Victorian History

The encyclopedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, a good set conveyed a sense of absolute wisdom on its reader. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. Adults cleared their shelves in the belief that everything that was explainable was now effortlessly accessible in their living rooms.

To live in 19th-century Britain was to experience an astonishing series of changes, of a kind for which there was simply no precedent. There were revolutions in transport, communication and work; cities grew vast; and scientific ideas made the intellectual landscape unrecognisable. This was an exhilarating time but also a horrifying one. In his new book, David Cannadine has created a bold, fascinating new interpretation of the British 19th century in all its energy and dynamism, darkness and vice.

This remarkable account has had an enduring influence on social and economic studies and has remained in print since its first English publication in 1885. It was written, in German, by a youthful Friedrich Engels, the son of a German industrialist, who was already concerned - even angered - by the conditions he saw inflicted on the working classes as the Industrial Revolution gathered momentum. His first visit to England (1842-44) and what he saw there with his own eyes fuelled his concerns and prompted him to make this formal study.

The Whitechapel Murders of 1888 have remained unsolved for over 130 years and hundreds of theories have been suggested as to the killer's identity. Despite numerous books claiming to unmask the infamous Victorian villain, none have come close…until now. The authors of this book are all members of H Division Crime Club, the world's largest body of experts on the Jack the Ripper murders. They have all come together for the first time in history to deliver their own personal research into each suspect and to finally nail down the identity of the man known as Jack the Ripper.

Isabel Archer is a young American woman swept off to Europe in the late 19th century by an aunt who hopes to round out the impetuous but naïve girl's experience of the world. When Isabel comes into a large, unexpected inheritance, she is finagled into a marriage with the charming, penniless, and - as Isabel finds out too late - cruel and deceitful Gilbert Osmond, whose connection to a certain Madame Merle is suspiciously intimate.

On Sarah A. Chrisman's 29th birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset - ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it.

In 1815 the Battle of Waterloo brought to an end the Napoleonic Wars and the European continent opened up once again to British tourists. The nineteenth century was to be an age driven by steam technology, mass-industrialisation and movement, and, in the footsteps of the Grand Tourists a hundred years earlier, the British middle-classes flocked to Europe to see the sights. In Tourists, the voices of these travellers – puzzled, shocked, delighted and amazed – are brought vividly to life.

Who lived to regret her "deathbed" confession? Was Amelia Dyer mad or wicked? Why did the judiciary look compassionately on women who committed infanticide? Among over 80 women whose stories appear in this book, some were tragic; some were evil; some were mad; and several were undoubtedly innocent of the murders for which they were hanged.

Vicky, Alice, Helena, and Beatrice were historically unique sisters, born to a sovereign who ruled over a quarter of the earth's people and who gave her name to an era: Queen Victoria. Two of these princesses would themselves produce children of immense consequence. All five would curiously come to share many of the social restrictions and familial machinations borne by 19th-century women of less-exulted class.

To many Queen Victoria was a ruler shrouded in myth and mystique, portrayed as an aging, stiff widow. But in truth Britain’s longest-reigning monarch was passionate, expressive, humorous, and unconventional. A. N. Wilson’s exhaustively researched and definitive biography includes a wealth of new material from previously unseen sources, showing us Queen Victoria as she’s never been seen before.

Born into a respected Irish-Anglo family in 1860, Charles loves his native land and its long-suffering but irrepressible people. As a healer, he travels the countryside dispensing traditional cures while soaking up stories and legends of bygone times - and witnessing the painful, often violent birth of land-reform measures destined to lead to Irish independence. At the age of 40, summoned to Paris to treat his dying countryman - the infamous Oscar Wilde - Charles experiences the fateful moment of his life.

'The Manual For Good Wives, a fast-paced tale of courage and resilience is beautifully written and remarkably moving. An absolute masterpiece' - Mike Gayle, author of All the Lonely People 'Simply brilliant' - Alexandra Potter, bestselling author of Confessions of a Forty-Something F**k Up *****...

Everfair is a wonderful neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonization of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African American missionaries to purchase land from the Belgian Congo's "owner", King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary utopia for native populations of the Congo, as well as escaped slaves returning from America.

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children's literature. Animating the Victorians: Disney's Literary History explores Disney's adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen.

Spanning the end of the Regency, Ackroyd takes listeners from the accession of the profligate George IV, whose government was steered by Lord Liverpool, whose face was set against reform, to the "Sailor King" William IV, whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, at only 18 years old, that sparked an era of enormous innovation. Technological progress - from steam railways to the first telegram - swept the nation, and the finest inventions were showcased at the first Great Exhibition in 1851.

When Ned meets governess Phoebe Baker, he becomes intent on gaining her affections. Phoebe wants nothing more than to keep her head down, teach her students, and go unnoticed-especially by the Earl of Ashby. But his rakish secretary has the infuriating habit of constantly crossing her path. Yet Phoebe cannot deny that her pulse quickens in Ned's presence. If this prim-and-proper governess lets her heart rule, will fate intervene where Ned's luck has forsaken him?

Three Empires on the Nile tells of the rise of the first modern Islamic state and its fateful encounter with the British Empire of Queen Victoria. Ever since the self-proclaimed Islamic messiah known as the Mahdi gathered an army in the Sudan and besieged and captured Khartoum under its British overlord Charles Gordon, the dream of a new caliphate has haunted modern Islamists. The 19th-century origins of it all were even more dramatic and strange than today's headlines.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

A smart, provocative account of the erotic current running just beneath the surface of a stuffy and stifling Victorian London.

In 1860s London, two loosely overlapping groups of bohemians - the Cannibal Club and the Aesthetes - challenged the buttoned-up Victorian propriety to promote erotic freedom and expression. Sensually attuned and politically radical, they were among the most influential thinkers and artists of the day, from Richard Burton to Dante Gabriel Rossetti and William Morris.

Number 4 Euston Square was a respectable boardinghouse, like many others in Victorian London. But beneath this ordinary veneer lurked a murderous darkness. On 8th May 1879, the corpse of former resident Matilda Hacker was uncovered in the coal cellar. The investigation that followed stripped bare the shadow-side of Victorian domesticity, throwing the lives of everyone within into an extraordinary maelstrom.