? Tras las rejas, las voces de otros pibes quieren captarlo para uno de los dos bandos enemigos que manejan el instituto de menores.

One phone call. Two lives. Their darkest secrets. Lana needs to sell a holiday, fast. Stuck in Tenerife, in a dead end job, she never expected a response quite like Liam’s. Thousands of miles away a phone rings. Liam never intended to pick up - he’s too busy choosing the quickest way to die. But at least someone should know the truth before he goes, even if that someone is a stranger. As time runs out both are drawn to the other, expressing thoughts they never imagined they would share. When you’re about to die, will your secrets even matter?

A large part of Goines' 39 years of life was spent being a successful pimp, a heif, an operator of corn liquor houses, an armed robber, and a small-time dope dealer. He lived the life of the streets, and out of that experience he created Prince, the anti-hero of Black Gangster. It's the story of the shocking underworld of Black organized crime and the fledgling Black "godfather" who goes from teenager ganglord to powerful Detroit mobster. Like the gangsters of the 1920s, he begins with bootlegging and branches out into every known crime.

Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class Black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest. As details surrounding the shocking case emerged, both the crime and ensuing trial - which spanned several months - were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the Black community to public attention.

Social scientists have long argued over the links between crime and place. The authors of Communities and Crime provide an intellectual history that traces how varying images of community have evolved over time and influenced criminological thinking and criminal justice policy.

The year is 2072, and Deacon City, a metropolis mirroring the restless pulse of modern-day Los Angeles, evolves into a sprawling urban maze where danger lurks at every corner. Time slips by, thirty years since the last Mortal Kombat tournament, yet the city's underbelly still simmers with the embers of old rivalries. For its inhabitants, Deacon City is both a glittering beacon of opportunity and a treacherous pit of vice. Petty crimes and criminal activities have become woven into the fabric of daily life, thriving in the shadowy alleys and neon-lit streets.

Buddha was gunned down in the last episode of this ghetto game of thrones, but life must go on for the rest of the crew. The Buddha crew must learn how to thrive without him. Rip steps up and takes over where he left off. The out of state move proves to be lucrative so he doubles down. Carlos bites off more than he can chew, while trying to be someone he's not. He soon finds himself in trouble and will have to make a drastic decision. Either way he chooses in a lose/lose proposition. Not to mention his sister is getting deeper into the street life.

Was haben ein Filmproduzent, Feen und ein Magier gemeinsam? Aillard Blackwood, Berater für das New Scotland Yard und Vollzeitmagier stellt sich genau dieser Frage. Nachdem seine Partnerin, Sergeant Paxton, ihn in Londons bekannteste Filmstudios zitiert, gerät er in ein ebenfalls filmreifes Netz von Lügen, Gewalt und Intrigen. Blackwood muss sich ohne seine Magie durch dieses undurchschaubare Gewirr, das eher einer Telenovela als einem gewöhnlichen Fall gleicht, kämpfen.

After laterally transferring from the sleepy bedroom hamlet of the Town of Camillus Police Department, Officer Patrick MacKenna has a whole different learning curve to contend with.... He rarely if ever had to pull his gun at CPD, but now he has a hard time leaving it in the holster. Drug dealers, gang bangers, robberies, shootings, and stabbings just keep adding up in his daily log as he tries to assimilate to the fast pace life of a city cop in an urban setting.

Frankie Verdi, Eddie Williams and Tony Thompson are The Three Dogs. A ruthless criminal gang. A law unto themselves. Detective Jim Hacker has watched the Dogs grow from thuggish youths to psychotic criminals and seems to be the only cop in town with the determination to see justice done. Meanwhile Jamie Strange, a young Royal Marine, finds himself embroiled in the lives of the gang when his girlfriend, Laurie Holland, cuts off their engagement...to be with the most dangerous of the Dogs: Frankie Verdi.

A 29-year-old man lives alone in his Glasgow flat. The telephone rings; a casual conversation, but behind this a job offer. The clues are there if you know to look for them. He is an expert. A loner. Freelance. Another job is another job, but what if this organisation wants more? A meeting at a club. An offer. A brief. A target: Lewis Winter. It’s hard to kill a man well. People who do it well know this. People who do it badly find out the hard way. The hard way has consequences.

Ambientada en Boston a finales de la Primera Guerra Mundial, Cualquier otro día -primera entrega de la serie Coughlin- es una impresionante epopeya que cuenta la historia de dos familias arrastradas por la vorágine política y social de un mundo que se recupera con enormes dificultades de los estragos de la Gran Guerra.

Sin duda, no hay en la actualidad ningún escritor que retrate con mayor verosimilitud el mundo de los gánsteres en Estados Unidos durante la primera mitad del siglo XX que Dennis Lehane, y esta electrizante novela —que cierra la trilogía iniciada con Cualquier otro día y Vivir de noche— es la mejor prueba de ello.

At the end of the 1976 football season, more than forty Harvard athletes went to Boston's Combat Zone to celebrate. In the city's adult entertainment district, drugs and prostitution ran rampant, violent crime was commonplace, and corrupt police turned the other way. At the end of the night, Italian American star athlete Andy Puopolo, raised in the city's North End, was murdered in a stabbing. Three African American men were accused of the crime. His murder made national news and led to the eventual demise of the city's red-light district.